Donald Meltzer coined the term ‘aesthetic conflict’ to describe the emotional complexities of the ‘apprehension of beauty’. It had its roots in art, literature, infant observation, and above all, in clinical experience. This concept affirmed and illustrated Bion’s formula of L, H, K (Love, Hate, and Knowledge), together with its negative (minus L, H, K) as a revision of Klein’s fundamental emotional dynamics of Envy and Gratitude. As such, any emotional situation may be read in terms of either struggling with or retreating from the aesthetic conflict that occurs naturally at all key points of psychic development. Meltzer could be said to have encapsulated the essence of Bion’s post-Kleinian trajectory when he wrote that ‘If we follow Bion’s thought closely, we see that the new idea presents itself as an emotional experience of the beauty of the world and its wondrous organisation.’ The contributions in this book are by analysts and therapists from a wide variety of countries working with both children and adults. They have all, in individual ways, found ‘aesthetic conflict’ a useful frame of reference in terms of illuminating the significance of clinical observation, understanding countertransference responses, or practising the psychoanalytic method itself.

Donald Meltzer coined the term 'aesthetic conflict' to describe the emotional complexities of the 'apprehension of beauty'. It had its roots in art, literature, infant observation, and above all, in clinical experience. This concept affirmed and illustrated Bion's formula of L, H, K (Love, Hate, and Knowledge), together with its negative (minus L, H, K) as a revision of Klein's fundamental emotional dynamics of Envy and Gratitude. As such, any emotional situation may be read in terms of either struggling with or retreating from the aesthetic conflict that occurs naturally at all key points of psychic development. Meltzer could be said to have encapsulated the essence of Bion's post-Kleinian trajectory when he wrote that 'If we follow Bion's thought closely, we see that the new idea presents itself as an emotional experience of the beauty of the world and its wondrous organisation.' The contributions in this book are by analysts and therapists from a wide variety of countries working with both children and adults. They have all, in individual ways, found 'aesthetic conflict' a useful frame of reference in terms of illuminating the significance of clinical observation, understanding countertransference responses, or practising the psychoanalytic method itself.

A Place for Beauty in the Therapeutic Encounter is written for all psychotherapists, counsellors, and psychologists who practise under the broad banner of psychoanalytic thinking. It is also for anyone who loves beauty and wants to think more about its place in the mind.

Offers the first comprehensive academic text to explore Paul Schrader's film career through analysis of his directing, screenwriting, and film criticismContains a chapter-length interview, in which Schrader examines the arc of his career for the first time and revises previous statements about filmmaking and film criticismProvides a valuable update to previous texts on SchraderConsiders Schrader's overlooked films and provides new insight into their connections with Schrader's better known filmsContains chapters on Schrader's work since 2008, the publication date of the last book on his filmmakingPaul Schrader's unique relationship to the role of the author (as screenwriter, director and critic) has long informed his cinema, and raises complicated questions about the definition of the auteur. This volume of essays - one of the first collections to assess Schrader's contributions to directing, screenwriting and criticism - includes the first original appraisals of his much-lauded masterpiece First Reformed (2017), as well as a chapter-length interview with Schrader himself, conducted by the editors. Providing a comprehensive exploration of his groundbreaking achievements in cinema, the book considers Schrader's more overlooked films and provides new insights to their connection with his celebrated work in direction and screenwriting such as Taxi Driver (1976), Cat People (1982) and The Comfort of Strangers (1990).

In this intelligent and insightful work, Meg Harris Williams presents a clear and readable introduction to the works of influential psychoanalyst Donald Meltzer. The book covers Meltzer’s ideas on key themes including sexuality, dreams, psychosis, perversion and aesthetics, and his work with both children and adults. This book focuses especially on Meltzer’s views on the nature of psychoanalysis itself, as an investigative method conducted by the cooperation between two people. His intuitive understanding of dreams is underscored by a scholarly interest in philosophy and linguistics. The book will give readers a window into Meltzer’s clinical seminars and supervisions, as well as a comprehensive overview of his published work, all thoughtfully brought together by someone who worked with Meltzer for many years. Bringing Meltzer’s ideas into contemporary context, this fresh approach to his work makes his rich and complex theories about our inner world accessible to all. Part of the Routledge Introductions to Contemporary Psychoanalysis series, this book will be of great importance to psychoanalysts, clinicians and scholars familiar with Meltzer’s ideas, as well as those seeking an introduction to his work.

