William A. Cook's Age of Fools is an attempt to relocate our society where it belongs. It is an injection of intense humanism, a celebration of creative thinking that encourages creative reading. - Gilad Atzmon, Israeli-born British Jazz Artist, Author & popular Critical Analyst of Mid-East and Global Affairs Bill Cook is the Barbara Tuchman of our time. This is a courageous book, not the brawny courage of the warrior, but the deeper courage of the peacemaker and the eloquent courage of the truth-teller, who speaks of things many would rather not hear, even though their very future may depend upon it. - Jeffrey St. Clair, Editor, CounterPunch Writes Cook: "From the opening volley of Neo-Con unelected, self-appointed manifestos to take control, to the lies they told the American people through their representatives, to the failure to seek the truth about what took place on 9/11, I have witnessed a cold-blooded group of arrogant men systematically emasculate the rights of the American citizen. What America was in its birthing, it is no longer." Labeling this era "Age of Fools" in the tradition of 15th century Sebastian Brant's "Ship of Fools" and embellishing his work with artwork by Edward Beardsley, Cook writes: "How ironic that the self-proclaimed righteous, the born again Christian Zionists and the Jewish Zionists wheedle their way into their respective governments, preaching the Devil's agenda, using superstition, deception and hypocrisy. In the process they destroy the true and permanent tenets of Christianity and the founding principles of Democracy. America, in short, mirrors the arrogance of the Israeli state under... right-wing Zionist groups that constitute its government... With Israel, driven by its god of war, we are the twin demons of destruction that live in constant fear of all peoples who would rather die than be subjugated, exploited, or oppressed."

Unveiling the nearly lost world of the court fools of eighteenth-century Germany, Dorinda Outram shows that laughter was an essential instrument of power. Whether jovial or cruel, mirth altered social and political relations. Outram takes us first to the court of Frederick William I of Prussia, who emerges not only as an administrative reformer and notorious militarist but also as a "master of fools," a ruler who used fools to prop up his uncertain power. The autobiography of the itinerant fool Peter Prosch affords a rare insider’s view of the small courts in Catholic south Germany, Austria, and Bavaria. Full of sharp observations of prelates and princes, the autobiography also records episodes of the extraordinary cruelty for which the German princely courts were notorious. Joseph Fröhlich, court fool in Dresden, presents more appealing facets of foolery. A sharp salesman and hero of the Meissen factories, he was deeply attached to the folk life of fooling. The book ends by tying the growth of Enlightenment skepticism to the demise of court foolery around 1800. Outram’s book is invaluable for giving us such a vivid depiction of the court fool and especially for revealing how this figure can shed new light on the wielding of power in Enlightenment Europe.

"Eureka!" In an age of open-mindedness, many believers accept too much with too little discernment, resulting in great confusion and compromise. But God's Word makes it clear that not everything that glitters is gold. False teaching is at every turn, and the temptation to embrace it is great. As God's people we are called to sift through the overwhelming number of traditions and trends and use the truth of Scripture to determine which are the true treasures-and which are "fool's gold." General editor John MacArthur and the contributors of this uncompromising book define the principles of biblical discernment and use them to address several contemporary Christian issues. They provide straightforward, biblical critiques of some popular but unfortunate Christian trends, such as watered-down preaching and doctrinally questionable best-selling books. Dr. MacArthur ends with a practical plan for cultivating discernment in the Christian life. It is the duty of every Christian-not just pastors and elders-to follow the biblical command to cling to what is good and to reject what is not. This book will equip you with a foundation for biblical discernment that will enable you to make careful distinctions in your thinking about truth.

“Complex . . . an atmosphere-filled adventure . . . with a fair quota of surprises . . . a winning combination of strong characters and colorful societies.”—Kirkus Reviews In the final book in the Tawny Man Trilogy, Fitz and the Fool are tested more severely than ever in a book the Monroe News-Star calls “a breathtaking ride from beginning to end.” FitzChivalry Farseer has become firmly ensconced in the queen’s court. Along with his mentor, Chade, and the simpleminded yet strongly skilled Thick, Fitz strives to aid Prince Dutiful on a quest that could secure peace with the Out Islands—and win Dutiful the hand of the Narcheska Elliania. The Narcheska has set the prince an unfathomable task: to behead a dragon trapped in ice on the isle of Aslevjal. Yet not all the clans of the Out Islands support their effort. Are there darker forces at work behind Elliania’s demand? Knowing that the Fool has foretold he will die on the island of ice, Fitz plots to leave his dearest friend behind. But fate cannot so easily be defied.

The period from 1200 to 1600 was the golden age of fools. From representations of irreverent acts to full-blown insanity, fools appeared on the misericords of gothic churches and in the plots of Arthurian narratives, before achieving a wider prominence in literature and iconography in the decades around 1500. But how are we to read these figures appropriately? Is it possible to reconstruct the fascination that fools exerted on the medieval and early modern mind? While modern theories give us the analytical tools to explore this subject, we are faced with the paradox that by striving to understand fools and foolishness we no longer accept their ways but impose rational categories on them. Together these essays propose one way out of this dilemma. Instead of attempting to define the fool or trying to find the common denominator behind his many masks, this volume focuses on the qualities, acts, and gestures that signify foolishness. By investigating different manifestations of foolery rather than the figure of the fool himself, we can begin to understand the proliferation of fools and foolish behaviour in the texts and illustrations of manuscripts and early books.

A modern fable about some peacocks and swans who allow the fear of their differences to become so great that they end up destroying each other.

To survive in the City of Sin, an innocent girl must choose her new identity in this dark YA fantasy—the sequel to Ace of Shades. Indulge your vices in the City of Sin, where a sinister street war is brewing and fame is the deadliest killer of them all. Prim and proper Enne Salta never expected to team up with an infamous con man like Levi Glaiyser. But winning the Shadow Game was not the victory they imagined. Now the duo are wanted for murder and Enne is forced to live in disguise as Séance, a mysterious figure of the underworld. Desperate to build his empire, Levi makes a deal with the estranged son of Mafia donna Vianca Augustine, while Enna remains trapped by Vianca’s binding oath, unsure whether to embrace the role of refined lady or cunning street lord. As they walk a path of unimaginable wealth, a dangerous game of crime and politics swirls around them. And when unforeseen players enter, they must each make an impossible choice: sacrifice everything . . . Or die as legends.

"... The book demolishes a number of historiographic myths and stereotypes surrounding intellectual disability in the Middle Ages and suggests new insights with regard to 'fools', jesters and 'idiots'.

Before Micah came to St Luc's, he knew how to beg, how to steal and how to run from a beating. He didn't know how to comb his hair or wait his turn. Now he was a stranger in a strange land. If it had been me, I would have found a way to disappear inside myself until the strangeness wore off. Micah was not like me. Henri is used to the quiet routines of the abbey. He's shy and solitary, until Micah - a wild troublemaker with the voice of an angel - sweeps into his life like a fresh breeze. Micah stirs up fun and adventure at a time when Henri needs it most. For the Plague is coming. With the tail of a scorpion and breath of fire it will pass through every village and town until nothing can ever be the same. Together, Henry and Micah manage to find fun in the midst of fear. Marching about the countryside with their Company of Fools they revel in the healing power of laughter - at least for a while. In this gripping story, acclaimed author Deborah Ellis celebrates the extraordinary resilience of children, their capacity for caring, and talent for happiness, even in the darkest times.

In this dangerously funny and subversive satire of a senior year from hell by the acclaimed author of "The Brothers Torres," can one lucky fool wise-up in order to survive the college application process?