The newest selection of essays from one of Australia's finest historians and writers.Agamemnon's Kiss is a thrilling selection of essays by one of Australia's most celebrated writers.Inga Clendinnen writes about everything from the books that terrified her as a child to what history can teach us about ourselves and our own times. She describes visits to the beach and to a museum dedicated to the Holocaust. She recounts the experience of falling ill and the prospect of death. And she writes movingly about other people who have changed her own life.Many of the themes which are central to Clendinnen's work are teased out in Agamemnon's Kiss- Selected Essays, the way we think about the Holocaust and its perpetrators, and the investigative power of history.

Although literary theories describe a world of strategies--textual, discursive, interpretive, and political--what is missing is the strategist. Poststructuralists try to explain agency as the effect of large-scale systems or formations; as a result, intuitions about individual action and responsibility are expressed in terms of impersonal strategies. Mette Hjort's book responds to this situation by proposing an alternative account of strategic action, one that brings the strategist back into the picture. Hjort analyzes influential statements made by Derrida, Foucault, and others to show how proposed conceptions of strategy are contradictory, underdeveloped, and at odds with the actual use of the term. Why, then, has the term acquired such rhetorical force? Since "strategy" evokes conflict, Hjort suggests, its very use calls into question various pieties of idealism and humanism, and emphasizes a desired break between modernism and postmodernism. It follows that a theory of strategy must explore some of the psychological implications of conflict, and Hjort pursues these implications through traditions as diverse as game theory, discourse ethics, and the philosophy of war. Unstable frames, self deception, promiscuous pragmatism, and social emotion are some of the phenomena she explores as she develops her account of strategic action in the highly competitive domain of letters. In her reflection on strategy, Hjort draws on such literary examples as Troilus and Cressida, Tartuffe, the autobiographical writings of Holberg, and early modern French and English treatises on theater. For its well-informed and incisive arguments and literary historical case studies, this book will be invaluable to literary theorists and will appeal to readers interested in drama, philosophy and literature, aesthetics, and theories of agency and rationality.

An internationally celebrated historian and highly original thinker, Inga Clendinnen compelled readers to re-examine accepted histories from new angles. Inga Clendinnen was one of Australia’s greatest writers and historians. This selection covers the full scope of her work, from Tiger’s Eye to Aztecs, from her Boyer Lectures to essays on all manner of topics. It is introduced by acclaimed historian James Boyce, who traces Clendinnen’s life and evolving thought. Boyce writes that Clendinnen’s ‘ability to write serious history for a general readership was unrivalled in this country ... Her writings are an enduring testament to the truth that while we might “live within the narrow moving band of time we call the present ... the secret engine of our present is our past, with its plastic memories, its malleable moralities, its wreathing dreams of desirable futures”.’ ‘With the profound moral concern of the best general reader, one of our finest historians brings the Holocaust close up and stares the Medusa down. Inga Clendinnen claims for history the same power as poetry or fiction to enter the silences and make them speak.’ —David Malouf ‘Her respect for the intelligence of her readers, her sacred sense of the moral responsibility of history, and her luminous prose won her a large and devoted public.’ —Tom Griffiths

Inga Clendinnen writes about everything from the books that terrified her as a child to what history can teach us about ourselves and our times. She recounts the experience of falling ill and the prospect of death. And she writes movingly about people who have changed her life.