In the tradition of Hemingway and Faulkner, this sporting novel looks into the complicated heart and soul of a passionately devoted outdoorsman. Aleck Maury is a teacher and scholar whose pursuit of sport comes at the expense of his career, and often, his family. Gaining deep satisfaction in the rituals and techniques of angling and shooting, Maury elevates to an art form what to most is a pastime. To pursue the mysteries of blood and death, nature and solitude, he endures almost any hardship.In his own words Maury recalls his childhood, courtship and marriage, the loss of loved ones, and his final years. Along the way, his story is filled with fascinating digressions into the woods and mountains of Virginia, Kentucky, and Tennessee where his fly-fishing and quail shooting adventures unfold, all of them filled with hunting lore and keen observations on nature and animal behavior.--Google Books.

A Sportsman’s Library: The 100 Books that Every Hunter and Fisherman Should Own will consist of 100 short “reviews” (for lack of a better word), each one from 300 to 1500 words, and illustrated with either the cover of the book or a photo of the book’s author. The list will include all the beloved classics, but will add plenty of lesser-known titles as well. It will range in time from Izaak Walton’s 17th century to 21st century tiger poachers in eastern Siberia, and geographically from the Catskills to the Keys, from England’s chalk streams to Jim Corbett’s India. It will take pleasure in those books that explain the intricate beauty of the classic salmon fly as well the astonishing craftsmanship of a Best London double, the science of the hunt as well as the hunt’s depiction in art.

Previously, the protégés of John Crowe Ransom, Allen Tate, Donald Davidson, and Robert Penn Warren have received considerable scholarly attention only as individuals or in relation to small groups of close-knit writers within single literary genres. Now, for the first time, this far-ranging group of accomplished writers is united as part of a larger phenomenon, the Fugitive legacy, which has extended its influence far beyond the parameters of southern literature. In The Fugitive Legacy, Charlotte H. Beck demonstrates the strong influence of the Nashville Fugitives as teachers, editors, and mentors by examining the extraordinary impact on American letters of the critics, poets, and fiction writers whom they taught or sponsored. By treating the careers of these brilliant authors as a single chapter in literary history, Beck makes an invaluable contribution to the understanding of southern literature. The cultural importance of the Fugitives has too often been confused with the narrow politics of Agrarianism and relegated to a reactionary piety for regionalism and dead tradition. The Fugitive Legacy fills a void in southern literary theory by revealing the resounding echo of this group's voice in modern American literature.

"Scholars in a number of disciplines (sociology, anthropology, law, Appalachian studies, southern studies Latino studies, labor studies) would find this book useful in both their research and courses." --Donald E. Davis, coeditor of Voices from the Nueva Frontera: Latino Immigration in Dalton, Georgia "Scholars working on policy questions, demographic concerns, cultural studies, political economy, and 'new destination' will all find this book extremely useful." --Altha J. Cravey, author of Women and Work in Mexico's Maquiladoras In recent decades, Latino immigration has transformed communities and cultures throughout the southeastern United States-and become the focus of a sometimes furious national debate. Global Connections and Local Receptions is one of the first books to provide an in-depth consideration of this profound demographic and social development. Examining Latino migration at the local, state, national, and binational levels, this book includes studies of southeastern locales and a statewide overview of Tennessee. Leading migration scholar Alejandro Portes offers a national analysis while Raúl Delgado Wise provides a Mexican perspective on the migration issue and its policy implications for both the United States and Mexico. This collection contains a broad base of contributions from legal scholars, sociologists, anthropologists, geographers, and political scientists. Readers will find demographic data charting trends in immigration, descriptions of organizing and of individual experiences, a quantitative comparison of new and old destinations, a critical history of U.S. immigration policy in recent decades, a report on access to housing and efforts to enact anti-immigrant laws, an assessment of how mass outmigration currently affects the national economy and communities in Mexico, analysis of the way dominant ideology frames "black-brown" relationships in southern labor markets, and a concluding essay with detailed recommendations for making U.S. immigration policy just and humane. Frances L. Ansley is Distinguished Professor of Law Emeritus at the University of Tennessee College of Law in Knoxville. She is the author of numerous book chapters and the principal humanities adviser to a documentary film. Her articles have been published in the California Law Review, Cornell Journal of International Law, Georgetown Journal of Poverty Law & Policy, University of Pennsylvania Journal of Labor & Employment Law, and numerous additional publications. Jon Shefner is associate professor of sociology and director of the Interdisciplinary Program in Global Studies at the University of Tennessee, Knoxville. He is the coeditor of Out of the Shadows: Political Action and the Informal Economy in Latin America. His recent book is The Illusion of Civil Society: Democratization and Community Mobilization in Low-Income Mexico.

