In A Vulgar Art, Ian Brodie uses a folkloristic approach to stand-up comedy, engaging the discipline's central method of studying interpersonal, artistic communication and performance. Because stand-up comedy is a rather broad category, people who study it often begin by relating it to something they recognize—“literature” or “theatre”; “editorial” or “morality”—and analyze it accordingly. A Vulgar Art begins with a more fundamental observation: someone is standing in front of a group of people, talking to them directly, and trying to make them laugh. So, this book takes the moment of performance as its focus, that stand-up comedy is a collaborative act between the comedian and the audience. Although the form of talk on the stage resembles talk among friends and intimates in social settings, stand-up comedy remains a profession. As such, it requires performance outside of the comedian's own community to gain larger and larger audiences. How do comedians recreate that atmosphere of intimacy in a roomful of strangers? This book regards everything from microphones to clothing and LPs to Twitter as strategies for bridging the spatial, temporal, and sociocultural distances between the performer and the audience.

Shortlisted for the J. Anthony Lukas Prize The story of art collective Gran Fury—which fought back during the AIDS crisis through direct action and community-made propaganda—offers lessons in love and grief. In the late 1980s, the AIDS pandemic was annihilating queer people, intravenous drug users, and communities of color in America, and disinformation about the disease ran rampant. Out of the activist group ACT UP (AIDS Coalition to Unleash Power), an art collective that called itself Gran Fury formed to campaign against corporate greed, government inaction, stigma, and public indifference to the epidemic. Writer Jack Lowery examines Gran Fury’s art and activism from iconic images like the “Kissing Doesn’t Kill” poster to the act of dropping piles of fake bills onto the trading floor of the New York Stock Exchange. Lowery offers a complex, moving portrait of a collective and its members, who built essential solidarities with each other and whose lives evidenced the profound trauma of enduring the AIDS crisis. Gran Fury and ACT UP’s strategies are still used frequently by the activists leading contemporary movements. In an era when structural violence and the devastation of COVID-19 continue to target the most vulnerable, this belief in the power of public art and action persists.

A wildly entertaining and surprisingly educational dive into art history as you've never seen it before, from the host of the beloved ArtCurious podcast We're all familiar with the works of Claude Monet, thanks in no small part to the ubiquitous reproductions of his water lilies on umbrellas, handbags, scarves, and dorm-room posters. But did you also know that Monet and his cohort were trailblazing rebels whose works were originally deemed unbelievably ugly and vulgar? And while you probably know the tale of Vincent van Gogh's suicide, you may not be aware that there's pretty compelling evidence that the artist didn't die by his own hand but was accidentally killed--or even murdered. Or how about the fact that one of Andy Warhol's most enduring legacies involves Caroline Kennedy's moldy birthday cake and a collection of toenail clippings? ArtCurious is a colorful look at the world of art history, revealing some of the strangest, funniest, and most fascinating stories behind the world's great artists and masterpieces. Through these and other incredible, weird, and wonderful tales, ArtCurious presents an engaging look at why art history is, and continues to be, a riveting and relevant world to explore.

"This is the first English translation of an important novel by one of America's foremost contemporary writers. Experimental in form, lacking a strict narrative line and a conventional plot, it is a strange and shocking portrait of a woman's intense incestuous love for her brother. She is eccentric at the beginning of the story and grows progressively more alienated from reality as she recalls her past during a stay at the Villa Serbelloni above Lake Como in Bellagio, Italy, where she has gone to write a novel." "The book consists of her reminiscences of her dead brother which are addressed to him. It offers at once a highly poetic evocation of a troubled mind, an apparently realistic portrayal of life among her friends: the writers, artists, and musicians she knew, from the 60's to the present time, and a mordant and brutal commentary on a kind of family attachment that is found throughout the world. Her feelings and fantasies are described through her own language, subtly and sensitively, and she herself is depicted with keen psychological insight. One of the few works of fiction to treat the incestuous relationship from the viewpoint of the victim/perpetrator."--BOOK JACKET.

