A View On Fred Lerdahl And Ray Jackendoffs Generative Theory Of Tonal Music
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Author |
: Fred Lerdahl |
Publisher |
: MIT Press |
Total Pages |
: 390 |
Release |
: 1996-06-03 |
ISBN-10 |
: 0262260913 |
ISBN-13 |
: 9780262260916 |
Rating |
: 4/5 (13 Downloads) |
Synopsis A Generative Theory of Tonal Music, reissue, with a new preface by : Fred Lerdahl
A search for a grammar of music with the aid of generative linguistics. This work, which has become a classic in music theory since its original publication in 1983, models music understanding from the perspective of cognitive science.The point of departure is a search for the grammar of music with the aid of generative linguistics.The theory, which is illustrated with numerous examples from Western classical music, relates the aural surface of a piece to the musical structure unconsciously inferred by the experienced listener. From the viewpoint of traditional music theory, it offers many innovations in notation as well as in the substance of rhythmic and reductional theory.
Author |
: |
Publisher |
: |
Total Pages |
: |
Release |
: 2002 |
ISBN-10 |
: OCLC:679002271 |
ISBN-13 |
: |
Rating |
: 4/5 (71 Downloads) |
Synopsis A View on Fred Lerdahl and Ray Jackendoff's Generative Theory of Tonal Music by :
A view on Fred Lerdahl and Ray Jackendoff's generative theory of tonal music.
Author |
: Fred Lerdahl |
Publisher |
: Oxford University Press |
Total Pages |
: 430 |
Release |
: 2004-12-09 |
ISBN-10 |
: 9780199884407 |
ISBN-13 |
: 0199884404 |
Rating |
: 4/5 (07 Downloads) |
Synopsis Tonal Pitch Space by : Fred Lerdahl
Building on the foundation of Lerdahl and Jackendoff's influential A Generative Theory of Tonal Music, this volume presents a multidimensional model of diatonic and chromatic spaces that quantifies listeners' intuitions of the relative distances of pitches, chords, and keys from a given tonic. The model is employed to assign prolongational structure, represent paths through the space, and compute patterns of tension and attraction as musical events unfold, thereby providing a partial basis for understanding musical narration, expectation, and expression. Conceived as both a music-theoretic treatise and a contribution to the cognitive science of music, this book will be of interest to music theorists, musicologists, composers, computer musicians, and cognitive psychologists.
Author |
: Fred Lerdahl |
Publisher |
: |
Total Pages |
: |
Release |
: 1996 |
ISBN-10 |
: OCLC:278549766 |
ISBN-13 |
: |
Rating |
: 4/5 (66 Downloads) |
Synopsis A Generative Theory of Tonal Music by : Fred Lerdahl
Author |
: Timothy Arlan Nord |
Publisher |
: |
Total Pages |
: 478 |
Release |
: 1992 |
ISBN-10 |
: WISC:89100051408 |
ISBN-13 |
: |
Rating |
: 4/5 (08 Downloads) |
Synopsis Toward Theoretical Verification by : Timothy Arlan Nord
Author |
: Jack Moser Douthett |
Publisher |
: University Rochester Press |
Total Pages |
: 282 |
Release |
: 2008 |
ISBN-10 |
: 1580462669 |
ISBN-13 |
: 9781580462662 |
Rating |
: 4/5 (69 Downloads) |
Synopsis Music Theory and Mathematics by : Jack Moser Douthett
Essays in diatonic set theory, transformation theory, and neo-Riemannian theory -- the newest and most exciting fields in music theory today. The essays in Music Theory and Mathematics: Chords, Collections, and Transformations define the state of mathematically oriented music theory at the beginning of the twenty-first century. The volume includes essays in diatonic set theory, transformation theory, and neo-Riemannian theory -- the newest and most exciting fields in music theory today. The essays constitute a close-knit body of work -- a family in the sense of tracing their descentfrom a few key breakthroughs by John Clough, David Lewin, and Richard Cohn in the 1980s and 1990s. They are integrated by the ongoing dialogue they conduct with one another. The editors are Jack Douthett, a mathematician and music theorist who collaborated extensively with Clough; Martha M. Hyde, a distinguished scholar of twentieth-century music; and Charles J. Smith, a specialist in tonal theory. The contributors are all prominent scholars, teaching at institutions such as Harvard, Yale, Indiana University, and the University at Buffalo. Six of them (Clampitt, Clough, Cohn, Douthett, Hook, and Smith) have received the Society for Music Theory's prestigious PublicationAward, and one (Hyde) has received the ASCAP Deems Taylor Award. The collection includes the last paper written by Clough before his death, as well as the last paper written by David Lewin, an important music theorist also recently deceased. Contributors: David Clampitt, John Clough, Richard Cohn, Jack Douthett, Nora Engebretsen, Julian Hook, Martha Hyde, Timothy Johnson, Jon Kochavi, David Lewin, Charles J. Smith, and Stephen Soderberg.