Demonstrating the connections between contemporary psychoanalysis, Jewish thought and Jewish history, this volume is a significant contribution to the traditions of dialogue, debate and change-within-continuity that epitomize these disciplines. The authors of this volume explore the cross-disciplinary connections between psychoanalysis and Jewish thought, while seeking out the resonance of new meanings, to exemplify the uncanny similarities that exist between ancient Rabbinic methods of interpretation and contemporary psychoanalytic theory and methodology, particularly the centrality of the question and the deconstruction of narrative. In doing so, this collaboration addresses the bi-directional influence between, and the relevance of, the Jewish interpretive tradition and psychoanalysis to provide readers with renewed insight into key topics such as Biblical text and midrash, religious traditions, trauma, gender, history, clinical work and the legacies of the Holocaust on psychoanalytic theory. Creating an intimate environment for interdisciplinary dialogue, this is an essential book for students, scholars and clinicians alike, who seek to understand the continued significance of the multiple connections between psychoanalysis and Jewish thought.

This book examines how contemporary psychoanalytic theory provides insight into understanding the psychological sources of modern art.

Donald Meltzer was a distinguished psychoanalyst and one of Klein's most productive and prominent analysands. He was a very influential teacher internationally and an extraordinary practitioner and theorist as well. He codified Kleinian technique, was innovative in the treatment of autistic children, and was the foremost metapsychologist for Klein's and Bion's works. Of his many outstanding contributions, The Apprehension of Beauty, which he co-authored with Meg Harris Williams, heralded a new age in psychoanalysis by providing its aesthetic perspective in relation to that of infant development.

The contents of the three volumes are grouped not chronologically but under the headings of 'Personality and Family Structure', 'Philosophy and History of Psychoanalysis', and 'The Psychoanalytic Process and the Analyst'. Together they present his interpretation of the 'Kleinian development' from Freud, through Abraham and Klein, to Bion and the post-Kleinian model; and within this evolution, his view of the natural history of the psychoanalytic process, the aesthetics of the method, and his insights into the operation of the transference and countertransference. Meltzer saw the psychoanalytic process as a new method that contributes alongside more traditional art-forms to our scientific knowledge of the mind. Working with both adults and children, he viewed psychoanalysis in developmental rather than narrowly therapeutic terms, with potential for both analyst and analysand. All his theories derived from clinical work, above all from dream-reading and children's phantasy play; and owing to his extensive international teaching experience, his own material was enriched by that of many supervisees. This collection of papers, read as a whole, invites new readers to follow and partake in what he called 'the most interesting conversation in the world'.

The contents of the three volumes are grouped not chronologically but under the headings of 'Personality and Family Structure', 'Philosophy and History of Psychoanalysis', and 'The Psychoanalytic Process and the Analyst'. Together they present his interpretation of the 'Kleinian development' from Freud, through Abraham and Klein, to Bion and the post-Kleinian model; and within this evolution, his view of the natural history of the psychoanalytic process, the aesthetics of the method, and his insights into the operation of the transference and countertransference. Meltzer saw the psychoanalytic process as a new method that contributes alongside more traditional art-forms to our scientific knowledge of the mind. Working with both adults and children, he viewed psychoanalysis in developmental rather than narrowly therapeutic terms, with potential for both analyst and analysand. All his theories derived from clinical work, above all from dream-reading and children's phantasy play; and owing to his extensive international teaching experience, his own material was enriched by that of many supervisees. This collection of papers, read as a whole, invites new readers to follow and partake in what he called 'the most interesting conversation in the world'.