When she was seven years old, Geraldine (Jerrie) Mock took her first airplane ride. She decided then and there to be a pilot. Growing up, she was inspired by radio broadcasts detailing the travels of aviatrix Amelia Earhart. Joan Merriam was 15 when she took her first plane ride in 1952. She got her pilot's license before she could even drive a car. And like Jerrie, Joan too was inspired by Earhart and wanted to circle the globe, following Earhart's exact route. Years later, when both women begin to plan their dream flights, they are completely unaware of each other, and coincidentally pick the same time to depart. But when the media gets word of their plans, the stage is set for the race of a lifetime. This picture book retells the extraordinary story of the 1964 air race between Americans Geraldine Mock and Joan Merriam Smith, the first two women to fly around the world.

Constant Visions is a variety of different poems in an enchanting array of how I vision things.

Experience the War of the Lance as you’ve never experienced it before—from evil’s point of view—in this thrilling retelling of the events seen in Dragonlance Chronicles In the captial city of Neraka, Kitiara uth Matar and Emperor Ariakas hatch a plan to retrieve a dragon orb and thereby destroy Solamnia and the Companions in one fell swoop. But when the guardian of the dragon orb, Highlord Feal-Thas, disagrees with this plan, Kitiara must go to Ice Wall to force him to accept Ariakas' will. But her journey does not end there. Thrown out of favor, she conceives a daring plan to enlist the aid of the most feared beings on Krynn—Lord Soth and the Dark Queen. Meanwhile, Laurana and the Companions retrieve the dragon orb and take it back to Solamnia—not knowing that they bring their allies' doom with them. A fascinating retelling of the famed War of the Lance, The Lost Chronicles series is a marvelous complement to the original Chronicles trilogy as well as an exicting, accessible read for those new to the Dragonlance universe.

An action-packed story of love, duty and destiny, by global sensation Wilbur Smith. 'A master storyteller' - Sunday Times 'Wilbur Smith is one of those benchmarks against whom others are compared' - The Times 'No one does adventure quite like Smith' - Daily Mirror The higher you fly, the harder you fall . . . From a young age it's clear that David Morgan is a 'bird', a natural pilot, most at home in the air. His family want him to take over the family business, but David is determined to follow his destiny, and joins the South African Air Force, where he is commended for his skills. When he meets Debra, a beautiful young Israeli writer, David once again feels the pull of destiny. He joins the Israeli Defence Force and finds himself caught up in the country's struggles. But when the war separates him from Debra, David feels his two destinies pulling him apart. Can he become the man he always dreamed of being, without losing the woman he's fighting for?

Dark Skies addresses a significant gap in knowledge in relation to perspectives from the arts, humanities, and social sciences. In providing a new multi- and interdisciplinary field of inquiry, this book brings together engagements with dark skies from a variety of disciplinary backgrounds, empirical studies, and theoretical orientations. Throughout history, the relationship with dark skies has generated a sense of wonder and awe, as well as providing the basis for important cultural meanings and spiritual beliefs. However, the connection to darks skies is now under threat due to the widespread growth of light pollution and the harmful impacts that this has upon humans, non-humans, and the planet we share. This book, therefore, examines the rich potential of dark skies and their relationships with place, communities, and practices to provide new insights and understandings on their importance for our world in an era of climate emergency and environmental degradation. This book is intended for a wide audience. It will be of interest to scholars, students, and professionals in geography, design, astronomy, anthropology, ecology, history, and public policy, as well as anyone who has an interest in how we can protect the night sky for the benefit of us all and the future generations to follow.

Fifty years after the Battle of Britain, Air Vice Marshall Tony Mason describes the inheritance of "The Few". the modern aircraft, weapons, and ground-support systems operated by the men and women who now guard the skies of the United Kingdom. 80 photographs.

In this second book in a series covering elements of the landscape, renowned watercolourist, David Bellamy shows how to paint skies, light and atmosphere and how choices involving these three key elements can affect a painting. Starting with skies, David Bellamy covers basic techniques, composition, clouds, special effects like silver linings, sunsets and shafts of light, and much more, then there is a step by step dramatic sky demonstration. Next comes light, with plenty of advice including warm and cool light, using glazes, cast shadows, light from different directions, painting the sun and reflected light, followed by a step by step demonstration featuring strong light and shadow. The atmosphere section covers haze and mist, fog, mountains in cloud, smoke and steam, rain, storms and tranquil moods, and is followed by an atmospheric step by step painting of a waterfall. David Bellamy's extensive travels and much admired painting style ensure that there are plenty of beautiful, inspiring paintings of skies, light and atmosphere throughout the book.

John Constable is arguably the most accomplished painter of English skies and weather of all time. For Constable, the sky was the keynote, the standard of scale and the chief organ of sentiment in a landscape painting. But how far did he understand the workings of the forces of nature which created his favourite cumulus clouds, portrayed in so many of his skies over the landscapes of Hampstead Heath, Salisbury and Suffolk? And were the skies he painted scientifically accurate? In this lucid and accessible study, John Thornes provides a meteorological framework for reading the skies of landscape art, compares Constable's skies to those produced by other artists from the middle ages to the nineteenth century, analyses Constable's own meteorological understanding, and examines the development of his painted skies. In so doing he provides fresh evidence to identify the year of painting of some of Constable's previously undated cloud studies.