Author |
: Fred Lerdahl |
Publisher |
: Univ of California Press |
Total Pages |
: 160 |
Release |
: 2019-11-05 |
ISBN-10 |
: 9780520973251 |
ISBN-13 |
: 0520973259 |
Rating |
: 4/5 (51 Downloads) |
Synopsis Composition and Cognition by : Fred Lerdahl
In Composition and Cognition, renowned composer and theorist Fred Lerdahl builds on his careerlong work of developing a comprehensive model of music cognition. Bringing together his dual expertise in composition and music theory, he reveals the way in which his research has served as a foundation for his compositional style and how his intuitions as a composer have guided his cognitively oriented theories. At times personal and reflective, this book offers an overall picture of the musical mind that has implications for central issues in contemporary composition, including the recurrent gap between method and result, and the tension between cognitive constraints and utopian aesthetic views of musical progress. Lerdahl’s succinct volume provides invaluable insights for students and instructors, composers and music scholars, and anyone engaged with contemporary music.
Author |
: Manfred Clynes |
Publisher |
: Springer Science & Business Media |
Total Pages |
: 431 |
Release |
: 2013-06-29 |
ISBN-10 |
: 9781468489170 |
ISBN-13 |
: 1468489178 |
Rating |
: 4/5 (70 Downloads) |
Synopsis Music, Mind, and Brain by : Manfred Clynes
There is much music in our lives -yet we know little about its function. Music is one of man's most remarkable inventions - though possibly it may not be his invention at all: like his capacity for language his capacity for music may be a naturally evolved biologic .function. All cultures and societies have music. Music differs from the sounds of speech and from other sounds, but only now do we find ourselves at the threshold of being able to find out how our brain processes musical sounds differently from other sounds. We are going through an exciting time when these questions and the question of how music moves us are being seriously investigated for the first time from the perspective of the co-ordinated functioning of the organism: the perspective of brain function, motor function as well as perception and experience. There is so much we do not yet know. But the roads to that knowledge are being opened, and the coming years are likely to see much progress towards providing answers and raising new questions. These questions are different from those music theorists have asked themselves: they deal not with the structure of a musical score (although that knowledge is important and necessary) but with music in the flesh: music not outside of man to be looked at from written symbols, but music-man as a living entity or system.
Author |
: Anthony Pople |
Publisher |
: Cambridge University Press |
Total Pages |
: 248 |
Release |
: 2006-11-02 |
ISBN-10 |
: 0521028302 |
ISBN-13 |
: 9780521028301 |
Rating |
: 4/5 (02 Downloads) |
Synopsis Theory, Analysis and Meaning in Music by : Anthony Pople
There have been far-reaching changes in the way music theorists and analysts view the nature of their disciplines. Encounters with structuralist and post-structuralist critical theory, and with linguistics and cognitive sciences, have brought the theory and analysis of music into the orbit of important developments in intellectual history. This book presents the work of a group of scholars who, without seeking to impose an explicit redefinition of either theory or analysis, explore the limits of both in this context. Essays on the languages of analysis and theory, and on practical issues such as decidability, ambiguity and metaphor, combine with studies of works by Debussy, Schoenberg, Birtwistle and Boulez, together making a major contribution to an important debate in the growth of musicology.
Author |
: William Nathan Rothstein |
Publisher |
: MacMillan Publishing Company |
Total Pages |
: 378 |
Release |
: 1989 |
ISBN-10 |
: STANFORD:36105042624226 |
ISBN-13 |
: |
Rating |
: 4/5 (26 Downloads) |
Synopsis Phrase Rhythm in Tonal Music by : William Nathan Rothstein
A theoretical study of classical and romantic music from Haydn to Wagner. Explores the process by which a relatively small and regular rhythmic unit is transformed into a larger and less regular one. Expands on the work of contemporary Austrian theorist, Heinrich Schenker. Annotation copyrighted by Book News, Inc., Portland, OR