Collection of source material and crucial interpretations, offering a comprehensive guide to Anglo-Saxon warfare.

Shortlisted for the 2020 NSW Premier’s Literary Awards Indigenous Writers' Prize Age range 3 to 10 Alfred’s War is a powerful story that unmasks the lack of recognition given to Australian Indigenous servicemen who returned from the WWI battlelines. Alfred was just a young man when he was injured and shipped home from France. Neither honoured as a returned soldier or offered government support afforded to non-Indigenous servicemen, Alfred took up a solitary life walking the back roads – billy tied to his swag, finding work where he could. Alfred was a forgotten soldier. Although he had fought bravely in the Great War, as an Aboriginal man he wasn’t classed as a citizen of his own country. Yet Alfred always remembered his friends in the trenches and the mateship they had shared. Sometimes he could still hear the never-ending gunfire in his head and the whispers of diggers praying. Every year on ANZAC Day, Alfred walked to the nearest town, where he would quietly stand behind the people gathered and pay homage to his fallen mates. Rachel Bin Salleh’s poignant narrative opens our hearts to the sacrifice and contribution that Indigenous people have made to Australia’s war efforts, the true extent of which is only now being revealed. ‘Every year sees a swell of new stories about ANZAC Day and Alfred’s War is my pick of 2018’s crop…It’s a poignant story, one rooted in truth, and a damning critique of Australian history. Rachel Bin Salleh skilfully renders some tough subjects accessible for young readers, without ever ignoring the reality of Alfred’s situation. The beautiful images from first-time illustrator Samantha Fry also help to soften the sharper edges of this tale.’ — Bronte Coates, Readings ‘Poignant and confronting, revealing and decisive, this beautifully rendered story provides a fundamental link for children of any creed and background to appreciate the sacrifices and contributions made by indigenous people in the shaping of our Australian history.’ — The Boomerang Books Blog 'a beautifully illustrated book...poignant and subtle, its emotional power heightened by its restraint...There is a delicate, dreamlike-quality to the watercolour illustrations by Samantha Fry, an indigenous artist from Darwin.' — Rosemary Neill, The Weekend Australian ‘In the lead-up to Anzac Day (April 25), our TV screens and news outlets will be covering dawn services and marches so it is crucial children have some understanding of the day’s significance….Alfred’s War is particularly poignant due to its Indigenous lens and a story not often told.’ — Laura Jones, South Sydney Herald ‘The beautifully presented picture book tells younger readers the story of Alfred… Rachel Bin Salleh's sparse words give a dignity to the injustices raised by her story… this book adds a new story to the pantheon of tales children read, allowing them to think about the way some people were treated in the past, while encouraging them to mull over how things could and should have been different.’ — Fran Knight, ReadPlus

"Although this book provides a selection from sources and interpretations of warfare in Viking-Age England, and presents a consideration of them, it is more than a purely historiographical study. It investigates the current state of scholarship and the key points of its development, indicating areas for enquiry and point out some less familiar sources along the way. The intention is not to deal with the canon of historical works on the Anglo-Saxon army, for remarkably there is no 'canon' as such. Much, though by no means all, scholarship on the organization of military systems in the Anglo-Saxon state has been undertaken by historians and scholars from related disciplines for whom warfare is not a primary concern. Many of the sources used will be familiar to students of early medieval England, but others are included because they are less often considered ... I have not attempted to use a chronological structure, nor have I retold any particular narrative history of the English Kingdom during the Viking Age, although for the reader's convenience a chronology of events is included as an appendix. The focus is rather the exploration of the practice and politics of warfare."--Preface.

A history of Britain in the violent and unruly era between the first Scandinavian raids in 789 and the final expulsion of the Vikings from York in 954. In 865, a great Viking army landed in East Anglia, precipitating a series of wars that would last until the middle of the following century. It was in this time of crisis that the modern kingdoms of Britain were born. In their responses to the Viking threat, these kingdoms forged their identities as hybrid cultures: vibrant and entrepreneurial peoples adapting to instability and opportunity. Traditionally, Alfred the Great is cast as the central player in the story of Viking Age Britain. But Max Adams, while stressing the genius of Alfred as war leader, law-giver, and forger of the English nation, has a more nuanced narrative approach to this conventional version of history. The Britain encountered by the Scandinavians of the ninth and tenth centuries was one of regional diversity and self-conscious cultural identities, depicted in glorious narrative fashion in The Viking Wars.

