When author Rod Leger got drafted in the middle of 1966, he was in his freshman year of college. The next few years transformed his life. In this memoir, he recalls his feelings as a college student in the period leading up to the war. At the time, he never considered that the war might not be the best idea. After all, if the country was drafting young men to fight and die overseas, then it must have been right. He enlisted in the US Navy’s American Seabees, and because he completed a year of college, he was designated as a “striker” and trained as a builder. Although he spent some time in the States, he was destined to go overseas to Vietnam, where he served two tours of duty. As a member of the Seabees, he helped bring free medical care to outlying villages. The Seabees built permanent clinics, constructed roads, improved or installed infrastructure, provided clean water wells, and improved the quality of life for many Vietnamese citizens. The members of Leger’s squad also made it a personal mission to help an area orphanage. In A Tramp’s Tour, Leger shares the story of his Vietnam experience and of how the Seabees lived up to their motto: “We build for the fighters, we fight for the builders.”

The first-class tourist may see the beauties of a country's landscapes and scenery from the window of a palace-car, but his vision goes no further--does not penetrate below the surface. To know a country one must fraternize with its people, must live with them, sympathize with them, win their confidence. High life in Europe has been paid sufficient attention by travellers and writers. I was desirous of seeing something of low life; I donned the blouse and hobnailed shoes of a workman, and spent a year in a "Tramp Trip" from Gibraltar to the Bosporus. Some of my experiences have been related in letters to the New York World, the Philadelphia Press, the St. Louis Republican, and other American newspapers, and in my official report to the United States Bureau of Labor Statistics, Department of the Interior, Washington, D.C., on the condition of the laboring classes in Europe. While the following pages contain some of those newspaper letters, the greater portion is now in print for the first time. -- Preface.

The most enduring version of the hobo that has come down from the so-called 'Golden Age of Tramping' (1890s to 1940s) is an American cultural icon, signifying freedom from restraint and rebellion to the established order while reinforcing conservative messages about American exceptionalism, individualism, race, and gender. Vagabonds, Tramps, and Hobos shows that this 'pioneer hobo' image is a misrepresentation by looking at works created by transient artists and thinkers, including travel literature, fiction, memoir, early feminist writing, poetry, sociology, political journalism, satire, and music. This book explores the diversity of meanings that accrue around 'the hobo' and 'the tramp'. It is the first analysis to frame transiency within a nineteenth-century literary tradition of the vagabond, a figure who attempts to travel without money. This book provide new ways for scholars to think about the activity and representation of US transiency.