Reveals the complex origins of African wax print textiles and traces the process of printing and dying the fabric, involving wax or indigo, to its West Indian roots. Also explores the differences of mass-produced and artisanally sourced fabrics, tracking where textiles go from the manufacturing centers to markets and cities throughout Africa and the world

All the techniques, step-by-step instructions, and patterns you need to make 25 African wax print garments and accessories. INCLUDES FULL SIZE PATTERNS FOR US DRESS SIZES 4 TO 22 African wax prints are colorful designs created by dyeing cotton fabric using wax-resist techniques, and then overprinting. The result is a fabric that is bright, colorful, and super-easy to use. Adaku Parker has developed 25 step-by-step projects to make a wide range of stylish pieces with this fabric. There are instant wardrobe classics like a shirt dress, A-line skirts, and culottes, as well as wonderful accessories such as tote bags, a zip purse, and a headband. The basic techniques you will need are all explained, so you’ll feel confident with essentials like attaching waistbands, gathering, pleats, making buttonholes, and adding linings. There are projects suitable for all skill levels so all you need is some gorgeous African wax print fabric and a sewing machine, and you’ll be on your way to updating your wardrobe with unique pieces that will help you stand out from the crowd.

Traces a boy's journey across India as he searches for a sacred buffalo bell stolen from his tribe.

This book is a visual feast, illustrating the richness and diversity of the African textile tradition, and providing designers at all levels with inspiration for their own work. Over 30 textiles from The British Museum's renowned collection are explored in detail: magnificent blue-and-white, indigo-resist-dyed cloths from West Africa; multi-coloured, tie-dyed and woven North African textiles; "mud cloths" from Mali; the unique wrap-striped weaves and ikats from Madagascar; "adinkra" block-print and painted "caligraphy" cloths from Ghana; and the "adire" cloths from Yorubaland

This pictorial survey of African fabric prints includes contemporary bold two- and three-color designs, stripes, grids, and geometrics arranged with a focus on design, color, and pattern. Shown are commercially-made adaptations of traditional African designs in cotton, rayon, wool, synthetics, metallics and surface embellishment. The photographs are lively references and inspiration to artists and designers of fashion and fabrics.

Machine generated contents note: Luxury and global history Bernd-Stefan Grewe and Karin Hofmeester; 1. Precious things in motion: luxury and the circulation of jewels in Mughal India Kim Siebenhuner; 2. Diamonds as a global luxury commodity Karin Hofmeester; 3. Gold in twentieth-century India - a luxury? Bernd-Stefan Grewe; 4. Chinese porcelain local and global context: the imperial connection Anne Gerritsen; 5. Luxury or commodity? The success of Indian cotton cloth in the first global age Giorgio Riello; 6. The gendered luxury of wax prints in South Ghana: a local luxury good with global roots Silvia Ruschak; 7. From Venice to East Africa: history, uses and meanings of glass beads Karin Pallaver; 8. Imports and autarky: tortoiseshell in early modern Japan Martha Chaiklin; 9. Tickling and klicking the ivories - the metamorphosis of a global commodity in the nineteenth century Jonas Kranzer; 10. The conservation of luxury: safari hunting and the consumption of wildlife in twentieth-century East Africa Bernhard Gissibl; 11. Luxury as a global phenomenon: concluding remarks Bernd-Stefan Grewe and Karin Hofmeester

Wax Prints of the Sahel features colour photographs that depict original commemorative cotton cloths. Messages written on the cloths serve a griot function that aims to entertain and to educate the reader-viewer. Each cloth illustrates how commemorative wax prints are a means of preserving African cultural history for future generations.

Exotic! Exciting! Inspiring! African fabrics are sought after because of their rich histories and lavish designs, but they intimidate many sewers. Author and designer Ronke Luke-Boone helps to take the mystery out of these works of art and teaches sewers of all skill levels where to buy fabrics, how to choose the right ones, and the best techniques for sewing them. Besides covering the six most popular African fabrics -- mudcloth, Kuba cloth, Korhogo cloth, fancy prints, wax prints, and Kente clot -- this guide shows readers how they are produced and ways to incorporate them into contemporary designs for men, women, and children, as well as home décor. As an added bonus, Luke-Boone offers 14 original projects, including a tote bag, tunic, pillows, placemats, and a child's loom, three of which have full-size patterns. Features: Covers the six most popular African fabrics currently available; Excellent reference for sewers or anyone who is interested in fabrics, culture, and history; 14 step-by-step projects -- three with full-size patterns.

In this book, Nina Sylvanus tells a captivating story of global trade and cross-cultural aesthetics in West Africa, showing how a group of Togolese women—through the making and circulation of wax cloth—became influential agents of taste and history. Traveling deep into the shifting terrain of textile manufacture, design, and trade, she follows wax cloth around the world and through time to unveil its critical role in colonial and postcolonial patterns of exchange and value production. Sylvanus brings wax cloth’s unique and complex history to light: born as a nineteenth-century Dutch colonial effort to copy Javanese batik cloth for Southeast Asian markets, it was reborn as a status marker that has dominated the visual economy of West African markets. Although most wax cloth is produced in China today, it continues to be central to the expression of West African women’s identity and power. As Sylvanus shows, wax cloth expresses more than this global motion of goods, capital, aesthetics, and labor—it is a form of archive where intimate and national memories are stored, always ready to be reanimated by human touch. By uncovering this crucial aspect of West African material culture, she enriches our understanding of global trade, the mutual negotiations that drive it, and the how these create different forms of agency and subjectivity.