One of the most innovative films ever made, Sam Peckinpah's motion picture The Wild Bunch was released in 1969. From the outset, the film was considered controversial because of its powerful, graphic, and direct depiction of violence, but it was also praised for its lush photography, intricate camera work, and cutting-edge editing. Peckinpah's tale of an ill-fated, aging outlaw gang bound by a code of honor is often regarded as one of the most complex and impactful Westerns in American cinematic history. The issues dealt with in this groundbreaking film—violence, morality, friendship, and the legacy of American ambition and compromise—are just as relevant today as when the film first opened. To acknowledge the significance of The Wild Bunch, this collection brings together some of the leading Peckinpah scholars and critics to examine what many consider to be the director's greatest work. The book's nine essays cover an array of topics. Explored are the function of violence in the film and how its depiction is radically different from what is seen in other movies, the background of the film's production, the European response to the film's view of human nature, and the strong sense of the Texas/Mexico milieu surrounding the film's action.

One of the most innovative films ever made, Sam Peckinpah's motion picture The Wild Bunch was released in 1969. From the outset, the film was considered controversial because of its powerful, graphic, and direct depiction of violence, but it was also praised for its lush photography, intricate camera work, and cutting-edge editing. Peckinpah's tale of an ill-fated, aging outlaw gang bound by a code of honor is often regarded as one of the most complex and impactful Westerns in American cinematic history. The issues dealt with in this groundbreaking film -- violence, morality, friendship, and the legacy of American ambition and compromise -- are just as relevant today as when the film first opened. To acknowledge the significance of The Wild Bunch, this collection brings together some of the leading Peckinpah scholars and critics to examine what many consider to be the director's greatest work. The book's nine essays cover an array of topics. Explored are the function of violence in the film and how its depiction is radically different from what is seen in other movies, the background of the film's production, the European response to the film's view of human nature, and the strong sense of the Texas/Mexico milieu surrounding the film's action.

"The United States is the only nation in the world in which political leaders, judges and soldiers all swear allegiance not to a king or a people but to a document, the Constitution. The Constitution today, however, is much revered but little read. . Readers of AMERICAN EPIC will never think of the Constitution in quite the same way again. Garrett Epps, a legal scholar who is also a journalist and writer of prize-winning fiction, takes readers on a literary tour of the Constitution, finding in it much that is interesting, puzzling, praiseworthy, and sometimes hilarious. Reading the Constitution like a literary work yields a host of meanings that shed new light on what it means to be an American"--

A beautifully written story of America's historical heritage, by one of the country's greatest historians.

Putting a recognizable face on contemporary American cynicism

Enter once more the world of Roland Deschain—and the world of the Dark Tower…presented in this stunning third graphic novel of The Drawing of the Three series that will unlock the doorways to terrifying secrets and bold storytelling as part of the dark fantasy masterwork and magnum opus from #1 New York Times bestselling author Stephen King. “The man in black fled across the desert, and the gunslinger followed.” With these unforgettable words, millions of readers were introduced to Stephen King’s iconic character Roland Deschain of Gilead. Roland is the last of his kind, a “gunslinger” charged with protecting whatever goodness and light remains in his world—a world that “moved on,” as they say. In this desolate reality—a dangerous land filled with ancient technology and deadly magic, and yet one that mirrors our own in frightening ways—Roland is on a spellbinding and soul-shattering quest to locate and somehow save the mystical nexus of all worlds, all universes: the Dark Tower. Now, in the graphic novel series adaptation Stephen King’s The Dark Tower: The Drawing of the Three, originally published by Marvel Comics in single-issue form and creatively overseen by Stephen King himself, the full story of Roland’s saga continues. Sumptuously drawn by Piotr Kowalski, Jonathan Marks, Juanan Ramirez, and Cory Hamscher, plotted by longtime Stephen King expert Robin Furth, and scripted by New York Times bestselling author Peter David, The Lady of Shadows is an extraordinary and terrifying journey—ultimately introducing a generation of new readers to Stephen King’s modern literary classic The Dark Tower, while giving longtime fans thrilling adventures transformed from his blockbuster novels.

