For young detective Aggie Morton and her friend Hector, Christmas becomes a lot more exciting when a dead body is found in this second book in the Aggie Morton, Mystery Queen series, inspired by the life of Agatha Christie as a child and her most popular creation, Hercule Poirot. For fans of The Wollstonecraft Detective Agency. Aspiring writer Aggie Morton is looking forward to Christmas. Having just solved a murder and survived her own brush with death inal her small town of Torquay on the coast of England, Aggie can't wait to spend the holidays with her sister Marjorie, the new Lady Greyson of Owl Park, an enormous manor house in the country; Grannie Jane and her fellow sleuth and partner in crime, Hector Perot. Owl Park holds many delights including Aggie's almost cousin Lucy, exciting and glamorous visitors from Ceylon and disguises aplenty in the form of a group of travelling actors, not to mention a secret passageway AND an enormous, cursed emerald. Not even glowering old Lady Greyson (the Senior) can interfere with Aggie's festive cheer. But when Aggie and her friends discover a body instead of presents on Christmas morning, things take a deadly serious turn. With the help of a certain nosy reporter, Aggie and Hector will once again have to put their deductive skills and imaginations to work to find the murderer on the loose. Filled with mystery, adventure, unforgettable characters and several helpings of tea and Christmas pudding, Peril at Owl Park is the second book in a new series for middle-grade readers and Christie and Poirot fans everywhere.

A smart and charming middle-grade mystery series starring young detective Aggie Morton and her friend Hector, inspired by the imagined life of Agatha Christie as a child and her most popular creation, Hercule Poirot. Aggie Morton lives in a small town on the coast of England in 1902. Adventurous and imaginative but deeply shy, Aggie hasn't got much to do since the death of her beloved father . . . until the fateful day when she crosses paths with twelve-year-old Belgian immigrant Hector Perot and discovers a dead body on the floor of the Mermaid Dance Room! As the number of suspects grows and the murder threatens to tear the town apart, Aggie and her new friend will need every tool at their disposal -- including their insatiable curiosity, deductive skills and not a little help from their friends -- to solve the case before Aggie's beloved dance instructor is charged with a crime Aggie is sure she didn't commit.

For young detective Aggie Morton and her friend Hector, a spa stay becomes a lot more thrilling when TWO dead bodies are found in this third book in the Aggie Morton, Mystery Queen series, inspired by the life of Agatha Christie as a child and her most popular creation, Hercule Poirot. For fans of Enola Holmes. Aspiring writer Aggie Morton is ready to enjoy an invigorating trip to a Yorkshire spa, where her widowed mother can take the waters and recover from a long mourning period. Having solved yet another murder and faced extreme peril with her best friend Hector over Christmas, Aggie’s Morbid Preoccupation is on alert when rumors abound about the spa's recently deceased former patient . . . and then another body appears under mysterious circumstances. Together with Grannie Jane, and often in the company of George, a young patient at the spa, Aggie and Hector take a closer look at the guests and staff of the Wellspring Hotel, and venture into the intriguing world of the local undertaker. Has there been a murder—or even two? As Aggie and Hector ignite their deductive skills, their restful trip takes a sudden, dangerous turn.

Annie's mother has special powers.Annie's mother is a master at drawing out secrets.Annie's mother is the one and only, the irresistible Madam Caterina.Annie and her mother come to Peach Hill, the latest in a string of towns where Mama sets herself up as a spiritual adviser who can put people in contact with the "dearly departed." Fifteen-year-old Annie is Mama's invisible secret weapon—she gathers important information about clients by pretending to be an idiot. After all, people will say anything in front of an idiot.But Annie isn't invisible, she's smart as a whip, and she longs to break out of this role and into a real life with friends and school. Annie may be under Mama's spell—but not for long.

"First published by Faber & Faber Limited (UK) 2020"--Title page verso.

For most of his life, Igor and his family have been on the run. Danger lurks around every corner--or so he's always been told. . . . When Igor was five, his father witnessed a terrible crime--and ever since, his whole family has been hunted by a foreboding figure bent on revenge, known only as the Lizard Man. They've lived in so many places, with so many identities, that Igor can't even remember his real name. But now he's twelve years old, and he longs for a normal life. He wants to go to school. Make friends. Stop worrying about how long it will be before his father hears someone prowling around their new house and uproots everything yet again. He's even starting to wonder--what if the Lizard Man only exists in his father's frightened mind? Slowly, Igor starts bending the rules he's lived by all his life--making friends for the first time, testing the boundaries of where he's allowed to go in town. But soon, he begins noticing strange things around them--is it in his imagination? Or could the Lizard Man be real after all? Iain Lawrence is a winner of Canada's Governor General's Children's Literature Prize and the California Young Reader Medal. In Deadman's Castle, he brings readers a mystery filled with intrigue and moments of heart-stopping danger. A Junior Library Guild Gold Standard Selection

Describes the life and times of Thomas Coram and his goal of establishing a safe refuge for abandoned babies in the early 1700s.

What am I going to wear? The question that diverts us all is first presented in the toddler years when the mastery of getting dressed is a triumph and opinions about clothing are emphatic. These four board books illustrated by collage-artist Marthe Jocelyn are a unique tribute to the colors, textures, and patterns that make clothes a child’s favorite pastime. Ready for Summer displays a full wardrobe, introducing lovely words like turtleneck and galoshes, and allowing even the very young reader to be an expert on what should be worn next season.

Hannah loves to make collections. Whether it’s new barrettes for her hair or seashells from the shore, she likes to gather things and sort them by size, shape, and color. But now she is facing a dilemma. The children in her class have been invited to bring their favorite collection to school. How can she possibly pick a favorite? Once again, Hannah’s boundless imagination wins the day. She finds a way to show off all of her collections in a surprising new way.

In 1855, Nathaniel Hawthorne wrote to his publisher, complaining about the irritating fad of “scribbling women.” Whether they were written by professionals, by women who simply wanted to connect with others, or by those who wanted to leave a record of their lives, those “scribbles” are fascinating, informative, and instructive. Margaret Catchpole was a transported prisoner whose eleven letters provide the earliest record of white settlement in Australia. Writing hundreds of years later, Aboriginal writer Doris Pilkington-Garimara wrote a novel about another kind of exile in Australia. Young Isabella Beeton, one of twenty-one children and herself the mother of four, managed to write a groundbreaking cookbook before she died at the age of twenty-eight. World traveler and journalist Nelly Bly used her writing to expose terrible injustices. Sei Shonagan has left us poetry and journal entries that provide a vivid look at the pampered life and intrigues in Japan’s imperial court. Ada Blackjack, sole survivor of a disastrous scientific expedition in the Arctic, fought isolation and fear with her precious Eversharp pencil. Dr. Dang Thuy Tram’s diary, written in a field hospital in the steaming North Vietnamese jungle while American bombs fell, is a heartbreaking record of fear and hope. Many of the women in “Scribbling Women” had eventful lives. They became friends with cannibals, delivered babies, stole horses, and sailed on whaling ships. Others lived quietly, close to home. But each of them has illuminated the world through her words. A note from the author: OOPS! On page 197, the credit for the Portrait of Harriet Jacobs on page 43 should read: courtesy of Library of Congress, not Jean Fagan Yellin. On page 197, the credit for the portrait of Isabella Beeton on page 61 should read: National Portrait Gallery, London. On page 198, the credit for page 147 should be Dang Kim Tram, not Kim Tram Dang. We are very sorry about the mix-up in the Photo Credits, they will be updated on any new editions or reprints.