Every aspect of Barbadian history, geography, natural history, culture and society is covered.

Independence, Colonial Relics, and Monuments in the Caribbean is a collection of critical perspectives on independence and the legacies of colonialism in the post-colonial Caribbean. The contributors examine themes relating to culture, identity, gender, nationhood, heritage and historic preservation in the post-independent Caribbean. In a twenty-first century context where calls for reparatory justice for the people of the Caribbean who have been disadvantaged by the effects of colonialism have intensified, this book is quite relevant as some chapters examine colonialism through relics, laws, statues and monuments, while other chapters explore the implications of African enslavement, the role of Indian indentureship, the Federation of the West Indies and the effect of the American based Black Lives Movement on the Caribbean.

Argues that Paule Marshall’s work collectively constitutes a multigenerational saga of the African diaspora across centuries and continents. From Brown Girl, Brownstones (1959) to The Fisher King (2000), Paule Marshall’s novels, novellas, and short stories include a rich cast of unforgettable men, women, and children who forge spiritual as well as emotional and geographical paths toward their ancestors. In this, the first critical study to address all of Marshall’s fiction, Moira Ferguson argues that Marshall’s work collectively constitutes a multigenerational saga of the African diaspora across centuries and continents. In creating a space for her characters’ interrupted lives and those of their elders and ancestors, Ferguson argues, Marshall trains a spotlight on slavery’s wake and engages her fiction in the service of healing deep global wounds. “In sophisticated yet accessible discussions, Ferguson places Marshall’s work in a variety of contexts that are at the center of diasporic and postcolonial studies. By producing this comprehensive examination of Marshall’s fiction, she captures the way in which Marshall not only writes about diasporic experiences but, through the interconnected themes of her novels, is crafting a diasporic saga on the subject.” — Sharon M. Harris, author of Dr. Mary Walker: An American Radical, 1832–1919

Lavishly illustrated, Persuasion and Propaganda is the first study of these works of art within the framework of colonial politics and political culture. While examining the rise of the idea of the public in the modern world, Joan Coutu also explores how "empire" was constantly being redefined. From private funeral monuments in the West Indies to works erected by the East India Company and the British Parliament, Coutu shows how the youthful British Empire saw itself and validated its mission through sculpture.

Offers a thorough examination of Afro-Barbadian migration to Liberia during the mid- to late nineteenth century.