African Leadership is an edited collection enriched by the people who have lived and experienced indigenous leadership first-hand, demonstrating how African leadership is distinctive from usual Western hegemonic paradigms.

Truth spoken plainly and powerfully is difficult to dismiss and impossible to ignore. Edited with purpose by Greg Frankson, AfriCANthology: Perspectives of Black Canadian Poets brings together some of Canada's most influential dub, page, and spoken word poetic voices and gives them space to speak freely about their personal journeys in piercing verse and unapologetic prose. Just as individual experiences of Blackness are diverse across Canada, each contributor recounts aspects of navigating their unique personal, professional, and artistic paths in Black skin with fearless candour and audacious forthrightness. Unforgettable in its charged emotional potency and stirring in its unrelenting urgency, AfriCANthology: Perspectives of Black Canadian Poets is a stunning tour de force by a celebrated gathering of truthtellers that demands we comprehensively reassess the present and reimagine the future of Blackness in Canada.

The Routledge Handbook of Black Canadian Literature offers a comprehensive overview of the growing and increasingly significant field of Black Canadian literary studies. Including historical and contemporary analysis, this volume is an essential text that maps the field over the almost 200 years of its existence across a range of genres from slave narratives to prose fiction, poetry, theatre, and dub and spoken word. It presents Black Canadian literature as encompassing a diverse set of viewpoints, approaches, and practices, touching every aspect of Canadian territory and life, and as deeply influencing debates and understandings of Black peoples far beyond its borders. This Handbook employs an interdisciplinary framework that incorporates literary, historical, geographical, and cultural analysis. This book comprising 32 chapters is organized into five sections that chart the literature’s development into a recognizable canon, trace Black literary geographies across Canada from east to west, delineate the literature’s various genres and expressive forms, and honor the writers and thinkers who have influenced the growth of the field. This volume’s range of subject and plurality of perspectives provide an excellent resource for teachers, researchers, and students from multiple disciplines, including Canadian studies and literature, Caribbean studies, global Black studies, hemispheric studies, diaspora studies, history, and cultural studies.

In this innovative and intimate memoir, a daughter tells the story of her mother, a pan-African hero who faced down misogyny and battled corruption in Nigeria. Inspired by the African philosophy of Ubuntu — the importance of community over the individual — and outraged by injustice, Dora Akunyili took on fraudulent drug manufacturers whose products killed millions, including her sister. A woman in a man’s world, she was elected and became a cabinet minister, but she had to deal with political manoeuvrings, death threats, and an assassination attempt for defending the voiceless. She suffered for it, as did her marriage and six children. I Am Because We Are illuminates the role of kinship, family, and the individual’s place in society, while revealing a life of courage, how community shaped it, and the web of humanity that binds us all.

The Great Black North is a contemporary remix of the story of Black Canada. Told through the intertwining tapestry of poetic forms found on the page and stage, The Great Black North presents some missing pieces of the jigsaw puzzle that help fit together a poetic picture of the Black Canadian experience.

A Weekly Dose of Ritallin is a curated selection of Greg Frankson's original works as presented over two years on Here and Now Toronto. The A Weekly Dose of Ritallin segment cracked open Toronto with soulfully intelligent, locally invested and socially conscious poetry every Thursday afternoon at 4:20. This edition of Greg’s lyrical commentaries include moments, memories, news and issues that defined Toronto and the times. These poems share snapshots of an apocalyptic, exhilarating time in Canadian history through the lens of one of the nation's most insightful social commentators. Ritallin's poems vibrate on the page. The poems were initially heard on radio but re-reading reveals deeper meaning and subtler nuances that may have been missed. Experience Ritallin's visceral impact in tangible form with online links to access the original audio files. Topical, current, diverse and unabashedly challenging, A Weekly Dose of Ritallin is the best of our contemporary affairs as chronicled and shared live on the airwaves over two amazing years.

Tyler Demir left the RCMP after an undercover operation he was in charge of turned deadly. Refusing to make life and death decisions anymore, he now works as assistant head of security for a military funded Canadian nano-tech company. But when one of their scientists is kidnapped, the military send Tyler to England to retrieve him. Not sure who to trust, Tyler uses contacts from his undercover days to get the scientist to safety. At every step, he sees the rescue crumble around him and again he has blood on his hands. How the hell did he manage to go from a stress-free job, where lives didn't depend on his split-second decisions, to this?

FINALIST FOR THE GOVERNOR GENERAL'S AWARD FOR NON-FICTION Interrogating our ideas of race through the lens of her own multi-racial identity, critically acclaimed novelist Tessa McWatt turns her eye on herself, her body and this world in a powerful new work of non-fiction. Tessa McWatt has been called Susie Wong, Pocahontas and "black bitch," and has been judged not black enough by people who assume she straightens her hair. Now, through a close examination of her own body--nose, lips, hair, skin, eyes, ass, bones and blood--which holds up a mirror to the way culture reads all bodies, she asks why we persist in thinking in terms of race today when racism is killing us. Her grandmother's family fled southern China for British Guiana after her great uncle was shot in his own dentist's chair during the First Sino-Japanese War. McWatt is made of this woman and more: those who arrived in British Guiana from India as indentured labour and those who were brought from Africa as cargo to work on the sugar plantations; colonists and those whom colonialism displaced. How do you tick a box on a census form or job application when your ancestry is Scottish, English, French, Portuguese, Indian, Amerindian, African and Chinese? How do you finally answer a question first posed to you in grade school: "What are you?" And where do you find a sense of belonging in a supposedly "post-racial" world where shadism, fear of blackness, identity politics and call-out culture vie with each other noisily, relentlessly and still lethally? Shame on Me is a personal and powerful exploration of history and identity, colour and desire from a writer who, having been plagued with confusion about her race all her life, has at last found kinship and solidarity in story.