The number of books in the English language dealing with the interesting subject of Alchemy is not sufficiently great to render an apology necessary for adding thereto. Indeed, at the present time there is an actual need for a further contribution on this subject. The time is gone when it was regarded as perfectly legitimate to point to Alchemy as an instance of the aberrations of the human mind. Recent experimental research has brought about profound modifications in the scientific notions regarding the chemical elements, and, indeed, in the scientific concept of the physical universe itself; and a certain resemblance can be traced between these later views and the theories of bygone Alchemy. The spontaneous change of one "element" into another has been witnessed, and the recent work of Sir William Ramsay suggests the possibility of realising the old alchemistic dream-the transmutation of the "base" metals into gold.

Being a brief account of the alchemistic doctrines, and their relations, to mysticism on the one hand, and to recent discoveries in the physical science on the other hand; together with some particulars regarding the lives and teachings of the most noted alchemists. The meaning of alchemy; The theory of physical alchemy; The alchemists before and after Paracelsus; The outcome of alchemy; The age of modern chemistry; Modern alchemy. H Stanley Redgrove, best known for his writings on alchemy. Early in his scientific career he was associated with Professor John Ferguson and others in forming the Alchemical Society and was appointed editor of its journal; that Society was one of the many killed by the last war. Redgrove's book on "Alchemy: Ancient and Modern," first published in 1912, is an excellent survey, which brings out clearly the connection between the old alchemical doctrines and the conceptions of modern chemistry.

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Alchemy is the medieval predecessor of chemistry which was based on trying to transform matter, especially changing base metals into gold. This vintage book explores the various alchemistic doctrines, as well as their relationships with mysticism and science. Also included are chapters on the lives and theories of the most notable alchemists. Contents include: “The Aim of Alchemy”, “The Transcendental Theory of Alchemy”, “Failure of the Transcendental Theory”, “The Qualifications of the Adept”, “Alchemistic Language”, “Alchemists of a Mystical Type”, “The Meaning of Alchemy”, “Opinions of other Writers”, etc. Many vintage books such as this are becoming increasingly scarce and expensive. It is with that in mind that we are republishing this volume now in a modern, high-quality edition complete with a specially commissioned new introduction on folklore.

“Presents the largely uncharted history of English alchemy from its medieval roots until the end of the seventeenth century . . . an astounding eye for detail.” —Annals of Science In medieval and early modern Europe, the practice of alchemy promised extraordinary physical transformations. Who would not be amazed to see base metals turned into silver and gold, hard iron into soft water, and deadly poison into elixirs that could heal the human body? To defend such claims, alchemists turned to the past, scouring ancient books for evidence of a lost alchemical heritage and seeking to translate their secret language and obscure imagery into replicable, practical effects. Tracing the development of alchemy in England over four hundred years, from the beginning of the fourteenth century to the end of the seventeenth, Jennifer M. Rampling illuminates the role of alchemical reading and experimental practice in the broader context of national and scientific history. Using new manuscript sources, she shows how practitioners like George Ripley, John Dee, and Edward Kelley, as well as many previously unknown alchemists, devised new practical approaches to alchemy while seeking the support of English monarchs. By reconstructing their alchemical ideas, practices, and disputes, Rampling reveals how English alchemy was continually reinvented over the space of four centuries, resulting in changes to the science itself. In so doing, The Experimental Fire bridges the intellectual history of chemistry and the wider worlds of early modern patronage, medicine, and science. “An engaging piece of scholarly work . . . it humanizes the alchemist, showing him or her to be a historical personage caught up in the circumstances of the era and seeking to survive the upheavals and challenges of historical reality . . . bound to make an important contribution to the history of science, social history, history of scholarship, and the history of the book.” —Early Science and Medicine

Chemistry explores the way atoms interact, the constitution of the stars, and the human genome. Knowledge of chemistry makes it possible for us to manufacture dyes and antibiotics, metallic alloys, and other materials that contribute to the necessities and luxuries of human life. In Transforming Matter, noted historian Trevor H. Levere emphasizes that understanding the history of these developments helps us to appreciate the achievements of generations of chemists. Levere examines the dynamic rise of chemistry from the study of alchemy in the seventeenth century to the development of organic and inorganic chemistry in the age of government-funded research and corporate giants. In the past two centuries, he points out, the number of known elements has quadrupled. And because of synthesis, chemistry has increasingly become a science that creates much of what it studies. Throughout the book, Levere follows a number of recurring themes: theories about the elements, the need for classification, the status of chemical science, and the relationship between practice and theory. He illustrates these themes by concentrating on some of chemistry's most influential and innovative practitioners. Transforming Matter provides an accessible and clearly written introduction to the history of chemistry, telling the story of how the discipline has developed over the years.

The only high-quality yet affordable edition available of the classic alchemical manuscript Splendor Solis, described as "the most magnificent treatise on alchemy ever made". Includes up-to-date commentary from experts in the field and a modern translation of the 16th-century text. A magnificent edition of the Splendor Solis for all those interested in alchemy, magic and mysterious manuscripts. Popularly attributed to the legendary figure Salomon Trismosin, the Splendor Solis ('Splendour of the Sun') is the most beautiful alchemical manuscript ever made, with 22 fabulous illustrations rich in allegorical and mystical symbolism. The paintings are given a fitting showcase in this new Watkins edition, which accompanies them with Joscelyn Godwin's excellent contemporary translation of the original 16th-century German text, as well as interpretation from alchemical experts Stephen Skinner and Georgiana Hedesan, and from Rafal T. Prinke, an authority in central and Eastern European esoteric manuscripts. Stephen Skinner explains the symbolism of both the text and the illustrations, suggesting that together they describe the physical process of the alchemical transmutation of base metal into gold. Rafal T. Prinke explains the theories about the authorship of both text and illustrations, discussing Splendor Solis as the turning point in alchemical iconography passing from the medieval tradition to that of the Baroque and the reasons for the misattribution of Splendor Solis to Poysel and Trismosin. Georgiana Hedesan looks at the legendary figure of Salomon Trismosin and his creation by followers of Theophrastus Paracelsus as part of an attempt to integrate their master in a lineage of ancient alchemical philosophers. The images are taken from the British Library manuscript Harley 3469, the finest example of the Splendor Solis to survive.

Alchemy, the Noble Art, conjures up scenes of mysterious, dimly lit laboratories populated with bearded old men stirring cauldrons. Though the history of alchemy is intricately linked to the history of chemistry, alchemy has nonetheless often been dismissed as the realm of myth and magic, or fraud and pseudoscience. And while its themes and ideas persist in some expected and unexpected places, from the Philosopher's (or Sorcerer's) Stone of Harry Potter to the self-help mantra of transformation, there has not been a serious, accessible, and up-to-date look at the complete history and influence of alchemy until now.

A ground-breaking modern manual on an ancient art, Real Alchemy draws on both modern scientific technology and ancient methods. A laboratory scientist and chemist, Robert Allen Bartlett provides an overview of the history of alchemy, as well as an exploration of the theories behind the practice. Clean, clear, simple, and easy to read, Real Alchemy provides excellent directions regarding the production of plant products and transitions the reader-student into the basics of mineral work—what some consider the true domain of alchemy. New students to practical laboratory alchemy will enjoy reading Real Alchemy and hopefully find the encouragement needed to undertake their own alchemical journey. Bartlett also explains what the ancients really meant when they used the term “Philosopher’s Stone” and describes several very real and practical methods for its achievement. Is the fabled Philosopher’s Stone an elixir of long life or is it a method of transforming lead into gold? Judge for yourself.