Volume 1-35, works. Volume 36-37, letters. Volume 38 provides an extensive bibliography of Ruskin's writings and a catalogue of his drawings, with corrections to earlier volumes in George Allen's Library Edition of the Works of John Ruskin. Volume 39, general index.

In 1911, the New York Times alerted its readers to the forthcoming 'authoritative' biography of Ruskin with the words 'out of a life's devotion to Ruskin and the Herculean task of editing the definitive Ruskin, Mr E. T. Cook is to give us a definitive Ruskin biography also. It will have the authority of a brilliant Oxford scholar, combined with the charm and lightness of a style which makes Mr Cook one of the first of English journalists'. Cook had been given complete access to Ruskin's diaries, notebooks and letters by his literary executors, and Ruskin's family and friends co-operated fully with him. His depth of knowledge of, and sympathy for, his subject make Cook's biography a vital tool for anyone wishing to understand Ruskin's extraordinary achievements in so many fields. Volume 1 covers the period to 1860, the year in which the final volume of Modern Painters was published.

Resonating with contemporary ecological and queer theory, this book pioneers the theorization of the Victorian idyll, establishing its nature, lineaments, and significance as a formal mode widely practised in nineteenth-century British culture across media and genre. Chapters trace the Victorian idyll’s emergence in the 1830s, its flourishing in the 1860s, and its evolution up to the century’s close, drawing attention to the radicalism of idyllic experiments with pictorial, photographic, dramatic, literary, and poetic form in the work of canonical and lesser-known figures. Approaching the idyll through three intersecting categories—subject, ecology, and form—this book remaps Victorian culture, reshaping thinking about artistic form in the nineteenth century, and recalibrating accepted chronologies. In the representations by a host of Victorian artists and writers engaging with other-than-human forms, and in the natures of the subjectivities animated by these encounters, we find versions of Victorian ecology providing provocative imaginative material for ecocritics, scholars, writers, and artists today. This book will be of interest to scholars working in art history, English literature, Victorian studies, British history, queer and trans* theory, musicology, and ecocriticism, and will enliven debates pertaining to the environmental across periods.

Volume 1-35, works. Volume 36-37, letters. Volume 38 provides an extensive bibliography of Ruskin's writings and a catalogue of his drawings, with corrections to earlier volumes in George Allen's Library Edition of the Works of John Ruskin. Volume 39, general index.