What if the commonly held beliefs concerning the Antichrist are mistaken? The Antichrist and the Second Coming looks at the Antichrist and the Second Advent of Christ from a preterist (i.e., past fulfillment) perspective and provides a unified interpretation of the little horn, the prince to come, the king of the North, the man of lawlessness, and the beast. This is the second in a two volume set on the Antichrist; it focuses on the book of Revelation. This edition stands on its own and is recommended reading even if you have not read the first volume (which focuses on Daniel and 2 Thessalonians). McKenzie shows how the Antichrist was ultimately a spiritual ruler from the abyss (Rev. 11:7) that worked through Titus in his three-and-a-half-year destruction of the Jewish nation (AD 67-70; cf. Dan. 9:26). This spirit of Antichrist was about to come out of the abyss in the first century (Rev. 17:8 NASB) and was destroyed by the Second Advent of Jesus in AD 70 (a spiritual event). Continue reading to see how McKenzie convincingly makes the biblical case for this fascinating and controversial position, and what it means for us today. Dr. Duncan McKenzie is a licensed psychologist (Ph.D. in psychology) who lives in Los Angeles, California. He has been studying Bible prophecy for the past twenty-five years and has been researching and writing this two volume set for the last twelve years.

In Dr. Faustus, Christopher Marlowe wrote a profoundly religious drama despite the theater's newfound secularism and his own reputation for anti-Christian irreverence. The Aesthetics of Antichrist explores this apparent paradox by suggesting that, long before Marlowe, Christian drama and ritual performance had reveled in staging the collapse of Christianity into its historical opponents—paganism, Judaism, worldliness, heresy. By embracing this tradition, Marlowe's work would at once demonstrate the theatricality inhering in Christian worship and, unexpectedly, resacralize the commercial theater. The Antichrist myth in particular tells of an impostor turned prophet: performing Christ's life, he reduces the godhead to a special effect yet in so doing foretells the real second coming. Medieval audiences, as well as Marlowe's, could evidently enjoy the constant confusion between true Christianity and its empty look-alikes for that very reason: mimetic degradation anticipated some final, as yet deferred revelation. Mere theater was a necessary prelude to redemption. The versions of the myth we find in Marlowe and earlier drama actually approximate, John Parker argues, a premodern theory of the redemptive effect of dramatic representation itself. Crossing the divide between medieval and Renaissance theater while drawing heavily on New Testament scholarship, Patristics, and research into the apocrypha, The Aesthetics of Antichrist proposes a wholesale rereading of pre-Shakespearean drama.

The Return of The King (ROTK) is a detailed timeline of end-time events as prophesied in the Bible. Unlike some works of this nature, ROTK is written to a non-technical audience, providing full definitions of all theological terms used in the book. It is written by a minister of over 20 years who is accustomed to breaking complicated theological content down for its simplest digestion. ROTK is written from a premillennial perspective, which understands scripture to be literal in nature, and prophecy to be interpreted via normal and customary interpretational methods rather than being relegated to symbolic in its nature. ROTK is also written in conjunction with the ROTK Teacher's and Student's editions which can be obtained for teaching the biblical study of eschatology (end time events) in a classroom setting. For more information and excerpts from this work, visit the author's blog at www.returningking.com.

It is based on the inspiring definitions of the word introduction (1651): My actions of bringing in a newly weapon (since August 1945) brought into the world and to its process of the application in war and with an in-depth initiation in the knowledge of elementary instruction regarding Deterrents and Deterrence thereof, which leads to the knowledge or understanding of the impact of both fission and fusion nuclear weapons on war/politics/foreign policy/strategy and the fate of the Earth/Gaia/Gods Creation, thanks to my insights gained personally at Grove City College, the University of Chicago, U.S. Navy (Air Intelligence Officer) and State Department (Foreign Service Officer) and herewith presented as my introduction to the formal introduction of my halting, but determined attempts to deter a thermonuclear World War III and Armageddon too (1945-2012). Modified from Introduction (Shorter Oxford English Dictionary (Third Edition, 1959, p. 1036)

This book will help you know the big picture of what has happened historically, what is unfolding this very moment, and what the future holds concerning the Antichrist based on the unfolding purposes of God.

"Was the idea of the ancient tradition surrounding the Antichrist present in related forms among both Jews and Christians? Mateusz Kusio reveals an anti-messianic tradition involving a variety of eschatological antagonists in conflict with diverse messianic actors that stretches across both Jewish and Christian corpora and revolves around a set of similar motifs, ideas, and core Biblical texts." --

And that's the funny thing about the end of the world, they never tell you how long it's going to take. Too bad they couldn't be more specific. BRONZE MEDAL - LITERARY FICTION - READERS' FAVORITE 2023 FINALIST - LITERARY FICTION - INTERNATIONAL BOOK AWARDS It's the end of the world, and Hertell Daggett has decided to save it. Well not save it so much, as just, remember it. The earth's magnetic poles have reversed and civilization has just had its clock reset to the great cosmic flashing 12:00am from almost a million years ago, and humanity, and everybody in it, is pretty much forgetting everything it learned since the last time. Everybody except Hertell, who remembers pretty much everything because he'd once been shot in the head — the doctors got the bullet out, but missed a few tiny specks of copper that remained, floating inside his brain, connecting him to the things everybody else on earth is slowly forgetting. Hertell sees an opportunity to start civilization all over again, and maybe even get it right this time. What could possibly go wrong?

Pastors and students who want a one-volume commentary to complement the New Interpreter's Study Bible will be pleased to find in this resource the quality of scholarship that is a hallmark of other New Interpreter's Bible resources. The portability, accessibility, and affordability of the one-volume commentary will appeal to professors and students as well as lay persons and pastors. This commentary contains articles on all the books of the Bible, including the Apocrypha, as well as numerous general articles on biblical interpretation, geographical and historical setting, religion, text, canon, translation, Bible and preaching/teaching, with bibliographies for each article. Extra value includes: chronology/timeline, table of measures and money, and a subject index. Old Testament Editor: Dr. David L. Petersen, Franklin Nutting Parker Professor of Old Testament, Emory University. Professor Petersen's current research focuses on the book of Genesis and on prophetic literature. An ordained Presbyterian minister, Dr. Petersen has written, coauthored, or coedited a number of scholarly and popular books and articles. He was the senior Old Testament editor for The New Interpreter's Bible. Professor Petersen is a past president of the Society of Biblical Literature. New Testament Editor: Dr. Beverly Roberts Gaventa, Helen H.P. Manson Professor of New Testament Literature and Exegesis, Princeton Theological Seminary. Dr. Gaventa, whose specialties within the field of New Testament are the letters of Paul and Luke-Acts, is widely published. She is a member of the advisory board for the New Testament Library, a new commentary series for Westminster John Knox Press; editor of the Society of Biblical Literature’s Resources for Biblical Studies and a member of the editorial board of its Journal of Biblical Literature; and associate editor of the Catholic Biblical Quarterly.

This book examines the medieval tradition of Aristotelian logic from two perspectives. The first examines the ways in which Latin and Arabic authors went about their work in medieval logic, and how it was related to other intellectual branches. The second invites critical comparison between contemporary and medieval approaches to logic.

Raises issues important to not only eschatology but also to the debate over Scripture's credibility.