A longtime television writer and advocate of education by TV shares the important life lessons that he has garnered from years of dedicated television viewing, covering topics ranging from Saved by the Bell: School on TV, to Tell Me Why I Love Your Like I Do: Relationships on TV, or Somebody Save Me: Super Powers and Magic Spells. Original.

This book looks at the origins and growth of television through the pages of TV Guide and covers the complete run of this American icon from the first guides in 1953 to the last issue in guide format on October 9, 2005. It includes full color reproductions of every cover ever printed, and is both a collector's guide with pricing included, and a retrospective view of the medium.

At a whopping 1,600 pages, with some 35,000 of the greatest movies ever made, this encyclopedia by the editors of TV Guide's award winning, world-renowned Cinebooks Database is simply indispensable. Die-hard movie buffs and the merely curious will both be thrilled at how easily they'll find the answer to any question they have: everything is cross-referenced, including indexes to the actors, the directors, and the films themselves (also arranged by star ranking). Independent and foreign films appear along with Hollywood favorites, and all the movies receive far more in-depth reviews than in any other guide to cinema. Each generous entry includes complete cast listing, detailed plot synopses, exhaustive production credits, musical score information, lists of Oscar™ nominees and winners, and much more. Millions of fans of TV Guide, the world's most widely read weekly publication with 30 million loyal readers, will want to own this!

Discover the rich philosophy of Ruth Langmore, everyone’s favorite foul-mouthed criminal, in this irreverent, playful, and profanity laden “guide to life” inspired by the hit Netflix television series Ozark. Toughened by both her criminal ties and her dedication to her family, Ruth Langmore is guided by one principal: She doesn’t know sh*t about f*ck. Far from being willfully ignorant, Ruth admits that she has much to learn, forming a personal philosophy based on a positive attitude toward lifelong learning. A born survivor, Ruth knows a thing or two about persevering through life’s most difficult situations. In this blunt but profound guide to life, Ruth herself shows you how to navigate your own personal blind sides, while simultaneously learning the skills you need to thrive. So, listen motherfu*kers, and forget everything you think you know.

From the creator of HBO's The Wire, the classic book about homicide investigation that became the basis for the hit television show The scene is Baltimore. Twice every three days another citizen is shot, stabbed, or bludgeoned to death. At the center of this hurricane of crime is the city's homicide unit, a small brotherhood of hard men who fight for whatever justice is possible in a deadly world. David Simon was the first reporter ever to gain unlimited access to a homicide unit, and this electrifying book tells the true story of a year on the violent streets of an American city. The narrative follows Donald Worden, a veteran investigator; Harry Edgerton, a black detective in a mostly white unit; and Tom Pellegrini, an earnest rookie who takes on the year's most difficult case, the brutal rape and murder of an eleven-year-old girl. Originally published fifteen years ago, Homicide became the basis for the acclaimed television show of the same name. This new edition—which includes a new introduction, an afterword, and photographs—revives this classic, riveting tale about the men who work on the dark side of the American experience.

Olivia explains all the ways she acts as a good friend, from baking cookies with Francine to playing music with Julian.

Between 1948 and 1955, nearly two-thirds of all American families bought a television set—and a revolution in social life and popular culture was launched. In this fascinating book, Lynn Spigel chronicles the enormous impact of television in the formative years of the new medium: how, over the course of a single decade, television became an intimate part of everyday life. What did Americans expect from it? What effects did the new daily ritual of watching television have on children? Was television welcomed as an unprecedented "window on the world," or as a "one-eyed monster" that would disrupt households and corrupt children? Drawing on an ambitious array of unconventional sources, from sitcom scripts to articles and advertisements in women's magazines, Spigel offers the fullest available account of the popular response to television in the postwar years. She chronicles the role of television as a focus for evolving debates on issues ranging from the ideal of the perfect family and changes in women's role within the household to new uses of domestic space. The arrival of television did more than turn the living room into a private theater: it offered a national stage on which to play out and resolve conflicts about the way Americans should live. Spigel chronicles this lively and contentious debate as it took place in the popular media. Of particular interest is her treatment of the way in which the phenomenon of television itself was constantly deliberated—from how programs should be watched to where the set was placed to whether Mom, Dad, or kids should control the dial. Make Room for TV combines a powerful analysis of the growth of electronic culture with a nuanced social history of family life in postwar America, offering a provocative glimpse of the way television became the mirror of so many of America's hopes and fears and dreams.

*The basis for the wonderfully funny and moving TV series developed by Amy Poehler and Scout Productions* A charming, practical, and unsentimental approach to putting a home in order while reflecting on the tiny joys that make up a long life. In Sweden there is a kind of decluttering called döstädning, dö meaning “death” and städning meaning “cleaning.” This surprising and invigorating process of clearing out unnecessary belongings can be undertaken at any age or life stage but should be done sooner than later, before others have to do it for you. In The Gentle Art of Swedish Death Cleaning, artist Margareta Magnusson, with Scandinavian humor and wisdom, instructs readers to embrace minimalism. Her radical and joyous method for putting things in order helps families broach sensitive conversations, and makes the process uplifting rather than overwhelming. Margareta suggests which possessions you can easily get rid of (unworn clothes, unwanted presents, more plates than you’d ever use) and which you might want to keep (photographs, love letters, a few of your children’s art projects). Digging into her late husband’s tool shed, and her own secret drawer of vices, Margareta introduces an element of fun to a potentially daunting task. Along the way readers get a glimpse into her life in Sweden, and also become more comfortable with the idea of letting go.