Winner of the National Book Critics Circle Special Award "I have come to think that the true likeness of Flannery O'Connor will be painted by herself, a self-portrait in words, to be found in her letters . . . There she stands, a phoenix risen from her own words: calm, slow, funny, courteous, both modest and very sure of herself, intense, sharply penetrating, devout but never pietistic, downright, occasionally fierce, and honest in a way that restores honor to the word."—Sally Fitzgerald, from the Introduction

Through the Hoop To arc a jump shot through the orange rim . . . to tap in a rebound . . . putting the ball through the hoop represents a transcendent moment in basketball for player, team, and crowd. Such a moment exists in every sport. But to enjoy it, fans and athletes alike are often forced through other kinds of hoops. Sports can be violent, lonely, poetic, painful, uplifting. It can breed fitness or injury, sufficiency or dependence, pride or prejudice, friendship or hostility. When does the discipline of sport become dangerous obedience? When does self-mastery become self-aggrandizement? When does athletic activity cease to be empowering for the participants and fans to become an exercise of power over us? Answers to such questions are hard to find. Sports, unlike most topics previously addressed in special issues of Southern Exposure — labor, women, folk life, health, prisons — has never had a network of informed progressives working outside the established channels, posing critical questions, offering insightful direction for our thinking and doing. Trusted commentators and friends who know where they stand and why with regard to other central aspects of our culture shy away from giving serious thought to sport. As a result, many of us are left with personal confusions brought on by alternating experiences of frustration and fulfillment: How do we talk about a subject that on the one hand can be so easily criticized for abuses and on the other hand remains so compelling? How do we effectively criticize the sports establishment that manages ACC basketball or NFL football when we find ourselves glued to the set at playoff time?

Authors discussed include: Wendell Berry, Erskine Caldwell, Truman Capote, Ralph Ellison, William Faulkner, Shelby Foote, Zora Neal Hurston, Bobbie Ann Mason, Cormac McCarthy, Flannery O'Connor, William Styron, Anne Tyler, Alice Walker, Robert Penn Warren, Eudora Welty, Tennessee Williams, Thomas Wolfe, Richard Wright, and many more. By World War II, the Southern Renaissance had established itself as one of the most significant literary events of the century, and today much of the best American fiction is southern fiction. Though the flowering of realistic and local-color writing during the first two decades of the century was a sign of things to come, the period between the two world wars was the crucial one for the South's literary development: a literary revival in Richmond came to fruition; at Vanderbilt University a group of young men produced The Fugitive, a remarkable, controversial magazine that published some of the century's best verse in its brief run; and the publication and widespread recognition of Faulkner (among others) inaugurated the great flood of southern writing that was to follow in novels, short stories, poetry, and plays. With more than forty years of experience writing and reading about the subject, and friendships with many of the figures discussed, J. A. Bryant is uniquely qualified to provide the first comprehensive account of southern American literature since 1900. Bryant pays attention to both the cultural and the historical context of the works and authors discussed, and presents the information in an enjoyable, accessible style. No lover of great American literature can afford to be without this book.

This work covers classic southern fiction - along with lesser-known works - with an eye to the ways that southern writers such as William Elliot, William Gilmore Simms, and William Faulkner depict hunting and outdoorsmanship. It explores the themes of honour, fair play, and noblesse oblige.

This book is an apologia for the rooted intellectual against the disdainful condescension of the cosmopolitan intellectual—an apology in the Socratic sense of the word. It reflects the author’s Texas rootedness unapologetically and offers a polemical but thoughtful indictment of the intellectual prejudice against rootedness; but it is ultimately about the universal human struggle with origins.