In a story woven from passion, loss, and transformation, "Alejandro" tells the story of two men drawn together by a love that seems destined yet proves fragile against the currents of life. Sebastian Wolfort, a celebrated but haunted writer in Chicago, and Alejandro Estuart, a resilient artist navigating the struggles of Lima, are brought together by fate on a rainy night, and their connection is instant, electric, and deeply unsettling. For a time, they find solace and inspiration in each other, their relationship a storm that ignites both joy and sorrow. But as the world pulls them in opposite directions, they must confront the reality that some loves, no matter how powerful, are not meant to last. Told through fleeting moments, haunting memories, and intimate reflections, this novel dives deep into the emotional landscapes of both men as they navigate the beauty and heartbreak of their connection. Their love is complex, flawed, and unforgettable, becoming a catalyst for self-discovery that will shape their lives forever. Through late-night conversations, unspoken promises, and a shared sense of longing, Sebastian and Alejandro come to understand themselves, each other, and the cost of truly loving someone. Years pass, yet neither man can shake the impact of their relationship. They catch glimpses of each other in passing strangers, the echoes of their love shaping every new connection. From opposite sides of the world, they each embark on journeys of healing, acceptance, and ultimately, peace. Alejandro finds freedom in his art, while Sebastian learns to let go through his writing, each finding closure in their own way. Their final encounter, a wordless meeting across a crowded street, leaves them with the knowledge that they have become different men, still carrying the love they shared, yet no longer bound by it. "Alejandro" is a celebration of love's ability to change us, even if it cannot stay. It explores how passion can turn into pain, yet also into something beautiful—an enduring memory that becomes part of who we are. Sebastian and Alejandro's story reminds us that some loves are destined to be lived but not kept, and that these loves leave behind an indelible mark on our souls. In the end, both men reflect on their journey, recognizing that though their love has become a chapter in the past, it will always be a cherished piece of their story. For both Sebastian and Alejandro, their time together was the most beautiful pain they could have ever endured. With lyrical prose, moving dialogue, and vivid settings from the bustling streets of Chicago to the vibrant heart of Lima, "Alejandro" is a heart-wrenching and tender tale of what it means to love, to let go, and to carry the memory of a love that was never meant to last. It's a story that resonates with anyone who has loved deeply, lost painfully, and emerged stronger on the other side.

A FINALIST FOR THE 2022 NATIONAL BOOK AWARD FOR FICTION LONGLISTED FOR THE 2023 ASPEN WORDS LITERARY PRIZE ONE OF THE MOST ANTICIPATED BOOKS OF 2022 – Boston Globe, BuzzFeed, LitHub, Electric Literature, LGBTQ Reads, Latinx in Publishing *Recommended by The New York Times* In this contemporary debut novel—an intimate portrait of queer, racial, and class identity —Andrés, a gay Latinx professor, returns to his suburban hometown in the wake of his husband’s infidelity. There he finds himself with no excuse not to attend his twenty-year high school reunion, and hesitantly begins to reconnect with people he used to call friends. Over the next few weeks, while caring for his aging parents and navigating the neighborhood where he grew up, Andrés falls into old habits with friends he thought he’d left behind. Before long, he unexpectedly becomes entangled with his first love and is forced to tend to past wounds. Captivating and poignant; a modern coming-of-age story about the essential nature of community, The Town of Babylon is a page-turning novel about young love and a close examination of our social systems and the toll they take when they fail us.

Terreno, 1983, Latin America. After a dictatorship of ten years, the brutal junta, lead by general Pelarón, seems to waver. Alejandro Juron, guitarist of the famous poet and folk singer Victor Pérez who's been executed by the junta, is released from the infamous prison "The Last Supper." The underground resistance wants Alejandro to participate in its fight again. But Alejandro has changed. Consumed with guilt by the death of his friend Victor, whom he betrayed to his tormentors, Alejandro becomes the unintended center of a web of intrigue that culminates in a catastrophic insurrection, and has to choose between love and escape. A love story, a thriller and an analysis of the mechanisms that govern a dictatorship, Alejandro's Lie is a gripping novel about violence, betrayal, resistance, corruption, guilt and love. Best Political Thriller, 2021 [Best Thriller Book Awards, BestThrillers.com]

Alejandro is a real-life, non-fiction publication about real people; living and dead. The names in this publication have not been changed. Alejandro chronicles Alejandro Estrada's journey through a Hunger Game as he searched for answers after his partner, Los Angeles film producer Michael R. Goss, was murdered in 2009. Alejandro shares a very candid peek into the dark underbelly of corruption. Alejandro may have been one of the last people; beloved actor Robin Williams was in contact with prior to his tragic death. In this second part of his memoir, Alejandro shares the last words he and Mr.Williams exchanged in July 2014 Alejandro is the truth that will set the world free, because everything the world believes is true, has been a lie. Nothing is how it appears. The true information contained in this publication is so controversial that the Associated Press refuses to lift the ban they placed on Alejandro. Alejandro found himself on the media blacklist in 2012 after he warned the nation about the massacre at Sandy Hook elementary, two months before it took place.