Emily Dickinson, probably the most loved and certainly the greatest of American poets, continues to be seen as the most elusive. One reason she has become a timeless icon of mystery for many readers is that her developmental phases have not been clarified. In this exhaustively researched biography, Alfred Habegger presents the first thorough account of Dickinson’s growth–a richly contextualized story of genius in the process of formation and then in the act of overwhelming production. Building on the work of former and contemporary scholars, My Wars Are Laid Away in Books brings to light a wide range of new material from legal archives, congregational records, contemporary women's writing, and previously unpublished fragments of Dickinson’s own letters. Habegger discovers the best available answers to the pressing questions about the poet: Was she lesbian? Who was the person she evidently loved? Why did she refuse to publish and why was this refusal so integral an aspect of her work? Habegger also illuminates many of the essential connection sin Dickinson’s story: between the decay of doctrinal Protestantism and the emergence of her riddling lyric vision; between her father’s political isolation after the Whig Party’s collapse and her private poetic vocation; between her frustrated quest for human intimacy and the tuning of her uniquely seductive voice. The definitive treatment of Dickinson’s life and times, and of her poetic development, My Wars Are Laid Away in Books shows how she could be both a woman of her era and a timeless creator. Although many aspects of her life and work will always elude scrutiny, her living, changing profile at least comes into focus in this meticulous and magisterial biography.

For 57 years, Alfred told his family he had been a barber, chauffeur, and translator in World War II. Following the death of his wife, he shared glimpses into his actual wartime experiences as a reluctant front-line machine gunner in Europe, 1944-45 with his daughter during her weekly nursing home visits.

This biography of Alfred the Great, king of the West Saxons (871-899), combines a sensitive reading of the primary sources with a careful evaluation of the most recent scholarly research on the history and archaeology of ninth-century England. Alfred emerges from the pages of this biography as a great warlord, an effective and inventive ruler, and a passionate scholar whose piety and intellectual curiosity led him to sponsor a cultural and spiritual renaissance. Alfred's victories on the battlefield and his sweeping administrative innovations not only preserved his native Wessex from viking conquest, but began the process of political consolidation that would culminate in the creation of the kingdom of England. Alfred the Great: War, Kingship and Culture in Anglo-Saxon England strips away the varnish of later interpretations to recover the historical Alfredpragmatic, generous, brutal, pious, scholarly within the context of his own age.

In the spring of 878 at the Battle of Edington the tide of English history turned. Alfred's decisive defeat of Guthrum the Dane freed much of the south and west of England from Danish control and brought a halt to Guthrum's assault on Alfred's Wessex. The battle was the continuation of a long period of preparation by Alfred in the wilderness - a victory snatched from the jaws of catastrophic defeat. As such, this momentous turning point around which an entire nation's future pivoted, has given rise to legends and misconceptions that persist to the present day. Paul Hill, in this stimulating and meticulously researched study, brings together the evidence of the medieval chronicles and the latest historical and archaeological research to follow the struggle as it swung across southern England in the ninth century. 40 b/w photos

"A nuanced piece of history told simply and well." — Kirkus Reviews Discover the story behind the Battle of Gettysburg through the eyes of war reporter Alfred Waud in this compelling graphic novel -- written and illustrated by National Book Award-longlisted creator Ellen T. Crenshaw. Presenting Who HQ Graphic Novels: an exciting addition to the #1 New York Times best-selling Who Was? series! See the Battle of Gettysburg through the eyes Alfred Waud, a special artist and war correspondent whose depiction of Pickett's Charge is thought to be the only visual account by an eyewitness. A story of extreme risk, strife, and the search for truth, this graphic novel invites readers to immerse themselves into the crucial Civil War battle -- brought to life by gripping narrative and vivid full-color illustrations that jump off the page.

Shatters myths about poor medical practices by anaylsis of historical data and first-person accounts.