Demonstrates the role of Beirut's postwar graffiti and street art in transforming the cityscape and animating resistance.

For those of us who didn't live through World War II, it appears in our mind's eye in black and white. Images of the Blitz, of the D-Day landings at Normandy, the liberation of Paris, the fall of Berlin--all come to us in shadowy grays and blacks, the lack of color simultaneously heightening their drama and distancing them from us. Seen in black and white, World War II seems wholly of the past, a story that's being told much more than an experienced that men and women actually lived through. ​This book will help change that. Reproducing seventy-eight rare full-color images from the archives of the Imperial War Museums, it shows us a new--or at least long-forgotten--World War II. In these pages, we see the vivid hues of flames, the richly colored fabrics of flags and uniforms, intense blue skies high over battlefields, faces of suntanned soldiers on the march, and the dizzyingly complicated color of the new art of military camouflage. The result is a World War II that has been rescued from the past and restored to us, powerful and unforgettable, so we can see for the first time what our parents, grandparents, and great-grandparents saw as they fought and sacrificed all those decades ago.

The colours of catastrophe: Rediscovered autochrome photography of the First World War The devastating events of the First World War were captured in myriad photographs on all sides of the front. Since then, thousands of books of black-and-white photographs of the war have been published as all nations endeavour to comprehend the scale and the carnage of the "greatest catastrophe of the 20th century". Far less familiar are the rare colour images of the First World War, taken at the time by a small group of photographers pioneering recently developed autochrome technology. To mark the centenary of the outbreak of war, this groundbreaking volume brings together all of these remarkable, fully hued pictures of the "war to end war". Assembled from archives in Europe, the United States and Australia, more than 320 colour photos provide unprecedented access to the most important developments of the period - from the mobilization of 1914 to the victory celebrations in Paris, London and New York in 1919. The volume represents the work of each of the major autochrome pioneers of the period, including Paul Castelnau, Fernand Cuville, Jules Gervais-Courtellemont, Léon Gimpel, Hans Hildenbrand, Frank Hurley, Jean-Baptiste Tournassoud and Charles C. Zoller. Since the autochrome process required a relatively long exposure time, almost all of the photos depict carefully composed scenes, behind the rapid front-line action. We see poignant group portraits, soldiers preparing for battle, cities ravaged by military bombardment - daily human existence and the devastating consequences on the front. A century on, this unprecedented publication brings a startling human reality to one of the most momentous upheavals in history.

A stunning new collection by one of Iraq’s brightest poetic voices The Iraqi Nights is the third collection by the acclaimed Iraqi poet Dunya Mikhail. Taking The One Thousand and One Nights as her central theme, Mikhail personifies the role of Scheherazade the storyteller, saving herself through her tales. The nights are endless, seemingly as dark as war in this haunting collection, seemingly as endless as war. Yet the poet cannot stop dreaming of a future beyond the violence of a place where “every moment / something ordinary / will happen under the sun.” Unlike Scheherazade, however, Mikhail is writing, not to escape death, but to summon the strength to endure. Inhabiting the emotive spaces between Iraq and the U.S., Mikhail infuses those harsh realms with a deep poetic intimacy. The author’s vivid illustrations — inspired by Sumerian tablets — are threaded throughout this powerful book.

Fifty years of the War on Drugs has led to millions of deaths, displacements, and incarcerations. Disproportionately enacted on oppressed races, international drug prohibition has reinforced the color line across the globe. This collection reveals the racist impact of the war on drugs across multiple continents and in numerous situations, from racialized drug policing at festivals in the United Kingdom to the necropolitical wars in Juarez, Mexico, and from the exchange of drug policing programs between the United States and Israel to the management of black bodies in Brazil. Pushing forward the debate and activism led by groups such as Black Lives Matter and calling for radical changes in drug policy legislation and prison reform, this collection proves that the problem of drugs and race is an international, and intentional, disaster.

After the all-powerful wizard Susnam Evyndd is defeated during battle with an evil clan of sorcerers, the world is plunged into darkness. If the spell is not quickly reversed, all plants will die off from lack of sun, until everything & everyone-is destroyed. Yet Evyndd's death sets off his last & greatest spell, transforming his household pets into humans. With Evyndd's instructions, the group sets out to return light to the world...but pursuing the missing light promises to be difficult & dangerous & carries no guarantee of success.