This book aims to enhance our appreciation of the modernity of the classical cultures and, conversely, of cinema's debt to ancient Greece and Rome. It explores filmic perspectives on the ancient verbal and visual arts and applies what is often referred to as pre-cinema and what Sergei Eisenstein called cinematism: that paintings, statues, and literature anticipate modern visual technologies. The motion of bodies depicted in static arts and the vividness of epic ecphrases point to modern features of storytelling, while Plato's Cave Allegory and Zeno's Arrow Paradox have been related to film exhibition and projection since the early days of cinema. The book additionally demonstrates the extensive influence of antiquity on an age dominated by moving-image media, as with stagings of Odysseus' arrow shot through twelve axes or depictions of the Golden Fleece. Chapters interpret numerous European and American silent and sound films and some television productions and digital videos.

**One of the BrooklynRail's Best Books of 2017** "Nicorvo is a bracingly original writer and a joy to read." —Dennis Lehane "A desperate masterpiece of a debut" that tells a huge-hearted American saga—of love, violence, war, conspiracy and the aftermath of them all." —Bonnie Jo Campbell "Nicorvo’s muscular and energetic prose will stun readers with its poignancy, while providing a punch to the solar plexus." —Booklist (Starred Review) "A dash of Coetzee, a dram of Delillo, but mostly just the complicated compassion of Jay Nicorvo. The Standard Grand is a brutally beautiful novel." —Pam Houston, author of Contents May Have Shifted "It seems possible that Nicorvo has ingested all the darkness of this life and now breathes fire.” Nick Flynn, author of Another Bullshit Night in Suck City When an Army trucker goes AWOL before her third deployment, she ends up sleeping in Central Park. There, she meets a Vietnam vet and widower who inherited a tumbledown Borscht Belt resort. Converted into a halfway house for homeless veterans, the Standard—and its two thousand acres over the Marcellus Shale Formation—is coveted by a Houston-based multinational company. Toward what end, only a corporate executive knows. With three violent acts at its center—a mauling, a shooting, a mysterious death decades in the past—and set largely in the Catskills, The Standard Grand spans an epic year in the lives of its diverse cast: a female veteran protagonist, a Mesoamerican lesbian landman, a mercenary security contractor keeping secrets and seeking answers, a conspiratorial gang of combat vets fighting to get peaceably by, and a cougar—along with appearances by Sammy Davis, Jr. and Senator Al Franken. All of the characters—soldiers, civilians—struggle to discover that what matters most is not that they’ve caused no harm, but how they make amends for the harm they’ve caused. Jay Baron Nicorvo's The Standard Grand confronts a glaring cultural omission: the absence of women in our war stories. Like the best of its characters—who aspire more to goodness than greatness—this American novel hopes to darn a hole or two in the frayed national fabric.

The making of David Lean's Ryan's Daughter in Dingle, Ireland, between 1968 and 1970, is shrouded in myth and sensational stories. Robert Mitchum and the glamour and mischief of 1960s Hollywood, the Irish climate, the studio system, and one of film's greatest auteurs all converged to make a troubled and fabled production in an unsuspecting town in County Kerry. Fifty years on, Paul Benedict Rowan has written the definitive account of one of the great movie follies and its unique place in cinematic and Irish history. Painstakingly researched over fifteen years, Ryan's Daughter: The Making of an Irish Epic charts the tumultuous filming of this iconic piece of cinema. Bringing together exclusive cast and crew interviews, a wealth of previously unseen archival material, and extraordinary accounts of the local people who took Lean and his epic to their hearts, this fast-paced, entertaining, and often jaw-dropping narrative is everything you ever wanted to know about David Lean's great 'fillum' and its tragic aftermath.

"The United States is the only nation in the world in which political leaders, judges and soldiers all swear allegiance not to a king or a people but to a document, the Constitution. The Constitution today, however, is much revered but little read. . Readers of AMERICAN EPIC will never think of the Constitution in quite the same way again. Garrett Epps, a legal scholar who is also a journalist and writer of prize-winning fiction, takes readers on a literary tour of the Constitution, finding in it much that is interesting, puzzling, praiseworthy, and sometimes hilarious. Reading the Constitution like a literary work yields a host of meanings that shed new light on what it means to be an American"--