The Aldersgate Royal Arch Ritual as taught in the Aldersgate Royal Arch Chapter of Improvement. This new Edition of the Aldersgate Ritual has been produced following the decision of the Committee of the Chapter of Improvement to make the ritual easier to follow by showing the Traditional Exaltation ceremony and the Permitted Alternative Version completely separately.

Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.

Why were so many religious images and objects broken and damaged in the course of the Reformation? Margaret Aston's magisterial new book charts the conflicting imperatives of destruction and rebuilding throughout the English Reformation from the desecration of images, rails and screens to bells, organs and stained glass windows. She explores the motivations of those who smashed images of the crucifixion in stained glass windows and who pulled down crosses and defaced symbols of the Trinity. She shows that destruction was part of a methodology of religious revolution designed to change people as well as places and to forge in the long term new generations of new believers. Beyond blanked walls and whited windows were beliefs and minds impregnated by new modes of religious learning. Idol-breaking with its emphasis on the treacheries of images fundamentally transformed not only Anglican ways of worship but also of seeing, hearing and remembering.

The pocket sized handbook for all Freemasons interested in reading the text for this ancient ritual which is an important part of Masonic life. First published in 1999, this is the 2004 reprint. 194 pages. Laminated

Reveals how commodity failure, as much as success, can shed light on aspirations, environment, and economic life in colonial societies.

A compendium of Masonic performances to be used either in Lodge or at the festive board. Within this book you will find the famous 'Walking Charge of the Third Degree' which is an increasingly popular feature of presentations to those newly raised to the sublime degree of a Master Mason. There are also several historic charges from historic Freemasonry that were presented to the newly initiated Mason explaining, in a ritual presentation, the history of the Craft and the morality associated with the Masonic system. Lastly you will find in this useful and attractively presented volume variations of the Masonic toasts (not in common use but not entirely extinct) and poetry ideal for the festive board. This excellent and useful companion to Freemasonry is a must have for those wishing to expand their Masonic knowledge or add to their Masonic presentations and performances.'

The most detailed and authoritive text on the true meaning of the Taylors Masonic rituals! The principal contents of this book are the Official Taylors Lectures on the Three Degrees of Craft Freemasonry. These lectures deal with the description of the ritual of those Degrees along with their moral and symbolic significance and are of a formal nature, arranged as catechisms - that is by question and answer form. The text can be studied at home or can be preformed by two or more brethren in open lodge. Much evidence suggests that many sections of these lectures are as old as the degrees themselves. This book adds much to ones enjoyment and understanding of Freemasonry.

"John Williams was not the first London Missionary Society missionary to Polynesia, but his passion to conquer the whole Pacific region, and resolute belief that he knew better than the Directors in London how this vision might be achieved marked him out as an ambitious and aggressive man. Samoa, the setting of thses journals, was the last island group where Williams' personally introduced the gospel before he was murdered at Eromanga... Of the several journals kept by Williams during his pan-Polynesian travels, the two relating to his visits to Samoa in 1830 and 1832 are the most comprehensive and illuminating. In the course of both journeys Williams also visited Tonga, and provided graphic eye-witness accounts of contemporary Tongan and European life..."--Book jacket.