"A milestone publication of the late Christopher Gilbert's poetry, with an introduction by the National Book Award winner Terrance Hayes. Christopher Gilbert's award-winning 'Across the Mutual Landscape' has become an underground classic of contemporary American poetry. Now reissued and presented with Gilbert's never-before-published last manuscript written before his death in 2007, 'Turning into Dwelling' offers new readers the original music and vision of one of our most inventive poets."--Provided by publisher.

landscape/heartbreak (Two Sylvias Press, 2015) is poet Michelle Penaloza's first book. Praise For landscape/heartbreak: Peñaloza's poignantly beautiful landscape/heartbreak is more than a suite of breakup poems, its own veritable tradition in American poetry. Hers is a sequence that plumbs the meaning of what it means to love, sacrificing to secret away bits and pieces of one's self whose other parts remain scattered on corners, in parks, and bridges. This collection is about the business of reconciling memories and ghosts, the toughness in learning how to breathe again. -Major Jackson I've been in love with landscape/heartbreak since before it was written, from the moment I first learned of Michelle Peñaloza's wild idea: to map heartbreak. What if strangers told their stories while wandering the avenues and backstreets of a city? What if trauma could be healed one footfall at a time? Peñaloza enacts an urban alchemy, transforming the walkers' personal struggles into art and thereby coming closer to her own persistent ghosts. A collection for anyone who has ever had her (or his) heart stomped on. This means most of us. A powerful and exciting debut. -Susan Rich The question-"What hurt you into poetry?"-lies at the center of Michelle Peñaloza's landscape/heartbreak. And her poems urge us to seek the answer, following Peñaloza's speaker on her sojourn where walking and breathing create the meditative cadence to lull the body into the ecstatic state necessary for conjuration. From the beauty of these poems emerge the ghosts of those loves that have splintered us into jagged pieces. As we traverse Peñaloza's lyrical landscape, the "sueded/beads of unopened wild poppies" and "renegade ferns/growing upon the stumps of old docks" smooth over the serrated edges of what cuts us deep. This is a marvelous and haunting collection. -Oliver de la Paz As you read this remarkable collection, you might think that each poem begins with two people walking through a city. But then, dear reader, you realize that it's no longer two people in the distance, for you've been invited on the journey as well. These poems will transport you like that, and then they'll walk beside you through a landscape of heartache and longing. While there, "You can look back," Peñaloza writes, "remember the stories beneath all this shine." And these stories do shine. And you will remember them. -Matthew Olzmann

Poems consider death, music, the past, love, family life, nature, and the imagination

In the series Urban Life, Landscape, and Policy, edited by Zone L. Miller, David Stradling, and Larry Bennett.

A milestone publication of the late Christopher Gilbert's poetry, with an introduction by the National Book Award winner Terrance Hayes Lord, the anguish of my Black block rises up in me like a grief. My only chance to go beyond being breach— to resist being quelled as a bit of inner city entropy— is to speak up for the public which has birthed me. To build this language house. To make this case. Create. This loving which lives outside time. Lord, this is time. —from "Turning into Dwelling" Christopher Gilbert's award-winning Across the Mutual Landscape has become an underground classic of contemporary American poetry. Now reissued and presented with Gilbert's never-before-published last manuscript written before his death in 2007, Turning into Dwelling offers new readers the original music and vision of one of our most inventive poets.

In a brilliant collaboration between writer and subject, Witold Rybczynski, the bestselling author of Home and City Life, illuminates Frederick Law Olmsted's role as a major cultural figure at the epicenter of nineteenth-century American history. We know Olmsted through the physical legacy of his stunning landscapes -- among them, New York's Central Park, California's Stanford University campus, and Boston's Back Bay Fens. But Olmsted's contemporaries knew a man of even more extraordinarily diverse talents. Born in 1822, he traveled to China on a merchant ship at the age of twenty-one. He cofounded The Nation magazine and was an early voice against slavery. He managed California's largest gold mine and, during the Civil War, served as the executive secretary to the United States Sanitary Commission, the precursor of the Red Cross. Rybczynski's passion for his subject and his understanding of Olmsted's immense complexity and accomplishments make his book a triumphant work. In A Clearing in the Distance, the story of a great nineteenth-century American becomes an intellectual adventure.

