12-year-old Adeline Mueller struggles to make a place for herself when her family comes to Canada from Germany.

A “skillfully rendered and emotionally insightful” reimagining of the Bloomsbury group and Virginia Woolf’s last years (Publishers Weekly). In 1925, she began writing To the Lighthouse, an epic piece of prose that instantly became a beloved classic. In 1941, she walked into the River Ouse, never to be heard from again. What happened in between those two moments is a story to be told, one of insight and camaraderie, loneliness and loss—the story of a woman, named Adeline at birth, heading toward an inexorable demise. With poetic precision and psychological acuity, Norah Vincent paints an intimate portrait of what might have happened in those last years of Virginia Woolf’s life. From her friendships with the so-called Bloomsbury Group, which included the likes of T. S. Eliot, to her struggles with her husband, Leonard, Vincent explores the intimate conversations, tormented confessions, and internal struggles Woolf may have faced. Praised by USA Today as “daring” and by the New Statesman as “electrifyingly good,” Adeline takes a keen look at one of the most beloved, mourned, and mysterious literary giants of all time. “Vincent is a sensitive recorder of a mind’s movements as it shifts in and out of inspiration, and as it fights before submitting to despair.” —The New York Times Book Review “Skillfully rendered and emotionally insightful.” —Publishers Weekly

The Proposal: Adeline Rigby will live with Accountant Jack Foster and pretend to be his fake fiancée for one month in order for him to seal a promotion to partner. In return, Accountant Jack Foster will intimately tutor Adeline Rigby in French before she leaves for Paris where she will fulfill her dream of attending Le Cordon Bleu. The Terms: 1. Maintain distance. Three get-to-know-you dates before announcing their engagement will be tempting enough. 2. No kissing. Okay, fine. Three kisses. Maybe four. And neck kisses don’t count. 3. No touchy feely stuff. Or at least not too many public displays of touchy-feely stuff. 4. No sex. 5. All right, all right. One night of sex in order to be a believable engaged couple. 6. Two nights of mind-blowing sex to make sure first night wasn’t a fluke. 7. Absolutely, positively, no falling in love. Each book in the Off-the-Wall Proposal series is a standalone, full-length story that can be enjoyed out of order. Series Order: Book #1 The Seduction of Kinley Foster Book #2 The Attraction of Adeline

This edited collection deals with dream as a literary trope and as a source of creativity in women’s writings. It gathers essays spanning a time period from the end of the seventeenth century to the mid-nineteenth century, with a strong focus on the Romantic period and particularly on Mary Shelley’s Frankenstein, in which dreams are at the heart of the writing process but also constitute the diegetic substance of the narrative. The contributions re-examine the oneiric facets of the novel and develop fresh perspectives on dreams and dreaming in Mary Shelley’s fiction and on other female authors (Anne Finch, Ann Radcliffe, Emily and Charlotte Brontë and a few others), re-appraising the textuality of dreams and their link to women’s creativity and creation as a whole.

As British women writers in the late eighteenth and early nineteenth centuries sought to define how they experienced their era's social and economic upheaval, they helped popularize a new style of bourgeois female sensibility. Building on her earlier work in Romantic Androgyny, Diane Long Hoeveler now examines the Gothic novels of Charlotte Smith, Ann Radcliffe, Jane Austen, Charlotte Dacre Byrne, Mary Shelley, and the Bront&ës to show how these writers helped define femininity for women of the British middle class. Hoeveler argues that a female-created literary ideology, now known as &"victim feminism,&" arose as the Gothic novel helped create a new social role of professional victim for women adjusting to the new bourgeois order. These novels were thinly disguised efforts at propagandizing a new form of conduct for women, teaching that &"professional femininity&"&—a cultivated pose of wise passiveness and controlled emotions&—best prepared them for social survival. She examines how representations of both men and women in these novels moved from the purely psychosexual into social and political representations, and how these writers constructed a series of ideologies that would allow their female characters&—and readers&—fictitious mastery over an oppressive social and political system. Gothic Feminism takes a neo-feminist approach to these women's writings, treating them not as sacred texts but as thesis-driven works that attempted to instruct women in a series of strategic poses. It offers both a new understanding of the genre and a wholly new interpretation of feminism as a literary ideology.

The most acclaimed writer in comics history, Alan Moore, joins his late mentor Steve Moore (no relation) for one last graphic grimoire: a sprawling and stunning introduction to magic in all its timeless forms, brought to life by six wondrous and whimsical artists. Splendid news for enquiring minds, and guaranteed salvation for humanity! Messrs. Steve and Alan Moore, proprietors of the celebrated Moon and Serpent Grand Egyptian Theatre of Marvels (sorcery by appointment since circa 150 AD), have produced a clear and practical grimoire of the occult sciences that offers endless necromantic fun for all the family. Exquisitely illuminated by a host of adepts including Kevin O’Neill, John Coulthart, Steve Parkhouse, Rick Veitch, Melinda Gebbie, and Ben Wickey, this marvellous and unprecedented tome promises to provide all that the reader could conceivably need in order to commence a fulfilling new career as a diabolist. Its contents include profusely illustrated instructional essays upon this ancient sect’s theories of magic, notably the key dissertation “Adventures in Thinking,” which gives reliable advice as to how entry into the world of magic may be readily achieved. Further to this, a number of “Rainy Day” activity pages present lively and entertaining things to do once the magical state has been attained, including such popular pastimes as divination, etheric travel, and the conjuring of a colourful multitude of spirits, deities, dead people, and infernal entities from the pit, all of whom are sure to become your new best friends. Also contained within this extravagant compendium of thaumaturgic lore is a history of magic from the last ice age to the present day, told in a series of easy-to-absorb pictorial biographies of fifty great enchanters and complemented by a variety of picture stories depicting events ranging from the Palaeolithic origins of art, magic, language, and consciousness to the rib-tickling comedy exploits of Moon and Serpent founder Alexander the False Prophet (“He’s fun, he’s fake, he’s got a talking snake!”). In addition to these manifold delights, the adventurous reader will also discover a series of helpful travel guides to mind-wrenching alien dimensions that are within comfortable walking distance, as well as profiles of the many quaint local inhabitants that one might bump into at these exotic resorts. A full range of entertainments will be provided, encompassing such diverse novelties and pursuits as a lavishly decorated, decadent pulp tale of occult adventure recounted in the serial form. Completing this almost-unimaginable treasure trove is a lengthy thesis revealing the ultimate meaning of both the Moon and the Serpent in a manner that makes transparent the much-obscured secret of magic, happiness, sex, creativity, and the known Universe, while at the same time explaining why these lunar and ophidian symbols feature so prominently in the order’s peculiar name. (Manufacturer’s disclaimer: This edition does not, however, reveal why the titular cabal of magicians consider themselves to be either grand or Egyptian. Let the buyer beware.) A colossal and audacious publishing triumph of three hundred and fifty-two pages, beautifully produced in the finest tradition of educational literature for young people, The Moon and Serpent Bumper Book of Magic will transform your lives, your reality, and any spare lead that you happen to have lying around into the purest and most radiant gold. Book design by John Coulthart. Co-published by Top Shelf Productions & Knockabout Ltd (UK).

This book is the first full-length theoretical and historical study of the relation between early Gothic fiction and an emerging modern rule of law. The work identifies not only a political and cultural, but also an ontological relation between what critics have conceptualized as 'Gothic' and the nature and function of modern juridical power.