Los Angeles-based photographer Susan Burnstine's (born 1966) Absence of Beingis a haunting, intensely personal and yet extremely universal exploration of the subconscious world, which began with her highly praised first monograph, Within Shadows. Burnstine captures images that purge her dreams. Finding no existing camera that could create what her mind envisioned, she began to experiment with building her own and molding her own lenses until she arrived at the prototype for the handmade cameras she continues to use. The results are instantly recognizable black-and-white images, which have been described as 21st-century impressionism. Burnstine does not use any of the post-production tools available in today's digital environment. All of the effects one sees in a Burnstine photograph are created in the camera at the time of exposure of the negative.

“Presence and Absence is a book of importance for all who are actively engaged in the philosophical enterprise, whatever their differing persuasions. It shows philosophy to be flourishing in the midst of its own self-proclaimed signs of morbidity.” – The Review of Metaphysics “A splendid, provocative and profound work, this book explores the manifold ways in which the contrast of presence and absence operate to establish the possibility of human discourse and truthfulness...belongs in every philosophy collection.” – Choice “Quite simply a superb book, which deserves more than one careful reading. A fresh, unified treatment of a grand philosophical theme, the theme of the connections between thought, truth, and being.” – Man and World “A thoughtful book about thoughtfulness and truthfulness and their ontological conditions. Simply put, this is a book that will reward its careful reader a hundredfold, for Sokolowski is a speaker who says things in ways that are provocative, exciting, and invariably insightful.” – Journal of the British Society for Phenomenology “Has few peers in phenomenological literature.” – International Philosophical Quarterly “[Sokolowski is] an original thinker of the first rank, who has significantly furthered the path of phenomenological philosophy. As well as being an exciting synthesis, a thinking of the previously unthought in predecessors, and a ground-breaking movement, this work is written with a sensitivity to language and its graceful use that one would hope for from one exploring its richness and power.” – Human Studies

Soon enough, nobody will remember life before the Internet. What does this unavoidable fact mean? Those of us who have lived both with and without the crowded connectivity of online life have a rare opportunity. We can still recognize the difference between Before and After. We catch ourselves idly reaching for our phones at the bus stop. Or we notice how, midconversation, a fumbling friend dives into the perfect recall of Google. In this eloquent and thought-provoking book, Michael Harris argues that amid all the changes we're experiencing, the most interesting is the end of absence-the loss of lack. The daydreaming silences in our lives are filled; the burning solitudes are extinguished. There's no true "free time" when you carry a smartphone. Today's rarest commodity is the chance to be alone with your thoughts. Michael Harris is an award-winning journalist and a contributing editor at Western Living and Vancouvermagazines. He lives in Toronto, Canada.

Winner of the 2012 National Translation Award “What Sinan [Antoon] has done with In the Presence of Absence is a kind of miraculous work of dedication and love. Reading this volume is sheer enjoyment and sublimity.” —Saadi Yousef “There are two maps of Palestine that politicians will never manage to forfeit: the one kept in the memories of Palestinian refugees, and that which is drawn by Darwish’s poetry.” —Anton Shammas One of the most transcendent poets of his generation, Darwish composed this remarkable elegy at the apex of his creativity, but with the full knowledge that his death was imminent. Thinking it might be his final work, he summoned all his poetic genius to create a luminous work that defies categorization. In stunning language, Darwish’s self-elegy inhabits a rare space where opposites bleed and blend into each other. Prose and poetry, life and death, home and exile are all sung by the poet and his other. On the threshold of im/mortality, the poet looks back at his own existence, intertwined with that of his people. Through these lyrical meditations on love, longing, Palestine, history, friendship, family, and the ongoing conversation between life and death, the poet bids himself and his readers a poignant farewell.

The time is an unspecified modernity, the place possibly Europe. Absence follows four nameless people -- the old man, the woman, the soldier, and the gambler -- as they journey to a desolate wasteland beyond the limits of an unnamed city.

