The long-awaited prequel to Koen’s beloved Through a Glass Darkly, Dark Angels is a feast of a novel that sparkles with all the passion, extravagance, danger, and scandal of seventeenth-century England. Alice Verney is a young woman intent on achieving her dreams. Returning to England after a messy scandal forced her to flee to Louis XIV’s France, Alice is anxious to re-establish herself by regaining her former position as a maid of honor to Charles II’s queen and marrying the most celebrated duke of the Restoration. But all is not as it seems in the rowdy, merry court of Charles II. Since the Restoration, old political alliances have frayed, and there are whispers that the king is moving to divorce his barren queen, who some wouldn’t mind seeing dead. Alice, loyal only to a select few, is devoted to the queen, and so sets out to discover who might be making sinister plans—and if her own father is one of them. When a member of the royal family dies unexpectedly, the stakes are raised. As Alice steps up her efforts to find out who is—and isn’t—true to the queen, she learns of shocking betrayals throughout court, and meets a man who she may fall in love with—and who could spoil all of her plans. With the suspected arrival of a known poison-maker, the atmosphere in the court electrifies, and suddenly the safety of the king himself seems uncertain. Secret plots are at play, and war is on the horizon—but will it be with the Dutch or the French? And has King Charles himself betrayed his country for greed? Unforgettable in its dramatic force, here is a novel of love and politics, of romance and betrayal, of power and succession—and of a resourceful young woman who risks everything for pride and status in an era in which women were afforded little of either.

In a reevaluation of that period in Victorian illustration known as 'The Sixties,' a distinguished group of international scholars consider the impact of illustration on the act of reading; its capacity to reflect, construct, critique and challenge its audience's values; its response to older graphic traditions; and its assimilation of foreign influences. While focused on the years 1855 to 1875, the essays take up issues related to the earlier part of the nineteenth century and look forward to subsequent developments in illustration. The contributors examine significant figures such as Ford Madox Brown, Frederick Sandys, John Everett Millais, George John Pinwell, and Hablot Knight Browne in connection with the illustrated magazine, the mid-Victorian gift book, and changing visual responses to the novels of Dickens. Engaging with a number of theories and critical debates, the collection offers a detailed and provocative analysis of the nature of illustration: its production, consumption, and place within the broader contexts of mid-Victorian culture.

A portrait of Teddy Roosevelt's daughter relates such facts as her tempestuous teen years and flouting of social conventions in order to promote women's rights, her infidelity-tested marriage to Nicholas Longworth, and her criticism of FDR's New Deal prog