In 1862, Andrew "Andy" Jackson Smith, son of a white landowner and enslaved woman, escaped to Union troops operating in Kentucky, made his way to the North, and volunteered for the 55th Massachusetts, one of the newly formed African American regiments. The regiment was deployed to South Carolina, and during a desperate assault on a Confederate battery, the color bearer was killed. Before the flag was lost, Smith quickly retrieved it and under heavy fire held the colors steady while the decimated regiment withdrew. The regiment's commanding officer promoted Smith to color sergeant and wrote him a commendation for both saving the regimental flag and bravery under fire. Honorably discharged, Smith returned to Kentucky, where over the course of the next forty years he invested in land. In the early twentieth century, Burt G. Wilder, medical officer of the 55th, contacted Smith about his experiences for a book he was writing. During their correspondence, Wilder realized Smith was eligible for the nation's highest award. In 1916, Wilder applied to the army, but his request for Smith's medal was denied due to the "absence of records." At Smith's death in 1932, his daughter Caruth received a box of his papers revealing the extent of her father's heroism. Her nephew took up the cause and through long and painstaking research located the lost records. With the help of historians, local politicians, and others, Andrew Jackson Smith received his long overdue Medal of Honor in 2001.

Debut Historical Suspense Novel Wins IPPY Award for Best “Literary Fiction 2014” Stolen art, love, lust, deception, and revenge paint the pages of veteran journalist Lisa Barr’s debut novel, Fugitive Colors, an un-put-down-able page-turner. Booklist calls the WWII era novel, "Masterfully conceived and crafted, Barr’s dazzling debut novel has it all: passion and jealousy, intrigue and danger." Fugitive Colors asks the reader: How far would you go for your passion? Would you kill for it? Steal for it? Or go to any length to protect it? Hitler’s War begins with the ruthless destruction of the avant-garde, but there is one young painter who refuses to let this happen. An accidental spy, Julian Klein, an idealistic American artist, leaves his religious upbringing for the artistic freedom of Paris in the early 1930s. Once he arrives in the “City of Light,” he meets a young German artist, Felix von Bredow, whose larger-than-life personality overshadows his inferior artistic ability, and the handsome and gifted artist Rene Levi, whose colossal talent will later serve to destroy him. The trio quickly becomes best friends, inseparable, until two women get in the way—the immensely talented artist Adrienne, Rene’s girlfriend with whom Julian secretly falls in love, and the stunning artist’s model Charlotte, a prostitute-cum-muse, who manages to bring great men to their knees. Artistic and romantic jealousies abound, as the characters play out their passions against the backdrop of the Nazis' rise to power. Felix returns to Berlin, where his father, a blue-blooded Nazi, is instrumental in creating the master plan to destroy Germany’s modern artists, and seeks his son’s help. Bolstered by vengeance, Felix will lure his friends to Germany, an ill-fated move, which will forever change their lives. Twists and turns, destruction and obsession, loss and hope will keep you up at night, as you journey from Chicago to Paris, Berlin to New York. With passionate strokes of captivating prose, Barr proves that while paintings have a canvas, passion has a face—that once exposed, the haunting images will linger . . . long after you have closed the book. The Hollywood Film Festival awarded Fugitive Colors first prize for “Best Unpublished Manuscript” (Opus Magnum Discovery Award). Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

This is the first book of colorized photographs that depicts not only portraits of the leaders and soldiers from the Union and the Confederacy, but real vignettes from American life during the war: soldiers in the field, scenes from urban and plantation life, slaves and freedmen, destroyed cities, contested battlefields, a range of weaponry, and much more. The book includes more than 200 photographs, from the Library of Congress extensive archives, including both well-known and rarely seen images colorized by renowned artist Guntzelman.

Gettysburg has been written about and studied in great detail over the last 140 years, but there are still many participants whose experiences have been overlooked. In augmenting this incomplete history, Margaret Creighton presents a new look at the decisive battle through the eyes of Gettysburg's women, immigrant soldiers, and African Americans. An academic with a superb flair for storytelling, Creighton draws on memoirs, letters, diaries, and newspapers to get to the hearts of her subjects. Mag Palm, a free black woman living with her family outside of town on Cemetery Ridge, was understandably threatened by the arrival of Lee's Confederate Army; slavers had tried to capture her three years before. Carl Schurz, a political exile who had fled Germany after the failed 1848 revolution, brought a deeply held fervor for abolitionism to the Union Army. Sadie Bushman, a nine-year-old cabinetmaker's daughter, was commandeered by a Union doctor to assist at a field hospital. In telling the stories of these and a dozen other participants, Margaret Creighton has written a stunningly fluid work of original history -- a narrative that is sure to redefine the Civil War's most essential battle.