Fiction. African & African American Studies. Latinx Studies. LGBTQIA Studies. Winner of the 2019 Gold Line Press Fiction Chapbook Contest. The stories in Alejandro Heredia's YOU'RE THE ONLY FRIEND I NEED offer new possibilities for transnational storytelling and the Dominican diaspora by centering Blackness and queerness. In these stories; friendship is a vehicle to understand what lies between and within people. A young Dominican immigrant makes an unlikely friend in her Bronx building. Two queer teens venture into the streets of Santo Domingo in search of queer belonging. A 20-something lost in existential thought finds a home in a gay Latin club. In Heredia's stories; friendship is at once balm; poison; wound; and respite from the troubles that society places on migrants; on queer people; on Black folks across the diaspora. YOU'RE THE ONLY FRIEND I NEED cuts through received notions and sings with emotional honesty and lyrical prose.

Seduced … by a Latin lover! Two years ago in Miami, Abigail Leighton spent one unforgettable night with irresistible, enigmatic Alejandro Varga. But malicious lies broke them apart, and Abby left determined to forget about Alejandro forever. Now Abby is back and forced to face her Latin lover once more. To her surprise, passion between them flares as strongly as ever. But Alejandro hasn't forgotten the past, and he's intent on revenge by seduction….

In his own words, Alejandro Tsakimp, a Shuar healer from Ecuador, tells of his lives and relationships, the practice of shamanism, and the many challenges and triumphs he has encountered since childhood.

Alejandro Jodorowsky is a force of nature. At 90 years old he is still making films and is a cultural phenomenon who has influenced other artists as disparate as John Waters and Yoko Ono. Although his body of work has long been considered disjointed and random, William Egginton claims that Jodorowsky's writings, theatre work and mime, and his films, along with the therapeutic practice he calls psychomagic, can all be tied together to form the philosophical programme that underpins his films. Incorporating surrealism and thinkers including Lacan, Kant, Hegel, and Žižek into his interpretation of Jodorowsky's work, Egginton shows how his diverse films are connected by interpretive practices with a fundamental similarity to Lacanian psychoanalysis. Using case studies of Jodorowsky's cult films, El Topo, Fando y Lis and Holy Mountain and more, this book provides a unique perspective on a filmmaker whose work has been notoriously difficult to analyse.

Alejandro Morales is a pioneer of Chicana and Chicano literature and the author of groundbreaking works including The Brick People, The Rag Doll Plagues, and River of Angels. His work, often experimental, was one of the first to depict harsh urban realities in the barrios—a break from much of the Chicana and Chicano fiction that had been published previously. Morales’ relentless work has grown over the decades into a veritable menagerie of cultural testimonies, fantastic counterhistories, magical realism, challenging metanarratives, and flesh-and-blood aesthetic innovation. The fourteen essays included in this compendium examine Morales’ novels and short stories. The editors also include a critical introduction; an interview between Morales, the editors, and fellow author Daniel Olivas; and a new comprehensive bibliography of Morales’ writings and works about him—books, articles, book reviews, online resources, and dissertations. A Critical Collection on Alejandro Morales: Forging an Alternative Chicano Fiction is a must-read for understanding and appreciating Morales’ work in particular and Chicana and Chicano literature in general.

Alejandro Jodorowsky is a theatre director, writer of graphic novels and comics, novelist, poet, and an expert in the Tarot. He is also an auteur filmmaker who garnered attention with his breakthrough film El Topo in 1970. He has been called a “cult” filmmaker, whose films are surreal, hallucinatory, and provocative. The Transformative Cinema of Alejandro Jodorowsky explores the ways in which Jodorowsky's films are transformative in a psychologically therapeutic way. It also examines his signature style, which includes the symbolic meaning of various colors in which he clothes his actors, the use of his own family members in the films, and his casting of himself in leading roles. This total involvement of himself and his family in his auteur films led to his psycho-therapeutic theories and practices: metagenealogy and psychomagic. This book is the only the second book in the English language in print that deals with all of Jodorowsky's films, beginning with his earliest mime film in 1957 and ending with his 2019 film on psychomagic. It also connects his work as a writer and therapist to his films, which themselves attempt to obliterate the line between fantasy and reality.