It’s an inconvenient time for Sinter Blackwell to realize he’s bisexual. He’s a 25-year-old American actor working in London, living far away from his disapproving parents in the Pacific Northwest, and enjoying a flirtation with his director Fiona. But he can’t deny that his favorite parts of each day are the messages from his gay best friend Andy in Seattle—whom Sinter once kissed when they were 15. Finally he decides to return to America to visit Andy and discover what’s between them, if anything. He isn’t seeking love, and definitely doesn’t want drama. But both love and drama seem determined to find him. Family complications soon force him into the most consequential decisions of his life, threatening all his most important relationships: with Andy, Fiona, his parents, and everyone else who’s counting on him. Choosing the right role to play has never been harder. Molly Ringle's growing list of other succesful titles include: The Chrysomelia Stories 1. Persephone's Orchard 2. Underworld's Daughter 3. Immortal's Spring The Goblins of Bellwater Lava Red Feather Blue Sage and King

After the funeral on a blustery October day, the family attorney instructs three siblings to meet at their grandfather's lake house in eastern Maine. Assuming they were to gather for a reading of the will, they reluctantly agreed, carrying with them resentments, pain from the past, and a deep bond. After finding a box smuggled out of Nazi Germany in their basement, however, the grandchildren realize there is a darker secret from their grandfather's grave that leaves them questioning his character and their own personal failures.

When her senior year of college comes to an end, Jenna DeLuca, focused and ready to face the world, falls into something much deeper than she has ever expected. She discovers a love unlike any other. A deep, spiritual love that most people don’t come across in their lifetime. Jenna is introduced to Joey Fantini by a couple of mutual friends and they’re both surprised by their rapid attraction. Jenna wasn’t looking for a relationship at the time, but her decision to let him in leads her to a happiness she had never felt before. When an unexpected death occurs, it ends up becoming a bigger obstacle than they could have ever imagined and their relationship fails to strengthen. After facing a nervous breakdown and picking herself up off the ground, Jenna regains her strength and her old self begins to shine through. When she meets another man, the first man who ignites unusual sparks inside of her, she is hesitant but is now on a chase for real happiness. Before long, at the point of any disagreement, Jenna’s mind wanders to the one man who she feels her heart belongs to, Joey. Afraid of rejection from Joey and still holding some resentment from the demise of their relationship, Jenna decides what she needs most is time alone. But after a surprise visit from Joey on her birthday, Jenna is forced to look deep within her heart to find out if love really is enough.

Atlanta: it's the promised city for the off-worlders, foreigners from the alternate dimensions of heaven-like Elysia and hell-like Charbydon—some bring good works and miracles, and some bring unimaginable evil... Charlie Madigan is a divorced mother of one, and a kick-ass cop trained to take down the toughest human and off-world criminals. She's recently returned from the dead after a brutal attack, an unexplained revival that has left her plagued by ruthless nightmares and random outbursts of strength that make doing her job for Atlanta P.D.'s Integration Task Force even harder. Since the Revelation, the criminal element in Underground Atlanta has grown, leaving Charlie and her partner Hank to keep the chaos to a dull roar. But now an insidious new danger is descending on her city with terrifying speed, threatening innocent lives: a deadly, off-world narcotic known as ash. Charlie is determined to uncover the source of ash before it targets another victim—but can she protect those she loves from a force more powerful than heaven and hell combined?

Between 1599 and 1601, no fewer than five anthologies appeared in print with extracts from Shakespeare's works. Some featured whole poems, while others chose short passages from his poems and plays, gathered alongside lines on similar topics by his rivals and contemporaries. Appearing midway through his career, these anthologies marked a critical moment in Shakespeare's life. They testify to the reputation he had established as a poet and playwright by the end of the sixteenth century. In extracting passages from their contexts, though, they also read Shakespeare in ways that he might have imagined being read. After all, this was how early modern readers were taught to treat the texts they read, selecting choice excerpts and copying them into their notebooks. Taking its cue from these anthologies, Anthologizing Shakespeare, 1593-1603 offers new readings of the formative works of Shakespeare's first decade in print, from Venus and Adonis (1593) to Hamlet (1603). It illuminates a previously neglected period in Shakespeare's career, what it calls his 'anthology period'. It investigates what these anthologies made of Shakespeare, and what he made of being anthologized. And it shows how, from the early 1590s, his works were inflected by the culture of commonplacing and anthologizing in which they were written, and in which Shakespeare, no less than his readers, was schooled. In this book, Ted Tregear explores how Shakespeare appealed to the reading habits of his contemporaries, inviting and frustrating them in turn. Shakespeare, he argues, used the practice of anthologizing to open up questions at the heart of his poems and plays: questions of classical literature and the schoolrooms in which it was taught; of English poetry and its literary inheritance; of poetry's relationship with drama; and of the afterlife he and his works might win—at least in parts.

Reprint of the original, first published in 1874.

This carefully crafted ebook: “The Complete Works of William Shakespeare: All 214 Plays, Sonnets, Poems & Apocryphal Plays (Including the Biography of the Author)” is formatted for your eReader with a functional and detailed table of contents: Comedies All's Well That Ends Well As You Like It The Comedy of Errors Love's Labour's Lost Measure for Measure The Merchant of Venice The Merry Wives of Windsor A Midsummer Night's Dream Much Ado About Nothing Pericles, Prince of Tyre The Taming of the Shrew The Tempest Twelfth Night or What You Will Two Gentlemen of Verona The Two Noble Kinsmen The Winter's Tale Tragedies Romeo and Juliet Coriolanus Titus Andronicus Timon of Athens Julius Caesar Macbeth Hamlet Troilus and Cressida King Lear Othello Antony and Cleopatra Cymbeline Histories King John Richard II Henry IV, Part 1 Henry IV, Part 2 Henry V Henry VI, Part 1 Henry VI, Part 2 Henry VI, Part 3 Richard III Henry VIII Poetry The Sonnets Venus and Adonis The Rape of Lucrece The Passionate Pilgrim The Phoenix and the Turtle A Lover's Complaint Apocryphal Plays Arden of Faversham A Yorkshire Tragedy The Lamentable Tragedy of Locrine Mucedorus The King's Son of Valentia, and Amadine, The King's Daughter of Arragon The London Prodigal The Puritaine Widdow The Second Maiden's Tragedy Sir John Oldcastle Lord Cromwell King Edward The Third Edmund Ironside Sir Tomas More Faire Em A Fairy Tale in Two Acts The Merry Devill of Edmonton Thomas of Woodstock The Life of William Shakespeare William Shakespeare (1564-1616) was an English poet, playwright, and actor, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet, and the "Bard of Avon". His extant works consist of approximately 38 plays, 154 sonnets, two long narrative poems, and a few other verses. His plays have been translated into every major living language and are performed more often than those of any other playwright.