For the past dozen years, J. Hoberman has been publishing witty, impassioned, vivid film criticism in the pages of New York's alternative weekly, The Village Voice. His first collection includes a variety of these (mostly) movie reviews, as well as a number of longer essays and film-festival reports, all written during the 1980s. For Hoberman, film criticism is a form of social commentary, and his articles reflect a decade when an actor was president, the Vietnam War was refought on the nation's movie screens, and soundbites determined elections. The variety of Hoberman's interests and the intellectual depth of his critiques are remarkable. Writing from the perspective of Lower Manhattan, he places movies in the context of the other visual arts--painting, photography, comics, video, and TV--as well as that of postmodem theorists such as Leslie Fiedler and Jean Baudrillard. Demonstrating the widest range of any American film critic writing today, Hoberman is equally at home discussing the work of Steven Spielberg and Andrei Tarkovsky, films by cutting-edge artists Raul Ruiz and Yvonne Rainer, and historical figures as disparate as Charles Chaplin and Andy Warhol. Vulgar Modernism offers an entertaining, trenchant, informed, and informative view of the past decade's popular culture.

Potent, provocative and sometimes shocking, the word vulgar conjures up strong images, ideas and feelings in us all. The Vulgar is the first exhibition to explore the inherently challenging but utterly compelling territory of taste in fashion, from the renaissance through to contemporary design.Examining the constantly evolving notion of vulgarity in fashion whilst revelling in its excesses, you are invited to think again about exactly what makes something vulgar and why it is such a sensitive and contested term.Drawn from major public and private collections worldwide, this richly illustrated volume showcases over 120 stunning objects, ranging from historical costumes to couture and ready-to-wear looks.With contributions from leading contemporary designers including Chlo�, Christian Dior, Christian Lacroix, Miuccia Prada, Elsa Schiaparelli, Philip Treacy, Viktor & Rolf, Louis Vuitton and Vivienne Westwood.This book contains fascinating literary definitions by curator Judith Clark (Professor of Fashion and Museology, University of the Arts, London), and psychoanalyst and writer Adam Philips, alongside interviews with several leading contemporary designers.Taking the definitions as a starting point, more than 200 stunning images are also included - weaving together historic dress, haute couture and ready-to-wear fashion, textile ornamentation, manuscripts and photography.Published on the occasion of the exhibition, The Vulgar: Fashion Redefined at the Barbican Centre, London (13 October 2016 - 15 February 2017).

This book focuses on the “dark side” of stand-up comedy, initially inspired by speculations surrounding the death of comedian Robin Williams. Contributors, those who study humor as well as those who perform comedy, join together to contemplate the paradoxical relationship between tragedy and comedy and expose over-generalizations about comic performers’ troubled childhoods, addictions, and mental illnesses. The book is divided into two sections. First, scholars from a variety of disciplines explore comedians’ onstage performances, their offstage lives, and the relationship between the two. The second half of the book focuses on amateur and lesser-known professional comedians who reveal the struggles they face as they attempt to hone successful comedy acts and likable comic personae. The goal of this collection is to move beyond the hackneyed stereotype of the sad clown in order to reveal how stand-up comedy can transform both personal and collective tragedies by providing catharsis through humor.

From the marbled precincts of New York's uptown museum scene to the galleries and lofts of Soho to a Mafia mansion on the coast of Long Island, Lustbader's hotly paced novella sweeps Tess Chase - a no-nonsense woman with a connoisseur's taste for martial and fine arts - into the perilous pursuit of a long-lost painting by Renaissance master Raphael.

Cultural critic and researcher Munson examines how a new dogmatism has established itself in museums, academia, and in the artist's studio, and explores the "new museology" that has revised the content of art exhibitions and the shape of museums and art programs. Illustrations.