Previously published as a six-book series by a "New York Times"-bestselling author, the Summer series, starring Summer Smith, is now compiled into two volumes.

This lively collection makes a compelling case for the importance of institutions in the production, reception, and meaning of literature.

This "profound and provocative" work by the Pulitzer Prize-winning author of Disgraced and American Dervish followsan immigrant father and his son as they search for belonging—in post-Trump America, and with each other (Kirkus Reviews). "Passionate, disturbing, unputdownable." —Salman Rushdie ​ A deeply personal work about identity and belonging in a nation coming apart at the seams, Homeland Elegies blends fact and fiction to tell an epic story of longing and dispossession in the world that 9/11 made. Part family drama, part social essay, part picaresque novel, at its heart it is the story of a father, a son, and the country they both call home. ​Ayad Akhtar forges a new narrative voice to capture a country in which debt has ruined countless lives and the gods of finance rule, where immigrants live in fear, and where the nation's unhealed wounds wreak havoc around the world. Akhtar attempts to make sense of it all through the lens of a story about one family, from a heartland town in America to palatial suites in Central Europe to guerrilla lookouts in the mountains of Afghanistan, and spares no one—least of all himself—in the process. One of the New York Times 10 Best Books of the Year One of Barack Obama's Favorite Books of 2020 Finalist for the 2021 Andrew Carnegie Medal for Excellence in Fiction A Best Book of 2020 * Washington Post * O Magazine * New York Times Book Review * Publishers Weekly

The ocean has always been a place of freedom for Lisa Whelan, and after her newborn son passes away, she returns to her family home by the sea to seek freedom from her grief. She’s not expecting to meet anyone, and is caught off guard by the attraction she feels for Rachel, the part-owner of a local restaurant. That initial spark is dampened, however, when Lisa realizes that Rachel has a child. Rachel Murray has worked hard to build a life for herself and her son but raising Declan has not been without its challenges. Each day when Rachel picks him up from school, she says a silent prayer that he will be waiting for her in his classroom, and not in the principal’s office. Again. Her son’s behavior has grown increasingly disruptive, and Rachel is at a loss at how to help him. Despite her grief, Lisa finds herself drawn to both Rachel and Declan. She thinks she can keep her emotions at bay— keep from drowning in grief and keep from falling in love—but she finds both to be a tidal wave, washing over her, sweeping her off her feet. Lisa never intended on falling in love with anyone, and she certainly cannot allow herself to fall for someone whose son is a constant reminder of the child she lost. Or can she?