The thrilling conclusion to the #1 national bestselling historical trilogy by Roberta Rich. In The Midwife of Venice, set in 1575, Hannah Levi was forced to flee Venice with the baby of a Venetian aristocratic family whom she rescued. Roberta Rich followed that action-packed adventure with The Harem Midwife, which exiled Hannah and her beloved husband Isaac to Constantinople--only for Hannah to become enmeshed in the shady politics of a sultan's harem. And now, with A Trial in Venice, set five years later, Hannah is forced back to Venice--both to opulent yet crumbling villas and the Jewish ghetto known as Veneto. Her beloved adopted son Matteo has been kidnapped and is in danger once more. And this time, so is Hannah. A rollicking and evocative read, peopled with beguiling, unforgettable characters (including the epic return of the troublesome and winsome Foscari and Cesca), this novel is a breathtaking follow up to The Midwife of Venice and The Harem Midwife, certain to shock and delight fans of the series and solidify Rich's reputation as one of Canada's most loved historical fiction authors.

Not since Anna Diamant’s The Red Tent or Geraldine Brooks’s People of the Book has a novel transported readers so intimately into the complex lives of women centuries ago or so richly into a story of intrigue that transcends the boundaries of history. A “lavishly detailed” (Elle Canada) debut that masterfully captures sixteenth-century Venice against a dramatic and poetic tale of suspense. Hannah Levi is renowned throughout Venice for her gift at coaxing reluctant babies from their mothers using her secret “birthing spoons.” When a count implores her to attend his dying wife and save their unborn son, she is torn. A Papal edict forbids Jews from rendering medical treatment to Christians, but his payment is enough to ransom her husband Isaac, who has been captured at sea. Can she refuse her duty to a woman who is suffering? Hannah’s choice entangles her in a treacherous family rivalry that endangers the child and threatens her voyage to Malta, where Isaac, believing her dead in the plague, is preparing to buy his passage to a new life. Told with exceptional skill, The Midwife of Venice brings to life a time and a place cloaked in fascination and mystery and introduces a captivating new talent in historical fiction.

Lured by Venice's colorful history, Frangipane was determined to experience its labyrinth of walkways, canals, and bridges as more than just a tourist. He and his wife began a year-long cultural immersion. From the exasperating bureaucracy to high tides endangering their ground-floor apartment, these expatriates get far more than they bargained for.

In the summer of 1785, in the city of Venice, a wealthy 60-year-old man was arrested and accused of a scandalous offense: having sexual relations with the 8-year-old daughter of an impoverished laundress. Although the sexual abuse of children was probably not uncommon in early modern Europe, it is largely undocumented, and the concept of "child abuse" did not yet exist. The case of Paolina Lozaro and Gaetano Franceschini came before Venice's unusual blasphemy tribunal, the Bestemmia, which heard testimony from an entire neighborhood—from the parish priest to the madam of the local brothel. Paolina's Innocence considers Franceschini's conduct in the context of the libertinism of Casanova and also employs other prominent contemporaries—Jean-Jacques Rousseau, Carlo Goldoni, Lorenzo Da Ponte, Cesare Beccaria, and the Marquis de Sade—as points of reference for understanding the case and broader issues of libertinism, sexual crime, childhood, and child abuse in the 18th century.

An extraordinary chronicle of Venice, its people, and its grandeur Thomas Madden’s majestic, sprawling history of Venice is the first full portrait of the city in English in almost thirty years. Using long-buried archival material and a wealth of newly translated documents, Madden weaves a spellbinding story of a place and its people, tracing an arc from the city’s humble origins as a lagoon refuge to its apex as a vast maritime empire and Renaissance epicenter to its rebirth as a modern tourist hub. Madden explores all aspects of Venice’s breathtaking achievements: the construction of its unparalleled navy, its role as an economic powerhouse and birthplace of capitalism, its popularization of opera, the stunning architecture of its watery environs, and more. He sets these in the context of the rise and fall of the Byzantine Empire, the endless waves of Crusades to the Holy Land, and the awesome power of Turkish sultans. And perhaps most critically, Madden corrects the stereotype of Shakespeare’s money-lending Shylock that has distorted the Venetian character, uncovering instead a much more complex and fascinating story, peopled by men and women whose ingenuity and deep faith profoundly altered the course of civilization.

The historical adult debut novel by # 1 New York Times bestselling author Lauren Kate, The Orphan's Song is a breathtaking story of passion, heartbreak, and betrayal, and a celebration of the enduring nature and transformative power of love. "A tangled knot of betrayal and love, lies and redemption. Marvelous." --Fiona Davis, author of The Address A song brought them together. A secret will tear them apart. When Violetta and Mino meet, one finds true love and the other denies it. Both orphans at the Hospital of the Incurables in Venice, an orphanage and music conservatory, they meet and make music together clandestinely until Violetta is selected for the Incurables' renowned chorus. In order to join she signs an oath never to sing beyond the church doors, effectively sequestering herself for life. Mino flees, heartbroken. Too late, Violetta realizes what she has lost. In rebellion she begins a dangerous and forbidden nightlife, unknowingly drawing closer to Mino as he searches Venice for his long-lost mother. Mino and Violetta must each journey through passion, heartache, and betrayal before a dangerous secret reunites them, leading to a shocking and final confrontation.

A #1 New York Times Bestseller! "Funny, insightful, illuminating . . ." —The Boston Globe Twelve years ago, Midnight in the Garden of Good and Evil exploded into a monumental success, residing a record-breaking four years on the New York Times bestseller list (longer than any work of fiction or nonfiction had before) and turning John Berendt into a household name. The City of Falling Angels is Berendt's first book since Midnight, and it immediately reminds one what all the fuss was about. Turning to the magic, mystery, and decadence of Venice, Berendt gradually reveals the truth behind a sensational fire that in 1996 destroyed the historic Fenice opera house. Encountering a rich cast of characters, Berendt tells a tale full of atmosphere and surprise as the stories build, one after the other, ultimately coming together to portray a world as finely drawn as a still-life painting.

The aim of this collection is to illustrate the pervasive influence of humanist rhetoric on early-modern literature and philosophy. The first half of the book focuses on the classical rules of judicial rhetoric. One chapter considers the place of these rules in Shakespeare's The Merchant of Venice, while two others concentrate on the technique of rhetorical redescription, pointing to its use in Machiavelli's The Prince as well as in several of Shakespeare's plays, notably Coriolanus. The second half of the book examines the humanist background to the philosophy of Thomas Hobbes. A major new essay discusses his typically humanist preoccupation with the visual presentation of his political ideas, while other chapters explore the rhetorical sources of his theory of persons and personation, thereby offering new insights into his views about citizenship, political representation, rights and obligations and the concept of the state.