The sacred city of Banāras on the River Ganges is one of the oldest living cities in the world—as old as Jerusalem, Athens, and Peking. It is the place where Shiva, the Lord of All, is said to have made his permanent home since the dawn of creation. There are few cities in India as traditionally Hindu and as symbolic of the whole of Hindu culture as Banāras. In this eloquent, finely observed study, Diana Eck shows how the city over the centuries has become a lens through which the Hindu vision of the world is precisely focused. She reveals the spiritual and historical resonance of this holy place where great sages such as the Buddha and Shankara were taught, where ashrams, palaces, and universities were built, where God has been imagined and imagined in a thousand ways. She describes the rites of its temples, the busy life of its riverfront, and the exuberance of its festivals. She tells how people travel from all over India to Banāras for the privilege of dying a good death here, for they believe that on the banks of the River Ganges where “the atmosphere of devotion is improbable in its strength,” it is possible to be released from the earthly round forever. In her account of the sacred history, geography, and art of the city, its elaborate and thriving rituals, its myths and literature, and its importance to pilgrims and seekers, Diana Eck uses her wealth of scholarship to make the Hindu tradition come powerfully alive so that we come to understand the meaning of this sacred city to the millions of believers who have been coming here for over 2,500 years.

Winner of the Restless Books Prize for New Immigrant Writing, Priyanka Champaneri’s transcendent debut novel brings us inside India’s holy city of Banaras, where the manager of a death hostel shepherds the dying who seek the release of a good death, while his own past refuses to let him go. Banaras, Varanasi, Kashi: India’s holy city on the banks of the Ganges has many names but holds one ultimate promise for Hindus. It is the place where pilgrims come for a good death, to be released from the cycle of reincarnation by purifying fire. As the dutiful manager of a death hostel in Kashi, Pramesh welcomes the dying and assists families bound for the funeral pyres that burn constantly on the ghats. The soul is gone, the body is burnt, the time is past, he tells them. Detach. After ten years in the timeless city, Pramesh can nearly persuade himself that here, there is no past or future. He lives contentedly at the death hostel with his wife, Shobha, their young daughter, Rani, the hostel priests, his hapless but winning assistant, and the constant flow of families with their dying. But one day the past arrives in the lifeless form of a man pulled from the river—a man with an uncanny resemblance to Pramesh. Called “twins” in their childhood village, he and his cousin Sagar are inseparable until Pramesh leaves to see the outside world and Sagar stays to tend the land. After Pramesh marries Shobha, defying his family’s wishes, a rift opens up between the cousins that he has long since tried to forget. Do not look back. Detach. But for Shobha, Sagar’s reemergence casts a shadow over the life she’s built for her family. Soon, an unwelcome guest takes up residence in the death hostel, the dying mysteriously continue to live, and Pramesh is forced to confront his own ideas about death, rebirth, and redemption. Told in lush, vivid detail and with an unforgettable cast of characters, The City of Good Death is a remarkable debut novel of family and love, memory and ritual, and the ways in which we honor the living and the dead. PRAISE FOR THE CITY OF GOOD DEATH “In Champaneri’s ambitious, vivid debut, the dying come to the holy city of Kashi to die a good death that frees them from the burden of reincarnation…. In sharp prose, Champaneri explores the power of stories—those the characters tell themselves, those told about them, and those they believe. . . . This epic, magical story of death teems with life.” —Publishers Weekly “Brimming with characters whose lives overlap and whose stories interweave, Champaneri’s exquisite debut delves into the consequences of the past, and how stories that are told can become reality even when they contain barely a shred of truth. As Pramesh discovers, the bitterness of past wounds can bring hope for redemption and life.” —Bridget Thoreson, Booklist “Lush prose evokes the thick, close atmosphere of Kashi and the intricate religious practices upon which life and death depend. Rumor and superstition hold sway over even the most level-headed people, twisting what’s explainable into something extraordinary—with tragic consequences. . . . The City of Good Death is a breathtaking, unforgettable novel about how remembering the past is just as important as moving on.” —Eileen Gonzalez, Foreword Reviews, Starred Review "Champaneri’s Kashi is teeming and vivid . . . the book frequently charms, and it's as full of humor, warmth, and mystery as Kashi’s own marketplace." —Kirkus Reviews “The City of Good Death is the debut novel of Priyanka Champaneri but it has the confidence of a master storyteller. Drawing on the rich literary traditions of Salman Rushdie and Arundhati Roy, Champaneri’s epic saga will satisfy armchair travelers thirsty for adventure, and sick of looking out their windows.” —Chicago Review of Books "In intricate detail and with remarkable skill, Champaneri writes a powerful tale about the pull of the past and our aching need to understand the mysteries and misunderstandings that thwart our relationships. An atmospheric and immersive debut with a rich cast of characters you won’t soon forget." —Marjan Kamali, author of The Stationery Shop

Bishwanath Ghosh had alighted from his train at Itarsi station to stretch his legs and grab a glass of tea before he resumed his journey.

