Once an integral feature of the culture and economy of the St. Francis Abenaki at Odanak, splint basketry has become an activity of the elderly. This volume examines the reasons for this change as indicated by alterations to basketry style and construction between 1880 and the present and the influence of historical events.

Because the language of the Abenaki Indian people of New England is among the most endangered on the planet, the authors have presented this book in an effort to revitalize this art. The craft of basketry is presented in both languages, with terms, sentences and conjugation charts.

This bibliography includes more than 1,100 entries from books, journals, newspaper articles, and dissertations concerning North American Indian basketry. More general cultural works with some information on basketry are also included, and the materials date from early ethnographic work in the late 19th and early 20th centuries to 1987. . . . The introduction offers a good overview of research in Native American basketry, and although the annotations vary greatly in thoroughness and length, they are generally useful. This unique, well-produced bibliography is recommended for collections supporting programs in anthropology, crafts, or Native American Studies. Choice Interest in Native American basketry dates from the late 1800s, when an enthusiastic public, together with curators, academic collectors, and archaeologists, first began to appreciate the value and uniqueness of these beautiful hand-crafted artifacts. This bibliography is the first comprehensive guide to publications on the subject. Organized by major cultural areas of North America, it offers annotated listings of books, journal articles, dissertations, theses, monographs, and selected newspaper articles published over the last 100 years. In his introductory essay, Porter discusses the history of Native American basket making and the findings and views of some of the anthropologists, archaeologists, and popular writers whose works contribute to our knowledge of the subject. The bibliography is divided into eleven sections, each dealing with a specific geographical/cultural area. Entries are cross-referenced, and a comprehensive index gives convenient access to authors, titles, and subjects.

Dawnland Voices calls attention to the little-known but extraordinarily rich literary traditions of New England’s Native Americans. This pathbreaking anthology includes both classic and contemporary literary works from ten New England indigenous nations: the Abenaki, Maliseet, Mi’kmaq, Mohegan, Narragansett, Nipmuc, Passamaquoddy, Penobscot, Schaghticoke, and Wampanoag. Through literary collaboration and recovery, Siobhan Senier and Native tribal historians and scholars have crafted a unique volume covering a variety of genres and historical periods. From the earliest petroglyphs and petitions to contemporary stories and hip-hop poetry, this volume highlights the diversity and strength of New England Native literary traditions. Dawnland Voices introduces readers to the compelling and unique literary heritage in New England, banishing the misconception that “real” Indians and their traditions vanished from that region centuries ago.

A study of the development of contemporary Inuit literature, in both Inuktitut and English, including a discussion of its themes, structures and roots in oral tradition. The author concludes that a strong continuity persists between the two narrative forms despite apparent differences in subject matter and language.

Abstracts of Master’s and Doctoral thesis completed at Canadian universities between 1970-1982 dealing with ethnographic, archaeological, linguistic, and physical anthropological topics relevant to Canada’s Native peoples.

This study examines in detail, the histories and customs of Coast Salish gambling games and looks at the game structure and its attending spirit power affiliations.