A former detective's wife is abducted by a serial killer known as the Paperman, a man who is responsible for the violent deaths of several local women. An immortal struggles with his identity as he uses powers from beyond to try and save the detective's wife. A lonely man and woman get trapped in an abandoned cemetery and discover a love they never knew existed. As their stories unfold, they move toward an explosive confrontation that will be resolved after the Paperman comes. This and four other stories of supernatural suspense by Heywood Steele, two of which are previously unpublished, are collected in this volume.

Michael was only 15 when a mysterious accident changed his life forever. He was rebuilt out of paper by his father, and ten years later he is still trapped in the paper version of his teenage body. To escape his stagnant life at home, he runs away to the city by the sea, which promises art and adventure. Instead, Michael discovers the city is tearing at the seams. With rumors swirling that a militarized north will annex the city, newcomer Michael has more to worry about than the unpredictable seaside weather. After being rescued from a rainstorm by Maiko, an unemployed fur model, Michael s cruel high school sweetheart Mischa suddenly reappears. Michael becomes torn between loyalty to Maiko and Mischa's decadent underground art world. But when he finds himself drawn to the city's most notorious artist, David Doppelmann, Michael begins another dangerous transformation, one that will either lead to uncovering his true self, or destroy him and everyone he cares about. Part fable, part surrealistic journey, Gallagher Lawson s impressive debut is a gripping narrative about the nature of artistic identity and its tenuous relationship to the greater good, Lawson has created a visionary, allegorical novel of our time."

At first, Lily is afraid of the paper man whom she sees on the way home from school, but when winter comes and she sees that he has no warm clothes, she tells her mother and father that she has an idea.

Join an eccentric novelist on the run from his obsessive would-be biographer in this comic farce by the radical Nobel Laureate and author of Lord of the Flies. Why should I conceal the fact that I had found a full professor of Eng. Lit. rifling my dustbin? Fame, fortune, alcoholism, a failing marriage: for novelist Wilfred Barclay, his final unbearable irritation is his would-be-biographer, the young academic Professor Rick L. Tucker, who is determined to become The Barclay Man. Locked in a lethal relationship, the two men stumble across Europe, shedding wives, self-respect and identities in a game of literary cat and mouse - and the climax of their odyssey, when it comes, is as inevitable as it is unexpected . . . 'A complex literary comedy from an extraordinarily powerful writer, which holds us right through to the end.' Malcolm Bradbury 'Rich as a compost heap . . . It moves you and at times it can shake you.' Melvyn Bragg '[Golding's] splendid comic gift is used to often hilarious effect, running the whole gamut of comedy, from irony to farce . . . Hugely enjoyable.' Daily Telegraph

This study shows how Wouk's plays and novels exemplify an extraordinary and often highly perceptive preoccupation with American society in war and peace. Situating Wouk in the same literary tradition as Cervantes, Richardson, Balzac, and Dickens, Beichman demonstrates that Wouk's novels have strong plots, moralist outcomes, and active -essentially positive- characters. Beichman's focus is on the social and literary qualities of Wouk's work.

George’s day takes an unexpected turn after a chance encounter with Meg, a beautiful woman he meets on his morning commute. When he spots her again later in the day, he knows he has to get her attention! With only his imagination and a stack of papers to help, George tries and tries again to meet the girl of his dreams. Enjoy this heartwarming tale based on the award-winning short from Walt Disney Animation Studios!

This study is an attempt to chronicle and analyse the attitudes of the New York press in connection with the events of the period from 1914 to 1917 relating to American neutrality. It is based primarily on a day to-day study of sixteen daily newspapers in New York City for the period of American non-participation in the First World War. The research involved not only editorial opinion but also news items, feature articles, letters to the editor, book reviews and special commentary. The files of the major New York newspapers of the period naturally constituted the basic sources. In addition to this, use was made of the memoirs, diaries and private papers of editors, publishers and other public figures; the Congressional Record, 1914-1917; Congressional hearings and reports, 1915, 1919, 1936 and 1937; certain British and German materials; books, articles and other secondary sources. The author also drew upon the recollections of New Yorkers active in journalism during the period.

Arnold Beichman's comprehensive study of the writings of Herman Wouk, one of America's leading writers, shows how Wouk's plays and novels exemplify an extraordinary and often highly perceptive preoccupation with American society in war and in peace. Situating Wouk in the same literary tradition as Cervantes, Richardson, Balzac, and Dickens, Beichman demonstrates that Wouk's novels have strong plots, moralist outcomes, and active--essentially positive--characters. The new introduction serves to bring Wouk's work over the past two decades into the reckoning. Making extensive use of Wouk's personal papers and manuscripts as well as personal interviews with him, Beichman's focus is on the social and literary qualities of Wouk's work. In particular, he examines eight novels including War and Remembrance and The Winds of War; The Traitor, one of his three plays; and two moral tracts on Judaism. Wouk has written four more novels, including his latest, A Hole in Texas, his twelfth. Beichman portrays Wouk as one of the few living novelists concerned with virtue, and sees his work as against the mainstream of contemporary American novelists. These, he argues, have eschewed such elements of the traditional novel as invention, coincidences, surprises, suspense, and a moral perspective more presumed than examined.

Following the brutal stabbing of a young girl, John Coffin, chief commander of the Docklands district, receives a series of notes from "the Paper Man" promising more bodies if the young girl's killer isn't caught. As the case goes unsolved, more bodies turn up, and now Coffin must find two killers. Martin's.

The Lady of Linshui—the goddess of women, childbirth, and childhood—is still venerated in south China, Taiwan, and Southeast Asia. Her story evolved from the life of Chen Jinggu in the eighth century and blossomed in the Ming dynasty (1368–1644) into vernacular short fiction, legends, plays, sutras, and stele inscriptions at temples where she is worshipped. The full-length novel The Lady of Linshui Pacifies Demons narrates Chen Jinggu’s lifelong struggle with and eventual triumph over her spirit double and rival, the White Snake demon. Among accounts of goddesses in late imperial China, this work is unique in its focus on the physical aspects of womanhood, especially the dangers of childbirth, and in its dramatization of the contradictory nature of Chinese divinities. This unabridged, annotated translation provides insights into late imperial Chinese religion, the lives of women, and the structure of families and local society.