About the Book A WITTY, OBSERVANT AND PERSONAL BIOGRAPHY OF A REMARKABLE CITY-CHENNAI From moody, magical Madras to bursting-at-the-seams, tech-savvy Chennai, the two aspects of the city are inseparable. As Bishwanath Ghosh tells us, while Chennai is usually known as conservative and orthodox, almost every modern institution in India-from the army to the judiciary; from medicine to engineering-traces its roots to Madras. Today the city once again figures prominently on the global map as 'India's Detroit', a manufacturing giant and a hub of medical tourism. There have been sweeping changes since Independence, but even as Chennai embraces change, its people hold its age-old customs and traditions close to their hearts. It is this city that Bishwanath Ghosh explores, delving into its past, roaming its historic sites and neighbourhoods, and meeting a wide variety of people-from a top vocalist to a top sexologist, from a yoga teacher to a percussionist, from a yesteryear film star to his own eighty-five-year-old neighbour. What emerges is an evocative portrait of this unique city, drawn without reservation-sometimes with humour, sometimes with irony-but always with love. About the Author Bishwanath Ghosh, an Indian writer and journalist, best known for his literary travelogues which describe the essence of India. In 2009 he published the bestselling Chai, Chai: Travels in Places Where You Stop but Never Get Off, which The Telegraph (Kolkata) called "a delightful travelogue with a difference." He is also the author of Longing, Belonging (2014), which is a portrait of present-day Kolkata, Gazing at Neighbours (2017) and Aimless in Banaras.

Banaras is a city on the banks of the river Ganges. It is the holiest of the seven sacred cities in Hinduism and Jainism, and played an important role in the development of Buddhism. It is regarded as one of the oldest continuously inhabited cities in the world. It is portrayed beautifully through Majumdar's captivating perspective on different walks around the city. Banaras witnesses thousands of devout Hindus who journey to the banks of the Ganga to wash their sins away. The ghats and the riot of colors only add to the character of this city. Banaras now known as Varanasi is also a major tourist attraction and welcomes thousands from around the world.

"Pankaj Mishra transforms a visceral, intimate story of one man’s humble origins into a kaleidoscopic portrait of a society bedazzled by power and wealth—what it means on a human level, and what it costs. Run and Hide is a spectacular, illuminating work of fiction." —Jennifer Egan, author of Manhattan Beach Growing up in a small railway town, Arun always dreamed of escape. His acceptance to the prestigious Indian Institute of Technology, enabled through great sacrifice by his low-caste parents, is seemingly his golden ticket out of a life plagued by everyday cruelties and deprivations. At the predominantly male campus, he meets two students from similar backgrounds. Unlike Arun—scarred by his childhood, and an uneasy interloper among go-getters—they possess the sheer will and confidence to break through merciless social barriers. The alumni of IIT eventually go on to become the financial wizards of their generation, working hard and playing hard from East Hampton to Tuscany—the beneficiaries of unprecedented financial and sexual freedom. But while his friends play out Gatsby-style fantasies, Arun fails to leverage his elite education for social capital. He decides to pursue the writerly life, retreating to a small village in the Himalayas with his aging mother. Arun’s modest idyll is one day disrupted by the arrival of a young woman named Alia, who is writing an exposé of his former classmates. Alia, beautiful and sophisticated, draws Arun back to the prospering world where he must be someone else if he is to belong. When he is implicated in a terrible act of violence committed by his closest friend from IIT, Arun will have to reckon with the person he has become. Run and Hide is Pankaj Mishra’s powerful story of achieving material progress at great moral and emotional cost. It is also the story of a changing country and global order, and the inequities of class and gender that map onto our most intimate relationships.

Trouvaille (origin French) means a chance encounter with something wonderful, a windfall, a lucky find. Whether it's stumbling across a hidden back street, discovering a quaint cafe, or connecting with a local during a journey-the joy they bring is what you call trouvaille. Yūgen (origin Japanese) is a profound and mysterious sense of the beauty of the universe and the sad beauty of human suffering-an awareness that triggers emotional responses too deep and powerful for words. Trouvailles: My Moments of Yūgen is Shuvashree Chowdhury's second collection of poems. They are crafted from the physical and mental journeys she undertook to find herself. One moment she is navigating the ghats and galis of the holy city of Banaras; in another she is gazing at the mighty Kanchenjunga from Darjeeling and Kalimpong; one moment she is experiencing the calm of Rabindranath Tagore's Santiniketan; in another she is walking along the Hooghly in pastoral Bengal. Then there is travel- in the form of contemplation-undertaken during the Covid-forced lockdown. The poems are not so much about the destinations, but a fresh way of looking at places we already knew about. They are an optimistic and positive reflection on life and death; love and relationships; rejection and resilience.