Written in lucid prose, A STREET CALLED LONELY is a riveting crime fiction beautifully narrated by an avid story teller with a knack for suspense and surprise. Events are narrated at their climax while the resolution therein takes a backward slope to the curious excitement of the reader. It can best be classified as an archival work, a classic in its own right with a thrilling fast-paced plot meant to keep the reader guessing and missing and guessing again without wanting to pause. Afenfia writes with the stroke of a master craftsman. The novel takes you on a journey to two continents, where two continental powers - America and Nigeria - are at the verge of a political eclipse; edged on a backdrop of terrorism and corruption. Sabotage and backstabbing dangle as the characters interact to unravel the mysteries shrouding the death of an assassin whose double life and that of his targeted victim form the crux of the plot that keeps the reader glued till the last page. Who masterminded the act? Who gave the go? These are posers that run through your mind as you digest the condiments of this masterpiece.

for treble recorder and piano A light and airy piece for Christmas. The recorder line is simple and is accompanied by an equally accessible piano part.

Taking issue with many orthodox views of Film Noir, Frank Krutnik argues for a reorientation of this compulsively engaging area of Hollywood cultural production. Krutnik recasts the films within a generic framework and draws on recent historical and theoretical research to examine both the diversity of film noir and its significance within American popular culture of the 1940s. He considers classical Hollywood cinema, debates on genre, and the history of the emergence of character in film noir, focusing on the hard-boiled' crime fiction of Dashiell Hammett, Raymond Chandler and James M. Cain as well as the popularisationof Freudian psychoanalysis; and the social and cultural upheavals of the 1940s. The core of this book however concerns the complex representationof masculinity in the noir tough' thriller, and where and how gender interlocks with questions of genre. Analysing in detail major thrillers like The Maltese Falcon, Double Indemnity, Out of the Past and The Killers , alongside lesser known but nonetheless crucial films as Stranger on the Third Floor, Pitfall and Dead Reckoning Krutnik has produced a provocative and highly readable study of one of Hollywood most perennially fascinating groups of films.

Her father's murder drives a young woman to seek refuge in Liverpool - but she could now be in even greater danger... Lyn Andrews' The House on Lonely Street is a powerful and nostalgic saga set in Dublin and Liverpool, of the power of love, friendship... and fear. Perfect for fans of Dilly Court and Kitty Neale. For Katherine Donovan the slums of Dublin are a lonely place. Her father, a pawnbroker, is the most hated man in the district, and Katherine an outcast. Her only friend is tiny Ceppi Healy, underfed, irrepressible and, the youngest in a neglected family of eight, as much an emotional orphan as eighteen-year-old Katherine. Then, one night, the unthinkable happens. Katherine's father is murdered, a victim of local revenge for an act of cruelty even she couldn't have anticipated. Fearing for her life, Katherine flees, taking with her the desperate young Ceppi. Liverpool is her longed-for haven and, with the last of her father's money, she rents a lodging house in a street decimated by the sinking of the Titanic. But, far from finding a refuge for herself and the little girl she promised to protect, she realises she has put them into the path of terrible danger... What readers are saying about The House on Lonely Street: 'I read [this book] in less than a day... The characters were so believable and you could imagine the struggle, but from the start you wanted Katherine to succeed' 'As usual Lyn Andrews tells a really good story. She makes you care about the characters, and the only criticism I have is that I was left wanting more' 'The brilliant plot will sweep you away to its majestic and tear-jerking ending'

Liverpool, Christmas 1938. Rose McAllister is waiting for her husband, Steve, to come home. He is a seaman, often drunk and violent, but Rose does her best to cope and see that her daughters, Daisy and Petal, suffer as little as possible. Steve, however, realises that war is coming and tries to reform, but on his last night home, he pawns the girls' new dolls to go on a drinking binge. When war is declared Rose has a good job but agrees the children must be evacuated. Daisy and Petal are happy at first, but circumstances change and they are put in the care of a woman who hates all scousers and taunts them with the destruction of their city. They run away, arriving home on the worst night of the May Blitz. Rose is attending the birth of her friend's baby and goes back to Bernard Terrace to find her home has received a direct hit, and is told that the children were seen entering the house the previous evening. Devastated, she throws herself into the war effort, risking her life before she considers finding out what really happened that fateful night... A Long and Lonely Road is yet another confirmation of the brilliance and warmth of Katie Flynn's saga novels.