"A View From The Bridge" is a play by American playwright Arthur Miller that was first staged on September 29, 1955 as a one-act verse drama with "A Memory of Two Mondays" at the Coronet Theatre on Broadway. The play was unsuccessful and Miller subsequently revised the play to contain two acts.Einstein Books' edition of "A View From The Bridge" is the original one-act version of the play.The play is set in 1950s America, in an Italian American neighborhood near the Brooklyn Bridge in New York. It employs both a chorus and a narrator (Alfieri). Eddie, the tragic protagonist, has an improper love of, and almost obsession with, Catherine. Miller's interest in writing about the world of the New York docks originated with an unproduced screenplay that he developed with Elia Kazan in the early 1950s (entitled The Hook) that addressed corruption on the Brooklyn docks (Kazan would go on to direct On the Waterfront, which tackled the same subject). Miller said that he heard the basic account that developed into the plot of A View from the Bridge from a longshoreman, who related it to him as a true story.Einstein Books' edition of "A View From The Bridge" contains supplementary texts:* An excerpt from "A Memory Of Two Mondays", a one-act play by Arthur Miller.* An excerpt from "The Man Who Had All The Luck", and early play by Arthur Miller.* A few selected quotes of Arthur Miller.

THE STORY: As told by the New York News. ... is a tragedy in the classic form and I think it is a modern classic...the central character is a long-shoreman who, though his mind is limited and he cannot find words for his thoughts, is an admirable man...

THE STORIES: The first play, I CAN'T REMEMBER ANYTHING, is a gentle, poignant study of two old friends, an elderly man and woman, who live in nearby houses and often take their meals together. She is a wealthy widow whose life seems to have come to a stop

When his wife's cousins seek refuge as illegal immigrants in New York, Eddie Carbone agrees to shelter them. Trouble begins when her niece is attracted to his glamorous younger brother, Rodolpho. 13 parts: 10 male, 3 female plus extras

"Readers will be captivated by this beautifully written novel about young people who must use their instincts and grit to survive. Padma infuses her story with hope and bravery that will inspire readers."--Aisha Saeed, author of the New York Times Bestseller Amal Unbound Four determined homeless children make a life for themselves in Padma Venkatraman's stirring middle-grade debut. Life is harsh on the teeming streets of Chennai, India, so when runaway sisters Viji and Rukku arrive, their prospects look grim. Very quickly, eleven-year-old Viji discovers how vulnerable they are in this uncaring, dangerous world. Fortunately, the girls find shelter--and friendship--on an abandoned bridge that's also the hideout of Muthi and Arul, two homeless boys, and the four of them soon form a family of sorts. And while making their living scavenging the city's trash heaps is the pits, the kids find plenty to take pride in, too. After all, they are now the bosses of themselves and no longer dependent on untrustworthy adults. But when illness strikes, Viji must decide whether to risk seeking help from strangers or to keep holding on to their fragile, hard-fought freedom.

Plot centers around Dr. Frankenstein's castle and includes such characters as The monster, Count and Countess Dracula, The mummy, and a reluctant boy werewolf.

Ten explorers. Four boats. One Grand Canyon. MEN ON BOATS is the true(ish) history of an 1869 expedition, when a one-armed captain and a crew of insane yet loyal volunteers set out to chart the course of the Colorado River.

A snowy night. A drive through a mountain canyon. "Nothing bad happens if I'm late" thinks 16-year-old Eli as he creeps along this winding road. He doesn't know anything about his soon-to-be passenger, Samantha, except that she's a friend of a friend and needs a ride to The Home Depot. But Eli is glad for the company, especially considering the stuff that's been going on in his town. Soon, though, Eli's terrible driving sparks an argument, and the conversation takes an odd, dark turn. Eli and Samantha tell stories designed to scare each other. Eli's story is haunting, but he's out of his league. Once Samantha tells her story, Eli finds himself driving too fast, not because he's going to be late, but because he wants out of that car. Eli's not going to make it to Home Depot.

Genre - Structure - Style - Characters - Themes.