The poet Abraham Shlonsky (1900–1973) can be regarded as the main architect of Jewish Modernism and Hebrew secular culture. In his crucial contribution, Ari Ofengenden disentangles Shlonsky’s work from Zionist readings and shows how his poetics redeem experiences of radical political displacement, exile and alienation through the use of a precise, chiseled yet playfully enigmatic style. Writing on immigrants, refugees and urban outcasts following the traumatic events of the First World War and the Civil War in Russia, his poetry constitutes a fusion of Modernist European poetry with biblical and rabbinic sources with the influences of Georg Trakl and Rimbaud. The book situates Shlonsky’s poetry in the context of his “rebellion” against the romantic poetry of C.N. Bialik and as an active participant in the European styles of Symbolism and Expressionism. The book is indispensable for understanding Modern Hebrew and Jewish culture, and more generally as an exemplar of today's more prevalent hybridizations of tradition and modernity.

A collection of modern Hebrew poetry that presents the poems in the original Hebrew, with an English phonetic transcription. In this new and expanded edition of a classic volume first printed in 1965, The Modern Hebrew Poem Itself adds the dynamic voices of a new generation of Hebrew poets. Each poem appears in both its original Hebrew and an English phonetic transcription, along with extensive commentary and a literal English translation. This offers readers who know little or no Hebrew a way to experience the poem in a multi-faceted way--they are able to speak and hear the lines as well as grasp the poem's meaning. Recognizing that poems have a unique order that may be missed by a reader who doesn't speak the poet's language, the editors provide the reader with an understanding of not only what the poet is saying, but how the idea is communicated. Also included in the volume is a valuable introduction to and historical overview of Hebrew poetry from 1880-1990. The Modern Hebrew Poem Itself is a must-have for lovers of poetry and Jewish literature.

First published in 1957, this one-volume source for everything Jewish has delighted and instructed several generations in the English-speaking Jewish world. Fully updated through 2007, it provides snapshots and in-depth entries on every important Jewish personality, place, concept, event and value in Israel, the United States, and all other parts of the world.

A classified bibliographic resource for tracing the history of Jewish translation activity from the Middle Ages to the present day, providing the researcher with over a thousand entries devoted solely to the Jewish role in the east-to-west transmission of Greek and Arab learning and science into Latin or Hebrew. Other major sections extend the coverage to modern times, taking special note of the absorption of European literature into the Jewish cultural orbit via Hebrew, Yiddish, or Judezmo translations, for instance, or the translation and reception of Jewish literature written in Jewish languages into other languages such as Arabic, English, French, German, or Russian. This polyglot bibliography, the first of its kind, contains over 2,600 entries, is enhanced by a vast number of additional bibliographic notes leading to reviews and related resources, and is accompanied by both an author and a subject index.

The Posen Library’s groundbreaking anthology series—called “a feast of Jewish culture, in ten volumes” by the Chronicle of Higher Education—explores in Volume 9 global Jewish responses to the years 1939 to 1973, a time of unprecedented destruction, dislocation, agency, and creativity “An extensive look at Jewish civilization and culture from the eve of World War II to the Yom Kippur War . . . It’s a weighty collection, to be sure, but one that’s consistently engaging . . . An edifying and diverse survey of 20th-century Jewish life.”—Kirkus Reviews, starred review “Readers seeking primary texts, documents, images, and artifacts constituting Jewish culture and civilization will not be disappointed. More important, they might even be inspired. . . . This set will serve to improve teaching and research in Jewish studies at institutions of higher learning and, at the same time, promote, maintain, and improve understanding of the Jewish population and Judaism in general.”—Booklist, starred review The ninth volume of The Posen Library of Jewish Culture and Civilization covers the years 1939 to 1973, a period that editors Kassow and Roskies call “one of the most tragic and dramatic in Jewish history.” Organized geographically and then by genre, this book details Jewish cultural and intellectual resources throughout this era, particularly in political thought, literature, the visual and performing arts, and religion. This volume explores worldwide Jewish perceptions of momentous events that transpired in the mid‑twentieth century and how Jews redefined themselves across regions throughout an era rife with tragedy, displacement, and dispersion. The breadth and depth of this work goes beyond any comparable collection, with detailed insights and sharp focus to accompany its breathtaking scope. A major, ten‑volume anthology project more than a decade in the making, the Posen Library is an ideal reference tool for scholars, teachers, and students at all levels.