2022 NATIONAL BOOK AWARD FINALIST ONE OF THE LOS ANGELES TIMES' TOP 5 FICTION BOOKS OF THE YEAR ONE OF TIME AND SLATE'S TOP 10 BOOKS OF THE YEAR Named one of the BEST BOOKS OF 2022 by NPR, Vogue, Vulture, BuzzFeed, Harper's Bazaar, and more “One of the buzziest, most human novels of the year…breathless, dizzying, and completely beautiful.” —Vogue “Dazzling and wholly original...[written] with such mordant wit, insight, and specificity, it feels like watching a new literary star being born in real time.” —Entertainment Weekly From a brilliant new voice comes an electrifying novel of a young immigrant building a life for herself—a warm, dazzling, and profound saga of queer love, friendship, work, and precarity in twenty-first century America Graduating into the long maw of an American recession, Sneha is one of the fortunate ones. She’s moved to Milwaukee for an entry-level corporate job that, grueling as it may be, is the key that unlocks every door: she can pick up the tab at dinner with her new friend Tig, get her college buddy Thom hired alongside her, and send money to her parents back in India. She begins dating women—soon developing a burning crush on Marina, a beguiling and beautiful dancer who always seems just out of reach. But before long, trouble arrives. Painful secrets rear their heads; jobs go off the rails; evictions loom. Sneha struggles to be truly close and open with anybody, even as her friendships deepen, even as she throws herself headlong into a dizzying romance with Marina. It’s then that Tig begins to draw up a radical solution to their problems, hoping to save them all. A beautiful and capacious novel rendered in singular, unforgettable prose, All This Could Be Different is a wise, tender, and riveting group portrait of young people forging love and community amidst struggle, and a moving story of one immigrant’s journey to make her home in the world.

Robert W. Snyder's Crossing Broadway tells how disparate groups overcame their mutual suspicions to rehabilitate housing, build new schools, restore parks, and work with the police to bring safety to streets racked by crime and fear. It shows how a neighborhood once nicknamed "Frankfurt on the Hudson" for its large population of German Jews became "Quisqueya Heights"—the home of the nation's largest Dominican community. The story of Washington Heights illuminates New York City's long passage from the Great Depression and World War II through the urban crisis to the globalization and economic inequality of the twenty-first century. Washington Heights residents played crucial roles in saving their neighborhood, but its future as a home for working-class and middle-class people is by no means assured. The growing gap between rich and poor in contemporary New York puts new pressure on the Heights as more affluent newcomers move into buildings that once sustained generations of wage earners and the owners of small businesses. Crossing Broadway is based on historical research, reporting, and oral histories. Its narrative is powered by the stories of real people whose lives illuminate what was won and lost in northern Manhattan's journey from the past to the present. A tribute to a great American neighborhood, this book shows how residents learned to cross Broadway—over the decades a boundary that has separated black and white, Jews and Irish, Dominican-born and American-born—and make common cause in pursuit of one of the most precious rights: the right to make a home and build a better life in New York City.

American novelists and poets who came of age in the early twentieth century were taught to avoid journalism "like wet sox and gin before breakfast." It dulled creativity, rewarded sensationalist content, and stole time from "serious" writing. Yet Willa Cather, W. E. B. Du Bois, Jessie Fauset, James Agee, T. S. Eliot, and Ernest Hemingway all worked in the editorial offices of groundbreaking popular magazines and helped to invent the house styles that defined McClure's, The Crisis, Time, Life, Esquire, and others. On Company Time tells the story of American modernism from inside the offices and on the pages of the most successful and stylish magazines of the twentieth century. Working across the borders of media history, the sociology of literature, print culture, and literary studies, Donal Harris draws out the profound institutional, economic, and aesthetic affiliations between modernism and American magazine culture. Starting in the 1890s, a growing number of writers found steady paychecks and regular publishing opportunities as editors and reporters at big magazines. Often privileging innovative style over late-breaking content, these magazines prized novelists and poets for their innovation and attention to literary craft. In recounting this history, On Company Time challenges the narrative of decline that often accompanies modernism's incorporation into midcentury middlebrow culture. Its integrated account of literary and journalistic form shows American modernism evolving within as opposed to against mass print culture. Harris's work also provides an understanding of modernism that extends beyond narratives centered on little magazines and other "institutions of modernism" that served narrow audiences. And for the writers, the "double life" of working for these magazines shaped modernism's literary form and created new models of authorship.