Why publish a collection of columns, essays and reviews that have already appeared in print in various newspapers and magazines? To be candid, all writers enjoy seeing their journalistic work appear in the more permanent form of a book. On a more practical level, however, the reason for this compilation is that so many people have asked for it. When author Michael Coren speaks in public, when a particular column appears somewhere, when people read him in a newspaper or watch him on television for the first time, he is asked if there is somewhere they can buy a book of his journalism. Now that answer can be given.

All Things Considered is a collection of essays for London Daily News by Gilbert Keith Chesterton, an English writer, philosopher, lay theologian, and literary and art critic. The collection covers a wide variety of topics like the voting system, religion, or science.

An irreverent and charming collection of deeply personal essays about the joys of low pop culture and bad taste, exploring coming of age in the 2000s in the age of Hot Topic, Creed, and frosted lip gloss—from the James Beard Award-nominated writer of the Catapult column "Store-Bought Is Fine” Tacky is about the power of pop culture—like any art—to imprint itself on our lives and shape our experiences, no matter one's commitment to "good" taste. These fourteen essays are a nostalgia-soaked antidote to the millennial generation's obsession with irony, putting the aesthetics we hate to love—snakeskin pants, Sex and the City, Cheesecake Factory's gargantuan menu—into kinder and sharper perspective. Each essay revolves around a different maligned (and yet, Rax would argue, vital) cultural artifact, providing thoughtful, even romantic meditations on desire, love, and the power of nostalgia. An essay about the gym-tan-laundry exuberance of Jersey Shore morphs into an excavation of grief over the death of her father; in "You Wanna Be On Top," Rax writes about friendship and early aughts girlhood; in another, Guy Fieri helps her heal from an abusive relationship. The result is a collection that captures the personal and generational experience of finding joy in caring just a little too much with clarity, heartfelt honesty, and Rax King's trademark humor. A VINTAGE ORIGINAL

From NPR commentator ("All Things Considered") Ed Cullen comes this collection of humorous commentaries on life in southern Louisiana, including Mardi Gras, science fairs, and how the denizens of Guatemala North (Baton Rouge) stay cool.

As the world rushes by at an ever dizzier pace, few of us take the time to contemplate what is truly important in life. Luckily, we have journalist and broadcaster Roy Bonisteel to point us in the right direction. His insight and gentle wit illuminate the over 80 thoughtful essays that compriseAll Things Considered A collection of Bonisteel's best-loved pieces from his popular regular column in theUnited Church Observermagazine,All Things Consideredcontains countless gems of understanding and introduces us to people--both unknown and famous--whose lives embody qualities that Roy Bonisteel holds dear; intellectual honesty, inner resourcefulness, commitment to an ideal, and inexhaustible compassion. In this entertaining and uplifting collection, Bonisteel's subject matter ranges from the spiritual wateland of modern politics and media to edifying portraits of courage in the face of devastating disabilities and tragic personal loss. The common thread is the value of the individual life and of humanity as a whole.

George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times

"These essays on a woman's wild ride through life give us Marion's bracing tonic–of–truth voice in splendid form—her voice that is always brilliantly funny, intelligent, brave, haunting, and full of surprises, revelations, and wise, wild connections. At this point, I don't think I could live without it. If you don't know her yet, your life is about to get better." —Naomi Shihab Nye Whether she is writing about the vagaries of family vacations on land and sea, about getting her tubes tied and the importance of a woman's right to choose, or her battles with her rebel pyromaniac teenage son, Marion Winik is searingly honest and unfailingly witty in the face of adversity. In this collection of essays, a treat for dedicated fans and new readers alike, Winik explores domesticity, midlife, and aging. A brand new final section brings Above Us Only Sky—originally published in 2005—up to date with essays from her award–winning column in the Baltimore Fishbowl, taking us through experiences with blended families, adult children, and empty nest.

A new collection of inspiring personal philosophies from another noteworthy group of people This second collection of This I Believe essays gathers seventyfive essayists—ranging from famous to previously unknown—completing the thought that begins the book's title. With contributors who run the gamut from cellist Yo-Yo Ma to ordinary folks like a diner waitress, an Iraq War veteran, a farmer, a new husband, and many others, This I Believe II, like the first New York Times bestselling collection, showcases moving and irresistible essays. Included are Sister Helen Prejean writing about learning what she truly believes through watching her own actions, singer Jimmie Dale Gilmore writing about a hard-won wisdom based on being generous to others, and Robert Fulghum writing about dancing all the dances for as long as he can. Readers will also find wonderful and surprising essays about forgiveness, personal integrity, and honoring life and change. Here is a welcome, stirring, and provocative communion with the minds and hearts of a diverse, new group of people—whose beliefs and the remarkably varied ways in which they choose to express them reveal the American spirit at its best.

David Carr was an addict for more than twenty years -- first dope, then coke, then finally crack -- before the prospect of losing his newborn twins made him sober up in a bid to win custody from their crack-dealer mother. Once recovered, he found that his recollection of his 'lost' years differed -- sometimes radically -- from that of his family and friends. The night, for example, his best friend pulled a gun on him. 'No,' said the friend (to David's horror, as a lifelong pacifist), 'It was you that had the gun.' Using all his skills as an investigative reporter, he set out to research his own life, interviewing everyone from his parents and his ex-partners to the policemen who arrested him, the doctors who treated him and the lawyers who fought to prove he was fit to have custody of his kids. Unflinchingly honest and beautifully written, the result is both a shocking account of the depths of addiction and a fascinating examination of how -- and why -- our memories deceive us. As David says, we remember the stories we can live with, not the ones that happened.

The Patch is the seventh collection of essays by the nonfiction master, all published by Farrar, Straus and Giroux. It is divided into two parts. Part 1, “The Sporting Scene,” consists of pieces on fishing, football, golf, and lacrosse—from fly casting for chain pickerel in fall in New Hampshire to walking the linksland of St. Andrews at an Open Championship. Part 2, called “An Album Quilt,” is a montage of fragments of varying length from pieces done across the years that have never appeared in book form—occasional pieces, memorial pieces, reflections, reminiscences, and short items in various magazines including The New Yorker. They range from a visit to the Hershey chocolate factory to encounters with Oscar Hammerstein, Joan Baez, and Mount Denali. Emphatically, the author’s purpose was not merely to preserve things but to choose passages that might entertain contemporary readers. Starting with 250,000 words, he gradually threw out 75 percent of them, and randomly assembled the remaining fragments into “an album quilt.” Among other things, The Patch is a covert memoir.