The book traces the history of attitudes toward power and the use of armed force within the Zionist movement from an early period in which most leaders espoused an ideal of peaceful settlement in Palestine, to the acceptance of force as a legitimate tool for achieving a sovereign Jewish state. “[A] classic... This brilliant intellectual history by a distinguished Tel Aviv University scholar shows how the exilic Jewish aversion to Machtpolitik shriveled in the crucible of state-building. Mainstream Zionism, which never saw itself as a movement of European usurpers, evolved what Shapira calls a ‘defensive ethos’ under British rule that skirted both compromise and confrontation with the Arabs. It hoped to dull enmity by offering Palestine's Arabs everything as individuals but nothing as a people. But when the proto-intifada of the Arab Revolt erupted in 1936, a new ‘offensive ethos’ recognizing the inevitability of an Arab-Jewish clash and the legitimacy of the sword gained ground among Mandate Palestine's Jews. Shapira's lucid, searching book — a model of historical curiosity and craft — is indispensable for anyone seeking to understand modern Israel, whose sense of its own power coexists painfully alongside a sense of fearful victimhood.” — Foreign Affairs “Shapira succeeds... in presenting more than a one-dimensional intellectual history of the Zionist movement... Displaying her skills as a serious historian and a fine writer, Shapira offers a nuanced and even-handed examination of a variety of elements within the Jewish community based on a rich selection of original sources.” — The Historical Journal “A rich and sophisticated work that nicely complements more conventional political-historical studies of the Arab-Israeli conflict... Shapira sifts through a vast body of material, ranging from essays, poems, and memoir literature to the unpublished minutes of political party and youth group meetings. Shapira interprets these sources with sensitivity and insight. Shapira writes with power, compassion, and warmth... a landmark book that is an outstanding contribution to the history of Zionist political thought and culture.” — American Historical Review “This is a superb book. It is a well-researched, detailed, and scholarly account that provides new and valuable insights into the dilemma posed by the formation and elaboration of a more forceful Israeli military posture.” — The Historian “Shapira’s powerful, well-written... lucid intellectual history of a segment of the Zionist movement... is fascinating and easy to read... highly educational.” — Journal of Economic History “Anita Shapira provides an excellent analysis of the different debates within Zionism during the pre-state period... Altogether, this is an intellectual history of the Zionist Movement well worth reading. It is meticulously researched and analysed, incomparable in terms of depth, and essential for anyone with an interest in the Arab-Israeli conflict, Zionism and contemporary Jewish history.” — The English Historical Review “[A] comprehensive political history of pre-1948 Palestine... The book is lucidly written, well researched, based on extensive primary and secondary resources. The translation from the Hebrew edition by William Templer is outstanding... this is perhaps the most conceptually sophisticated and thematically integrated work on the Yishuv recently written... Land and Power is a significant and an excellent contribution to our understanding of Zionism and the Yishuv.” — Shofar

This stunning anthology gathers together the riches of poetry in Hebrew from 'The Song of Deborah' to contemporary Israeli writings. Verse written up to the tenth century show the development of piyut, or liturgical poetry, and retell episodes from the Bible and exalt the glory of God. Medieval works introduce secular ideas in love poems, wine songs and rhymed narratives, as well as devotional verse for specific religious rituals. Themes such as the longing for the homeland run through the ages, especially in verse written after the rise of the Zionist movement, while poems of the last century marry Biblical references with the horrors of the Holocaust. Together these works create a moving portrait of a rich and varied culture through the last 3,000 years.

In a groundbreaking exploration of modern Jewish literature, Neta Stahl examines the attitudes adopted by modern Jewish writers toward the figure of Jesus, the ultimate ''Other'' in medieval Jewish literature. Stahl argues that twentieth-century Jewish writers relocated Jesus from his traditional status as the Christian Other to a position as a fellow Jew, a ''brother,'' and even as a means of reconstructing themselves. Other and Brother analyzes the work of a wide array of modern Jewish writers, beginning in the early twentieth century and ending with contemporary Israeli literature. Stahl takes the reader through dramatic changes in Jewish life beginning with the Haskalah (or Jewish Enlightenment) and Emancipation, and subsequently Zionism and the Holocaust. The Holocaust and the formation of the state of Israel caused a major transformation in the Jewish attitude toward Jesus. The emergence of quasi-messianic Zionist ideas of returning to the land of Israel, where the actual Jesus was born, helped other features of the image of Jesus to become a source of attraction and identification for Hebrew poets and Hebrew and Yiddish prose writers in the first half of the twentieth century. Stahl's nuanced and insightful historiography of modern Hebrew and Jewish literature will be a valuable resource to anyone interested in the role of Jesus in Jewish culture.