This novel is a work of extraordinary imagination and wide range. Its playful narrative techniques convey a profound message, both personal and political, about humankind's inability to love and yet our compulsion to go on trying.

One of Alasdair Gray's most brilliant creations, Poor Things is a postmodern revision of Frankenstein that replaces the traditional monster with Bella Baxter--a beautiful young erotomaniac brought back to life with the brain of an infant. Godwin Baxter's scientific ambition to create the perfect companion is realized when he finds the drowned body of Bella, but his dream is thwarted by Dr. Archibald McCandless's jealous love for Baxter's creation.The hilarious tale of love and scandal that ensues would be "the whole story" in the hands of a lesser author (which in fact it is, for this account is actually written by Dr. McCandless). For Gray, though, this is only half the story, after which Bella (a.k.a. Victoria McCandless) has her own say in the matter.Satirizing the classic Victorian novel, Poor Things is a hilarious political allegory and a thought-provoking duel between the desires of men and the independence of women, from one of Scotland's most accomplished authors.

Alasdair Gray is Scotland's best known polymath. Born in 1934 in Glasgow, he graduated in design and mural art from the Glasgow School of Art in 1957. After decades of surviving by painting and writing TV and radio plays, his first novel, the loosely autobiographical, blackly fantastic Lanark, opened up new imaginative territory for such varied writers as Jonathan Coe, A.L. Kennedy, James Kelman, Janice Galloway and Irvine Welsh. It led Anthony Burgess to call him 'the most important Scottish writer since Sir Walter Scott'. His other published books include 1982 Janine, Poor Things (winner of the Whitbread Award), The Book of Prefaces, The Ends of our Tethers and Old Men in Love. In this book, with reproductions of his murals, portraits, landscapes and illustrations, Gray tells of his failures and successes which have led his pictures to be accepted by a new generation of visual artists.

A tale of border warfare, military and erotic, set in the twenty-third century, where the women rule the kingdom and the men play war games. This is the fictional memoir of Wat Dryhope - edited, annotated and commented upon. History has come to an end, war is regulated as if it's all a game. But Wat, the History Maker himself, does not play entirely by the rules, and when a woman, Delilah Puddock, joins the fray, this 'utopian' history is further enlivened. Alasdair Gray cleverly plays with the notion and writing of history, as well as perennial modern debates on war, sexism and society - entertaining and thought-provoking, this is a delightful satire illustrated throughout by the author.

1982, Janine is a liberal novel of the most satisfying kind. Set over the course of one night inside the head of Jock McLeish, an aging, divorced, alcoholic, insomniac supervisor of security installations, as he tipples in the bedroom of a small Scottish hotel, it makes an unanswerable case that republicanism is a state of absolute spiritual bankruptcy. For Jock McLeish, being a Republican is something he has to cure himself of, every bit as much as his alcoholism and his Sado-Masochistic fantasizing, if he is to become a human being again. 1982, Janine explores themes of male need and inadequacy through the lonely, darkly comic, alcohol-fueled fantasies of its protagonist. An unforgettably challenging book about power and powerlessness, men and women, masters and servants, small countries and big countries, Alasdair Gray's exploration of the politics of pornography has lost none of its power to shock.

In this masterful retelling of one of the greatest works of world literature, Alasdair Gray - in his last work - offers an original translation in prosaic English rhyme. Lyrical and modern, this complete edition brings all three parts of Dante's epic journey through Hell and Purgatory and on to Paradise together in a single volume for the first time.

Alasdair Gray's unforgettable second novel. Introduced by Will Self

'Grandly conceived, gorgeously realised, and sparklingly alert to the making not just of works of art, but of a language, this crammed compendium, so copiously yet lightly learned, so drolly self-reflexive, yet enticingly accessible, so exhilaratingly, quixotically magniloquent, is the last word in forewords.' Herald

Mungo McGrotty’s career in Whitehall is going nowhere. But when he finds the mysterious (and deadly) Harbinger Report, he realises he can blackmail his way to the very top. This twisted Grayian retelling of the Aladdin story under the Thatcher regime sees our hero rise from pawn to power. But at what cost?

Fans of the work of Donald Barthelme, Kurt Vonnegut, George Saunders, and T. Coraghessan Boyle will revel in Alasdair Gray's masterful, witty collection. Gray's stories defy genre, and his angular, playful style, prodigious wit, and razor-sharp intellect are matched by his remarkable skill with the short-story form. In Job's Skin Game, the narrator humbly tells his life story like the evenings news. During a moment of awkward revelation, he shares the strangely exquisite pleasure he receives from scratching at the skin condition he's developed since losing his two sons in the Twin Towers tragedy and a small fortune in the dot-com meltdown. In Big Pockets with Button Flaps, a wily old man teases and taunts a pair of punk teenage girls as their confrontation takes on social implication through lightning-fast transfers of power and wit. The Ends of Our Tethers is vintage Gray--accessible, experimental, mischievous, wide ranging, beautifully written, and wise.