Fall in love with this lyrically written and lushly illustrated exploration of multicultural heritage that celebrates all the people and places who make us who we are. "And where shall we go?" Mama asks as she tucks me in. "South Africa. Where I was born." My answer summons Mama's stories, stories that send us soaring back in time to when I was a baby. Out my window. Down my street. Across water. Across continents. "Where do you come from? Where does your family come from?" For many children, the answers to these questions can transform a conversation into a journey around the globe. In her first picture book, author Patrice Gopo illuminates how family stories of far-off lands help shape children, help form their identity, and help connect them with the broader world. Her lyrical language, paired with Jenin Mohammed's richly textured artwork, creates a beautiful, stirring portrait of a child's deep ties to cultures and communities beyond where she lays her head to sleep. Ultimately, this story speaks a truth that all children need to hear: The places we come from are part of us, even if we can't always be near them. All the Places We Call Home is a quiet triumph that encourages an awakening to our own stories and to the stories of those around us.

Faith holds up a photo of the boarded-up, vacant house: "It’s the first thing I see. And I just call it ‘the Homeless House’ ‘cause it’s the house that nobody fixes up." Faith is one of fourteen women living on Syracuse’s Southside, a predominantly African-American and low-income area, who took photographs of their environment and displayed their images to facilitate dialogues about how they viewed their community. A Place We Call Home chronicles this photography project and bears witness not only to the environmental injustice experienced by these women but also to the ways in which they maintain dignity and restore order in a community where they have traditionally had little control. To understand the present plight of these women, one must understand the historical and political context in which certain urban neighborhoods were formed: Black migration, urban renewal, white flight, capital expansion, and then bust. Ducre demonstrates how such political and economic forces created a landscape of abandoned housing within the Southside community. She spotlights the impact of this blight upon the female residents who survive in this crucible of neglect. A Place We Call Home is the first case study of the intersection of Black feminism and environmental justice, and it is also the first book-length presentation using Photovoice methodology, an innovative research and empowerment strategy that assesses community needs by utilizing photographic images taken by individuals. The individuals have historically lacked power and status in formal planning processes. Through a cogent combination of words and images, this book illuminates how these women manage their daily survival in degraded environments, the tools that they deploy to do so, and how they act as agents of change to transform their communities.

A treasurable history of the Falls City region of Indiana

Caring for her two younger siblings after their unreliable mother abandons them, fifteen-year-old Anna discovers the difficulties of trying to be a parent.

Welcome to Ballycove, the home of Corrigan Mills... Set against the backdrop of the beautiful Irish countryside the famed Corrigan Mills are run by the seemingly perfect Corrigan family, but every family has its secrets, and they don't always stay hidden. Ada has forever lived her life in her sister's shadow. Wanting only to please her mother and take over the family business, now Ada has to take a look at what her heart really wants. Callie has a flourishing international career and a man who loves her dearly, she appears to have it all. But when she's unceremoniously turfed out of the design world, Callie might just get what she's been yearning for. The chance to go home. Simon has always wanted more. More money, more fame, more notoriety. The problem child. Simon has more enemies than friends, and when one of his latest schemes falls foul he'll have to return to the people who always believe in him. Ballycove isn't just a small Irish town. It's a place to call home. Praise for The Place We Call Home: 'A story that takes you far away' Amazon 5* Review 'I feel like I've just binge-watched my next favourite series on Netflix' Amazon 5* Review 'This story pulls you in from the first page' Amazon 5* Review 'An amazing read by Faith Hogan' Amazon 5* Review 'Thoroughly enjoyed this book and was sorry to finish reading it' Amazon 5* Review 'Beautifully written, enjoyable and heartwarming to read' Amazon 5* Review 'As fantastic as ever, The Place We Call Home delivers on all counts and will have readers counting down the days until the next Faith Hogan novel' Amazon 5* Review

Faith holds up a photo of the boarded-up, vacant house: "It’s the first thing I see. And I just call it ‘the Homeless House’ ‘cause it’s the house that nobody fixes up." Faith is one of fourteen women living on Syracuse’s Southside, a predominantly African-American and low-income area, who took photographs of their environment and displayed their images to facilitate dialogues about how they viewed their community. A Place We Call Home chronicles this photography project and bears witness not only to the environmental injustice experienced by these women but also to the ways in which they maintain dignity and restore order in a community where they have traditionally had little control. To understand the present plight of these women, one must understand the historical and political context in which certain urban neighborhoods were formed: Black migration, urban renewal, white flight, capital expansion, and then bust. Ducre demonstrates how such political and economic forces created a landscape of abandoned housing within the Southside community. She spotlights the impact of this blight upon the female residents who survive in this crucible of neglect. A Place We Call Home is the first case study of the intersection of Black feminism and environmental justice, and it is also the first book-length presentation using Photovoice methodology, an innovative research and empowerment strategy that assesses community needs by utilizing photographic images taken by individuals. The individuals have historically lacked power and status in formal planning processes. Through a cogent combination of words and images, this book illuminates how these women manage their daily survival in degraded environments, the tools that they deploy to do so, and how they act as agents of change to transform their communities.

John Creedon has always been fascinated by place names, from growing up in Cork City as a young boy to travelling around Ireland making his popular television show. In this brilliant new book, he peels back the layers of meaning of familiar place names to reveal stories about the land of Erin and the people who walked it before us. Travel the highways, byways and boreens of Ireland with John and become absorbed in the place names, such as 'The Cave of the Cats', 'Artichoke Road', 'The Eagle's Nest' and 'Crazy Corner'. All hold clues that help to uncover our past and make sense of that place we call home, feeding both mind and soul along the way.

Do you ever wonder why the world is the way it is? The World We Live In: Introduction through Intuition takes you on the journey in one mans eyes, in two parts. Part one takes you through different aspects of life and shows how anyone can spark this higher state of consciousness through their own intuition. Part two opens your eyes to how different aspects of life and things from or not from this world try to keep us from this conscious state. Once we all learn how to rise out of the physical and into the spiritual of consciousness, then we see the world in a whole new manner. You can put a connection on conspiracy, religion, government, and many other aspects and see how they all come together to keep the common agenda. So brace yourself as we leave this physical body and journey into The World We Live In.

In this essay collection, Michael Cohen tells us about his surprise encounter with the remains of Frida Kahlo, about his father’s murder, and about his son’s close shave with death on the highway. His subjects can be as commonplace as golfing with close friends, amateur astronomy, birding, or learning to fly at the age of sixty. But he asks difficult questions about how we are grounded in space and time, how we are affected by our names, how a healthy person can turn into a hypochondriac, and how we might commune with the dead. And throughout he measures, compares and interprets his experiences through the lens of six decades of reading. The tools of the writer’s trade fascinate him as do eateries in his small college town, male dress habits, American roads, and roadside shrines. He lives on the Blood River in Kentucky when he is not in the Tucson Mountains.

A comprehensive and inspiring guide to self-reliance, sustainability, and green living for city dwellers. Read it and..