Relates what happens to three American children, unwillingly transplanted to wales for one year, when one of them finds an ancient harp-uning key that takes him back to the time of the great sixth-century bard Taliesin.

Harp

This book teaches the student step by step how to play the harp. Each of the 12 lessons includes instructions, exercises, and folk and classical pieces using the new skills and techniques taught in the lesson. --from publisher description.

Relates what happens to three Americans, unwillingly transplanted to Wales for one year, when one finds an ancient harp-tuning key that takes him back in time to the sixteenth century bard, Taliesin.

Titles: * Rustic Dance (F.J. Haydn) * Siciliana (M.K. Waddington) * Allegro (F.J. Haydn) * Seguidilla (C. Salzedo) * Minuet No. 1, Minuet No. 3, BWV Anh. II 114/Anh. II 183 (J.S. Bach) * The Happy Farmer from Album for the Young, Op. 68, No. 10 (R. Schumann) * Glissando Waltz (W.A. Mozart) * Minuet No. 2, BWV Anh. 116 (J.S. Bach) * Petite Etude (V.V. Rogers) * A Short Story (H. Lichner) * Sonatina from Zwei Leichte Sonaten No. 1, Kinsky-Halm Anh. 5 (L. van Beethoven)

The Harpsicle Harp method book is an excellent tool for learning to play the Harpsicle Harp or any size harp from the very beginning. No musical knowledge is necessary to use this method. All the music is written in the keys of C Major and A minor, so no sharping levers or pedals are needed. The guitar chords are displayed above the staff, so the students can add to the written music, or other instruments can accompany the harp. The music is graduated from two fingers to playing with both hands. The music is labeled to allow the students to gradually learn the notes and fingering without stress or frustration. The method contains lessons on the parts of the harp, tuning, stringing, and taking care of your instrument. Also included in the method are reading music, time signatures and counting, placing and bracketing, finger drills, and much more. There are also eighteen songs, starting from very easy and continuing to add to the music, as the student progresses. All songs have labeled notes, to help the students learn notes and fingering. Online video compliments the book, and follows up the written instructions, with video footage, so the student can visually see the method. Includes access to online video.

Kaiser explores the extraordinary career of Melville A. Clark (1883–1953), a musician, inventor, entrepreneur, community leader, and collector whose colorful story is largely unknown. Beginning with an account of Clark’s musical family, Kaiser chronicles the founding in 1859 of the Clark Music Company, of which Melville Clark became president in 1919. Originally just a tinker’s shed, the business ultimately moved into a six-story building in the center of Syracuse, New York. The music company celebrates its 150th anniversary in 2010. Clark also combined his talents as a gifted musician and an astute entrepreneur to start the first Syracuse Symphony Orchestra. Kaiser recounts the development of the Clark Irish Harp, the first portable harp manufactured in the United States that could easily play accidentals. There were other Clark inventions, such as the first nylon strings for instruments, a fruit picker, and balloons that the British used in 1918 to drop more than 1,250,000 pamphlets over Germany. Clark’s story unfolds in fascinating detail: a musical encounter with President Wilson, an opportunity to perform for President F. D. Roosevelt at the White House, a visit to Buckingham Palace to present Princess Elizabeth with a music box, and the journey of a Clark Irish Harp to Antarctica with Admiral Byrd. Lavishly illustrated, Pulling Strings not only uncovers the life of a musical genius but also sheds light on a forgotten chapter in Syracuse history.

This book is intended to be an introduction to a style of music which has a long and noble history that is inextricable intertwined with that of the ancient harp. the tunes contained in this book were chosen for their playability on the folk harp as well as for ease of separating into categories of skill.

A collection of 34 English and Scottish ballads arranged for harp. The ballads date from the fifteenth through the nineteenth centuries, and range from the well known to the rare and unusual. They can be played on a lap harp with a range of just two and a half octaves, or on larger harps. They can also be played on flute, violin, guitar, or any melody instrument. The book includes lyrics, historical notes, and illustrations. The pieces are in the key of C, or in sharp keys. All of the pieces include fingerings and chord symbols.