What is absence? What is presence? How are these two phenomena related? Is absence merely not being present? This book examines these and other questions relating to the role of absence and presence in everyday politics. Absence and presence are used as political tools in global events and everyday life to reinforce ideas about space, society, and belonging. Between Absence and Presence contains six empirically-focussed chapters introducing case study locations and contexts from around the world. These studies examine how particular groups’ relationships with places and spaces are characterized by experiences that are neither wholly present nor wholly absent. Each author demonstrates the variety of ways in which absence and presence are experienced – through silence, forgetting, concealment, distance, and the virtual – and constituted – through visual, aural, and technological. Such accounts also raise philosophical questions about representation and belonging: what must remain absent, and what is allowed to be present? Who decides, and how? Whose voices are heard? Recognizing the complexity of these questions, Between Absence and Presence provides a significant contribution in reconciling theorizations of absence with everyday life. This book was published a sa special issue of Space and Polity.

Photographic exploration by Susan Burnstine of the fleeting moments between dreaming and waking, recreated in 45 black and white photographs shot with 21 different cameras and lenses hand-made by the photographer herself. Burnstine uses plastic, vintage camera parts, and random household objects to create her cameras, and molds the lenses out of plastic and rubber. Her images, which are created entirely in-camera, rather than through post-processing manipulation, are inspired by the fading memory of a metaphor, moment, or pathway from her dreams of the previous night.

In his sequel to the best-selling Into the Silent Land, Martin Laird guides the reader more deeply into the sanctuary of Christian meditation. He focuses here on negotiating key moments of difficulty on the contemplative path, showing how the struggles we resist become vehicles of the healing silence we seek. With clarity and grace Laird shows how we can move away from identifying with our turbulent, ever-changing thoughts and emotions to the cultivation of a "sunlit absence"--the luminous awareness in which God's presence can most profoundly be felt.

The perfect gift for parents this Father’s Day: a beautiful, gut-wrenching memoir of Irish identity, fatherhood, and what we owe to the past. “A heartbreaking and redemptive book, written with courage and grace.” –J.D. Vance, author of Hillbilly Elegy “…a lovely little book.” –Ross Douthat, The New York Times The child of an Irish man and an Irish-American woman who split up before he was born, Michael Brendan Dougherty grew up with an acute sense of absence. He was raised in New Jersey by his hard-working single mother, who gave him a passion for Ireland, the land of her roots and the home of Michael's father. She put him to bed using little phrases in the Irish language, sang traditional songs, and filled their home with a romantic vision of a homeland over the horizon. Every few years, his father returned from Dublin for a visit, but those encounters were never long enough. Devastated by his father's departures, Michael eventually consoled himself by believing that fatherhood was best understood as a check in the mail. Wearied by the Irish kitsch of the 1990s, he began to reject his mother's Irish nationalism as a romantic myth. Years later, when Michael found out that he would soon be a father himself, he could no longer afford to be jaded; he would need to tell his daughter who she is and where she comes from. He immediately re-immersed himself in the biographies of firebrands like Patrick Pearse and studied the Irish language. And he decided to reconnect with the man who had left him behind, and the nation just over the horizon. He began writing letters to his father about what he remembered, missed, and longed for. Those letters would become this book. Along the way, Michael realized that his longings were shared by many Americans of every ethnicity and background. So many of us these days lack a clear sense of our cultural origins or even a vocabulary for expressing this lack--so we avoid talking about our roots altogether. As a result, the traditional sense of pride has started to feel foreign and dangerous; we've become great consumers of cultural kitsch, but useless conservators of our true history. In these deeply felt and fascinating letters, Dougherty goes beyond his family's story to share a fascinating meditation on the meaning of identity in America.

My name is Evelyn. I met Devon and instantly fell for him. Weeks later he fell for my best friend. Never one to make waves, I watched as they started a life together. I stood by as their family grew, was the maid of honor at their wedding and the godmother to their children. All the while, I was longing for him, watching as he became the perfect husband and father. I was never jealous. I wasn't even angry that my best friend had the only person I wanted. I had simply resigned myself to living without his love, but still being a part of his life. Then, one terrible day, my best friend died. She died and we all struggled to live life without her. Slowly, as the pain eased, our eyes opened and Devon finally saw me. This is a story about second chances and second choices. This is the story of how my life changed in the absence of Olivia.