Narrative description of fishing in the Inside Passage of British Columbia and Alaska.

For seven months, Upton steered his 32-foot boat through Southeast Alaska, fishing for salmon. His account of that season of fishing and surviving covers not only the whims of nature but also the shifting fortunes of the fishing industry itself.

From breathtaking mountains to untamed coastlines, Insider's Guide to Anchorage and Southcentral Alaska features Prince William Sound, the Kenai Peninsula, Anchorage, and Denali National Park.

Journey with fishing veteran Joe Upton through open channels and narrow fjords, past tiny villages, and deserted canneries. Experience the life of the independent fisherman in this evocative, true-life account of four months aboard a 32-foot troller in Alaska's Inside Passage.

Joe Upton recounts his experiences while commercial fishing for Alaskan king crab in the Bering Sea during the 1971 season.

2 compact disc one is compilation of all fat possum artist. the other compact disc is of r.l. burnside

A lively, take along account of Alaska's sweeping history made vivid with historical photos and entertaining essays. Topics covered include Native lifestyles before contact with the Europeans; Alexander Baranov and the Russian fur trade; John Muir's visit to Glacier Bay in 1879; the Klondike gold rush stampede; pioneer climbs on Mount McKinley; the exploits of early Alaska Bush pilots; big game hunting in the North Country; Alaska's fisheries, where salmon is king; and today's Native traditions. A history book that's fun to read, Alaska's History sets forth the Last Frontier's glorious past and challenging present.

Eagle Blue follows the Fort Yukon Eagles, winners of six regional championships in a row, through the course of an entire 28-game season, from their first day of practice in late November to the Alaska State Championship Tournament in March. With insight, frankness, and compassion, Michael D'Orso climbs into the lives of these fourteen boys, their families, and their coach, shadowing them through an Arctic winter of fifty-below-zero temperatures and near-round-the-clock darkness as the Eagles criss-cross Alaska in pursuit of their-and their village's-dream.

From the late nineteenth century through the 1920s, the U.S. government sought to control practices of music on reservations and in Indian boarding schools. At the same time, Native singers, dancers, and musicians created new opportunities through musical performance to resist and manipulate those same policy initiatives. Why did the practice of music generate fear among government officials and opportunity for Native peoples? In this innovative study, John W. Troutman explores the politics of music at the turn of the twentieth century in three spheres: reservations, off-reservation boarding schools, and public venues such as concert halls and Chautauqua circuits. On their reservations, the Lakotas manipulated concepts of U.S. citizenship and patriotism to reinvigorate and adapt social dances, even while the federal government stepped up efforts to suppress them. At Carlisle Indian School, teachers and bandmasters taught music in hopes of imposing their “civilization” agenda, but students made their own meaning of their music. Finally, many former students, armed with saxophones, violins, or operatic vocal training, formed their own “all-Indian” and tribal bands and quartets and traversed the country, engaging the market economy and federal Indian policy initiatives on their own terms. While recent scholarship has offered new insights into the experiences of “show Indians” and evolving powwow traditions, Indian Blues is the first book to explore the polyphony of Native musical practices and their relationship to federal Indian policy in this important period of American Indian history.