A Las Vegas showgirl, a diner waitress, and a heartbroken alcoholic—three sisters—are called into an obligatory reunion in California’s Central Valley in the late 1990s as a prelude to their mother’s impending death. Inside Diego’s Diner on Highway 99, Lorraine, the eldest of the sisters, attempts to convert the truckers and regional farmers to her religious beliefs while managing the counters and booths. Becky, the youngest, lurches into this scene after a night’s drunken romp. Meanwhile, middle sister Julie is en route on a bus from Las Vegas, where she’s just ended a long career as a Riviera showgirl. Overshadowing the longstanding tensions between the three women is the unexplained disappearance of the sisters’ long-absent father from their lives. Julie is reluctant to return to River’s End, but she makes a valiant attempt to jump-start her life again once she gets there, even as she confronts the loss of the beauty she’s long used to mask her insecurities and failed relationships. Meanwhile, Becky struggles to stay sober and out of jail—and Lorraine throws herself into cheating her sisters out of their inheritance.

With its atmospheric story of small-town dreams and romance, Clair de Lune weaves an irresistible spell of longing, hope, love, and nostalgia. A newly discovered novel by Jetta Carleton, Clair de Lune will delight the legions of readers who have treasured her first—and, until now, only—published novel, The Moonflower Vine. A book of unsurpassable literary fiction, Clair de Lune is sure to strike a chord with readers of Nancy Turner’s These Is My Words, Alice McDermott’s After This, and Audrey Niffenegger’s The Time Traveler’s Wife.

The Watsons is an abandoned novel by Jane Austen, completed by her niece. The story tells about the widowed priest and his six children, four of which are daughters wishing to get married t a rich man. Although one of the daughters, Emma, was raised by their rich childless aunt. As a result, she is better educated than her other three sisters and has different values. The pursuit for love and wealthy admirers and the opposition between sisters lead to mingled affairs, romantic love stories, and exciting adventures.

They were called "frail sisters," "fallen angels," "filles de Joie, " "soiled doves," "queens of the night," and "whores." They worked the seamy brothels, saloons, cribs, streets, and "hog ranches" of the American frontier. They were the prostitutes of the post-Civil War West. Daughters of Joy, Sisters of Misery details the destitute lives of these nearly anonymous women. Anne Butler reveals who they were, how they lived and worked, and why they became an essential element in the development of the West's emerging institutions. Her story bears little resemblance to the popular depictions of prostitutes in film and fiction. Far removed from the glittering lives of dancehall girls, these women lived at the boarders of society and the brink of despair. Poor and uneducated, they faced a world where scarce jobs, paltry wages, and inflated prices made prostitution a likely if bitter choice of employment. At best their daily lives were characterized by fierce economic competition and at worst by fatal violence in the hands of customers, coworkers, or themselves. They were scorned and attacked by the legal, military, church, and press establishments; nevertheless, as Butler shows, these same institutions also used prostitutes as a means for maintaining their authority and as a lure for economic development. Daughters of Joy, Sisters of Misery is based on an enormous amount of research in more than twenty repositories in Wyoming, Arizona, Texas, Colorado, New Mexico, and Kansas. Using census lists, police dockets, jail registers, military correspondence, trial testimony, inquests, court martials, newspapers, post return, and cemetery records, Butler illuminates the dark corners of a dark profession and adds much to our knowledge of both western and women's history.

Catharine Parr Traill and Susanna Moodie are icons of the Canadian imagination. Yet most of what we know of these two English gentlewomen who spent their adult lives struggling in Britain’s harsh and vigorous colony comes from their own self-consciously crafted writings and from other writers’ sometimes fanciful depictions of them. But what were the women behind the authorial voices really like? In Sisters in the Wilderness, award-winning author Charlotte Gray breathes life into two remarkable and fascinating characters and brings us a vivid picture of life in the backwoods of Upper Canada.

The present volume of essays examines women's communication as it has evolved historically across multiple mediums. Part I explores how women became "gossip girls" and the important role of gossip in the perception and practice of female communication. Essays in Part II cover the convergence of oral and written communication in women's literature. Gendered performance in such arenas as salsa dance, Dr. Phil and the Internet is examined in Part III, and essays in Part IV discuss women's communication in the technology-rich 21st century.

"Cecilia Ramsey is a woman with social-climbing aspirations. She wants to get into the right social set, while her husband, Herbert, longs for the good old days when Cecelia was "herself." Cecelia, with the aid of her two friends, hopes soon to be president of the local Women's Club. When a local Theatrical Benefit takes places, Cecilia is given three visiting Thespians to entertain over the weekend, however she fails to tell her husband that they will be expecting company. When he returns from a business trip and several flames (old and new) are fanned, pandemonium breaks out!"--Publisher's description