Edwin Morgan, Scotland's poet laureate, ia an internationally renowned and widely anthologised writer. This is his first new collection of poems in over four years.

Edwin Morgan (1920-2010) is one of the giants of modern poetry. Scotland's national poet from 2004 to his death in 2010, in his long life he produced an incredible range of work, from the playful to the profound. This INTERNATIONAL COMPANION gives a comprehensive overview of Morgan's poetry and drama. A range of expert contributors guide the reader along Morgan's astonishing, multi-faceted trajectory through space and time, and provide students with an essential and accessible general introduction to his life and work.

Edwin Morgan was appointed Poet Laureate of Glasgow in 1999, and many of these poems reflect the life of the city both now and in the past. But equally the poetry moves to other places and other worlds. A sequence of poems about a demon allows the mind to expatiate on a wide range of subjects, social, psychological, philosophical. Some of the poems have been set to music, both jazz and classical. In many ways it is a book of voices and observation, a book of accessible storytelling.

This book contains a selection of the finest work from three of Scotland's best-known and best-loved poets. They have fascinated and charmed thousands of readers and listeners across Europe and America with the energy, humor and compassion of their vision.

This volume includes 'Poems of Thirty Years' (1982) and 'Themes on a Variation' (1988), together with some fifty uncollected poems from 1939 to 1982.

Edwin Morgans verse play translation of the Sumerian epic of Gilgamesh brings an ancient story to life in a supple, vigorous idiom that moves easily between ritual, comedy and moments of intense beauty. Here a god-king, a great city builder, learns the timeless truth that the only immortality lies in what will be remembered and recorded of his actions. Gilgameshs quest takes him, and the audience, on a journey through a world that is both mythic and familiar, inhabited by terrifying demons and disappeared political prisoners, by gods and singing transvestites and a Glaswegian jester and by Enkidu, the beloved child of nature who dies of a virus in the blood, through whom Gilgamesh learns to understand the meaning of loss.