Everybody knows her as Jane Smith—a successful businesswoman. What they don’t know is that Jane has also successfully distanced herself from her past. Until she meets handsome American Gabriel Vaughan at a Christmas party. Gabe’s determined to get close to her, seduce her and sooner or later he’ll recognize her...as a former society lady with a secret...

Parting with danger… Abby Freeman is thrilled that, at last, she's landed herself a fantastic job as a TV chat-show host. But she needs to prove herself with a ratings-pulling interview. Who better to grill than thefamous, darkly handsome journalist Max Harding? He has an intriguing scandal in his past that has never been fully explained… Max is happy to let Abbyget close—but only in private; he, and his life, are not for public consumption. Now Abby has two dilemmas: she doesn't want to lose Max's story… but she's in danger of losing her innocence! Because, clearly, Max doesn't realise that the apparently worldly Abby is still a virgin…

The earl she loved to hate …until she stayed in his mansion! Sophie Gilbert has thwarted the standoffish new earl’s plans to sell his country estate and the quaint village that forms part of it. But when disaster strikes and he offers her refuge, she must reconsider everything about this vexing, determined man. After the heartbreak in her past, it’s a revelation to feel her pulse racing and her body yearning for his touch… From Harlequin Historical: Your romantic escape to the past. A Very Village Scandal Where love can be found at every turn Book 1: The Earl's Inconvenient Houseguest

In Luana DaRosa’s debut Harlequin Medical Romance, a doctor faces her greatest challenge yet: resisting her surgeon boss! The flaw in her plan: The surgeon she must resist! Walking into her new Chicago hospital, locum anesthesiologist Emma Santos is ready to take her career by storm. She’s spent too long neglecting her own goals for someone else. She’s not ready for widowed surgeon Mark Henderson. Her new boss is hard to please…and heart-stoppingly handsome! And that makes him a threat to both Emma’s medical ambitions—and her determination not to be ruled by attraction! From Harlequin Medical: Life and love in the world of modern medicine.

Despite her dear friend Jane Austen's warning against teaching, Arabella Dempsey accepts a position at a girls' school in Bath, just before Christmas. She hardly imagines coming face-to-face with French aristocrats and international spies. Reginald "Turnip" Fitzhugh-often mistaken for the elusive spy known as the Pink Carnation-has blundered into danger before. When Turnip and Arabella find their Christmas pudding yielding a cryptic message, they are launched on a Yuletide adventure. Will they find poinsettias-or peril?

This comparative literature study explores how writers from across Ireland and Latin America have, both in parallel and in concert, deployed symbolic representations of the dead in their various anti-colonial projects. In contrast to the ghosts and revenants that haunt English and Anglo-American letters—where they are largely either monstrous horrors or illusory frauds—the dead in these Irish/Latinx archives can serve as potential allies, repositories of historical grievances, recorders of silenced voices, and disruptors of neocolonial discourse.

Six were taken. Eleven years later, five come back--with no idea of where they've been. A riveting mystery for fans of We Were Liars. Eleven years ago, six kindergartners went missing without a trace. After all that time, the people left behind moved on, or tried to. Until today. Today five of those kids return. They're sixteen, and they are . . . fine. Scarlett comes home and finds a mom she barely recognizes, and doesn't really recognize the person she's supposed to be, either. But she thinks she remembers Lucas. Lucas remembers Scarlett, too, except they're entirely unable to recall where they've been or what happened to them. Neither of them remember the sixth victim, Max--the only one who hasn't come back. Which leaves Max's sister, Avery, wanting answers. She wants to find her brother--dead or alive--and isn't buying this whole memory-loss story. But as details of the disappearance begin to unfold, no one is prepared for the truth. This unforgettable novel--with its rich characters, high stakes, and plot twists--will leave readers breathless.

The Queer Fantasies of the American Family Sitcom examines the evasive depictions of sexuality in domestic and family-friendly sitcoms. Tison Pugh charts the history of increasing sexual depiction in this genre while also unpacking how sitcoms use sexuality as a source of power, as a kind of camouflage, and as a foundation for family building. The book examines how queerness, at first latent, became a vibrant yet continually conflicted part of the family-sitcom tradition. Taking into account elements such as the casting of child actors, the use of and experimentation with plot traditions, the contradictory interpretive valences of comedy, and the subtle subversions of moral standards by writers and directors, Pugh points out how innocence and sexuality conflict on television. As older sitcoms often sit on a pedestal of nostalgia as representative of the Golden Age of the American Family, television history reveals a deeper, queerer vision of family bonds.

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