Told in flashbacks, dark fairytales, and present-day prose, fourteen-year-old Emma, whose best friend has accused her father of heinous crimes, must testify against her friend's word, and her carefully constructed "truths" about what she may or may not have witnessed between father and friend start to crumble.

Can Princess Dorthea and Rexi have to get the land of Story its happy ending? Find out in this magical conclusion to the Storymakers trilogy, a wickedly funny Wizard of Oz retelling and fairy tale mashup perfect for fans of the Twisted Tales series and Jen Calonita Dorthea of Emerald is used to being treated like the princess she is. Except she's trapped in a strange land called Kansas, where no one recognizes she's royalty. Not her parents, not the hospital's doctors, not even the cute patient who keeps flirting with her. The only one who knows who she really is? The evil Blanc. And she's thundering into Kansas to erase Dorethea's—and everyone else's—story. Back in Camelot, outlaw Rexi's got her own problems...like being locked in a tower. She may have trained with Robin Hood, but she's going to need to steal more than a key to escape Gwenevere's trap to take back Excalibur. And even if Rexi manages to get free, she still needs to reclaim her storyline from Morte's wicked plotting. It's not over until the last spot of ink dries. Dorethea and Rexi won't give up their happily ever afters without a fight. But with the villains of Story scripting their triumph, does this spell The End for Dorethea and Rexi? Fast-paced and delightfully unique, Banished is a perfect for readers looking for: a clever retelling of the classic Wizard of Oz book series a fresh take on Robin Hood and other timeless fairy tales young adult books with adventure, humor, and magic whimsical fantasy for tweens and teens dynamic and relatable heroines with snark The Storymakers Series: Spelled (Book 1) Wanted (Book 2) Banished (Book 3)

In the first book of the Frontiers Saga, the crew members of the "UES Aurora" discover that what destiny has in store for them is far greater than anyone could have ever imagined.

A marriage turns uber sexual when a husband starts indulging his wife's secret fantasies.

Kapoor gives us piercing glimpses of slums, roadside restaurants, Sufi shrines, heroin dens hidden in the backpacker district, desert outskirts where luxury apartments are being erected, and the noisy, thronging bazaar in the old city . . . She writes with a keening, furious sorrow that rang in my ears well after I finished the book' Wall Street Journal // She is twenty, restless in Delhi. He is a few years older, and has travelled the world. They meet in a café and they fall in love. In a dark, cool flat they have sex and do drugs. And then they travel the city. From the drug dens of Paharganj to the building sites of Noida; through the wastelands of Mehrauli and the dargah in Nizamuddin charged with plaintive song, the two play out their love story to its black end. // 'Charged with the energy of a racy page-turner, and visceral in its treatment of female desire and sexuality' Mint 'Intoxicating' New York Times

Told in alternating viewpoints, new couple Erica and Thomas face the devastating aftermath of a drunken party.

Courtney Summers meets Deb Caletti in this “all too believable” (Publishers Weekly) page-turning suspense story about a teen girl—reeling in the wake of betrayed trust—who learns what it is to face hard truths about yourself and others, and how to find strength when you need it most. Sixteen-year-old Erica Walker is a webcomic artist who wants to fit in at her affluent new high school. Seventeen-year-old Thomas VanBrackel is an aspiring songwriter and reluctant lacrosse goalie who wants out from under his father’s thumb. After their electric first kiss at Saturday’s lacrosse match, Erica and Thomas both want to see where their new relationship could take them. The next morning, however, following a drunken house party, Erica wakes up half-clothed, and discovers words and names drawn in Sharpie in intimate places on her body—names belonging to Thomas’s lacrosse friends, including the boyfriend of Erica’s best friend. Devastated, Erica convinces herself Thomas wasn’t involved in this horrific so-called prank…until she discovers Thomas’s name on her skin, too. Told in alternating viewpoints, Erica seeks to uncover what happened while battling to keep evidence of her humiliation from leaking out, as Thomas grapples with his actions and who he thought he was. Woven throughout, illustrated graphic novel interstitials depict Erica’s alter ego superhero, Erica Strange, whose courage just might help Erica come through to the other side.

Advances in Printing Science and Technology, Volume 4: Paper in the Printing Processes covers the proceedings of the Eighth International Conference of Printing Research Institutes, held in Aulanko, Finland in 1965. The book focuses on the progress in the principles, methodologies, and techniques employed in printing science and technology. The selection first elaborates on ink penetration during high-speed printing of uncoated paper, penetration of ink into paper, and physical interaction between newsprint and conventional inks in letterpress printing. Discussions focus on the distribution of pigment in the transverse direction of the paper; opacity reduction outline of penetration phenomenon during printing; and total ink transfer and transfer parameters. The text then elaborates on the effect of certain fillers on the printing properties of newsprint; printability studies in gravure printing with a new printability tester; and the choice of parameters for describing newsprint printability. Topics include comparison of various printability parameters, comparative investigation of production and laboratory printing of newsprint, and ink transfer and drying. The manuscript takes a look at color rendering and surface properties of paper, observations of the behavior of ink on coated paper, and the application of the scanning electron microscope to the study of printability. The selection is a valuable source of information for researchers interested in the advances in printing science and technology.

During the 1980s, functional organic devices were born. For nearly twenty years, organic semiconductor technology has largely been the domain of traditional players within the microelectronics world, involving semiconductor companies, research laboratories, and government organizations. The print industry, a well-established community who shaped much of the Second Millennium, has joined the organic electronics quest during these first few years of the Third Millennium. This seemingly unlikely marriage of two worlds, the microelectronics and graphic print industries, shows incredible promise to spawn an entirely new method of electronics manufacture and, ultimately, whole new industries. The enhancements of organic semiconductor materials seen during the late 1990s and early 2000s have resulted in the fabrication of organic electronics in laboratory environments with impressive performance. Since the early 2000s, scientists have succeeded in applying printing-related technologies to create organic field effect transistors (OFETs) with micron-sized features. This has led to a widespread vision of developing printed electronic products, especially displays, sensors, and simple wireless products (such as RFID tags). The development of high-volume manufacturing platforms based on traditional graphic arts printing platforms naturally addresses demands on product cost and throughput. Moreover, graphics art printing technologies allow one to fabricate organic circuits directly onto low-cost sheet or roll substrates, including plastics and paper. Printed Organic And Molecular Electronics was compiled to create a reference that included existing knowledge from the most renowned industry, academic, and government experts in the fields of organic semiconductor technology, graphic arts printing, micro-contact printing, and molecular electronics. It is divided into sections that consist of the most critical topics required for one to develop a strong understanding of the states of these technologies and the paths for taking them from R&D to the hands of consumers on a massive scale. As such, the book provides both theory as well as technology development results and trends.

Woodblock printing is an ancient art form, which produces beautiful, subtle and lively pieces with just a few simple materials. This book introduces the art, and shares technical information and ideas for those with more experience. A wide range of exciting examples of printed woodcuts are shown along with advice on materials and tools, and a step-by-step guide to sharpening. Techniques to achieve quality prints and perfect registration are covered too. Drawing on the vibrant living traditions from China and Japan, it is both a technical guide and an inspiration. Beautifully illustrated with 160 colour photographs.