Looks at elements of military art and science, geared towards volunteers and militia.

Reading Newton in Early Modern Europe investigates how Sir Isaac Newton’s Principia was read, interpreted and remodelled for a variety of readerships in eighteenth-century Europe. The editors, Mordechai Feingold and Elizabethanne Boran, have brought together papers which explore how, when, where and why the Principia was appropriated by readers in Italy, Spain, the Netherlands, England and Ireland. Particular focus is laid on the methods of transmission of Newtonian ideas via university textbooks and popular works written for educated laymen and women. At the same time, challenges to the Newtonian consensus are explored by writers such as Marius Stan and Catherine Abou-Nemeh who examine Cartesian and Leibnizian responses to the Principia. Eighteenth-century attempts to remodel Newton as a heretic are explored by Feingold, while William R. Newman draws attention to vital new sources highlighting the importance of alchemy to Newton. Contributors are: Catherine Abou-Nemeh, Claudia Addabbo, Elizabethanne Boran, Steffen Ducheyne, Moredechai Feingold, Sarah Hutton, Juan Navarro-Loidi, William R. Newman, Luc Peterschmitt, Anna Marie Roos, Marius Stan, and Gerhard Wiesenfeldt.

Masonry constructions are the great majority of the buildings in Europe’s historical centres and the most important monuments in its architectural heritage and the demand for their safety assessments and restoration projects is pressing and constant. Nevertheless, there is a lack of a widely accepted approach to studying the statics of masonry structures. This book aims to help fill these gaps by presenting a new comprehensive, unified theory of statics of masonry constructions. The book, result of thirty years of research and professional experience, through an interdisciplinary approach combining engineering, architecture, advances from the simple to the complex and analyses statics of a large variety of masonry constructions, as arches, domes, cross and cloister vaults, piers, towers, cathedrals and buildings under seismic actions.

Engelsk oversættelse 1968 ved G.A. Rothrock af Vaubans i 1669 på Krigsminister Louvois opfordring skrevne værk "Mémoire sur la Conduite des Sièges" som første gang tryktes i Leiden 1740 under titlen "Mémoire pour servir d'Instruction dans la Conduite des Siéges et dans la Défense des Places"--Se yderligere under denne udgave.

This collection of historical research studies covers the evolution of technology as knowledge, the emergence of an autonomous engineering science in the Industrial Age, the idea of scientific managment of production and operation systems, and the interaction between mathematical models and technological concepts. The book is published with the support of the UNESCO Venice Office - Regional Office for Science & Technology in Europe as an activity of the Project: The evolution of events, concepts and models in engineering systems.

This Bo Ok Consists Of Two Parts. The First Part Deals With Architecture Of India And The Second Part Is About The Ancient Building Materials. The Second Part Deals With The Building Materials Used In The Ancient Period, Which Is A Unique Contribution. It Provides The Information About The Materials Specifically The Natural Polymers, Used In The Ancient Period, And The Technique Of Thier Application.

A wide-ranging consideration of the nature and significance of Pushkin's African heritage Roughly in the year 1705, a young African boy, acquired from the seraglio of the Turkish sultan, was transported to Russia as a gift to Peter the Great. This child, later known as Abram Petrovich Gannibal, was to become Peter's godson and to live to a ripe old age, having attained the rank of general and the status of Russian nobility. More important, he was to become the great-grandfather of Russia's greatest national poet, Alexander Pushkin. It is the contention of the editors of this book, borne out by the essays in the collection, that Pushkin's African ancestry has played the role of a "wild card" of sorts as a formative element in Russian cultural mythology; and that the ways in which Gannibal's legacy has been included in or excluded from Pushkin's biography over the last two hundred years can serve as a shifting marker of Russia's self-definition. The first single volume in English on this rich topic, Under the Sky of My Africa addresses the wide variety of interests implicated in the question of Pushkin's blackness-race studies, politics, American studies, music, mythopoetic criticism, mainstream Pushkin studies. In essays that are by turns biographical, iconographical, cultural, and sociological in focus, the authors-representing a broad range of disciplines and perspectives-take us from the complex attitudes toward race in Russia during Pushkin's era to the surge of racism in late Soviet and post-Soviet contemporary Russia. In sum, Under the Sky of My Africa provides a wealth of basic material on the subject as well as a series of provocative readings and interpretations that will influence future considerations of Pushkin and race in Russian culture.