After one of her photos shows a shadowy figure, Isabella Rodriguez learns that Hollywood Hills, California, is haunted. Now the ghost in the photo won’t leave Isa alone. She’s trying to communicate with Isa . . . but what does she want?

Green aliens, the original residents of the earth, are temporarily living in Greenovia, a planet at the edge of the great black hole. They are concerned that with the way humans are treating the planet, there might not be anything left of it when they will return. To figure why humans are not taking care of their planet, they send a spy to live on earth as a human being. The mission goes wrong, however, and disrupts the romantic life as we know it. The alien romance, however, turns to be a key in understanding the humans' plan for the environment.

A budding starlet and her handsome-but-moody co-star go from bitter enemies to reluctant partners when they get tangled up in the disappearance of a beautiful young actress in 1930s Hollywood. Eighteen-year-old Henrietta arrives in Los Angeles in 1934 with dreams of trading her boring life for stardom. She’s determined to make it as an actress, despite her family’s doubts and rumors of would-be starlets gone missing. And by the skin of her teeth, she pulls it off! A serendipitous job offer arrives and Henrietta finds herself on a whirlwind publicity tour for a major film role—with a vexingly unpleasant actor tapped by the studio to be her fake boyfriend. But fierce Henrietta has more in common with brooding Declan than she realizes. They both have gifts that they are hiding, for fear of being labeled strange: he is immune to injury and she can speak to ghosts. When the co-stars get tangled up in the disappearance of a beautiful young actress, they go from bitter enemies and pretend lovers to reluctant partners—and possibly even friends. Together, they might be the only people in Hollywood who can do something about these poor missing girls. And in doing so . . . they might just fall in love for real. This whip smart, seductive caper by the author of Murder for the Modern Girl has the perfect combination of romance, vengeance, and a hint of the supernatural, set in the Golden Age of Hollywood. Hand to fans of These Violent Delights and My Lady Jane. A Junior Library Guild Gold Standard Selection

~ STARLET'S WEB GOLD Medal & STARLET'S LIGHT SILVER Medal: 2014 Readers' Favorite International Book Award Contest in Romance: Christian ~ Love. Trust. Acting. Cancer survivor-actress gives up the fight until she sees the light. Liana Marie writes her third memoir as she struggles with trust and commitment and shapes the role she plays. ~ - ~ I'm actress Liana Marie Michael and am dying. In my last two memoirs, I show how I'm the ideal Hollywood product. In writing Starlet's Web and Starlet's Run, I realized that the drama in our stories affects the lies in our real lives. The thin, young ideal of beauty is as much of a lie as the plot twists and dialogue we create to hide our insecurities. In this memoir, I make a mess of my love life while shooting a film in Great Britain. I dump Manuel for his own good. I love him with all my heart. So how could I not when he has a bright future? My dad visits and puts my past in perspective. I spend weekends in the hospital. I learn to rely on Franz, Evan and Amelie. Yes, I hook up with my Swiss billionaire-heir friend Pierre even though I miss Manuel every minute. But it all makes sense, especially since I am so done with acting. We are all flies and spiders in a web of stories. If I live a more authentic life, can love prevail despite my many faults? Can truth alter Hollywood's web? ~ - ~ Genres: New adult college romance, YA romance, NA romance, teen love and romance, young adult, new adult, YA, NA, teen, coming of age, contemporary, interracial fiction, inspirational romance. Contains sex and mild swearing.

The New York Times bestselling authors of Celebutantes return with a dazzling new novel set among the star-studded crowds of the Cannes Film Festival, where everyone's hoping to discover, sign, screw or become the Next Big Thing. And a three-picture deal would be nice. Lola Santisi—CEO of a struggling fashion line, reformed Actorholic and daughter of Hollywood Royalty—is now not only bicoastal, she's Bi-Lolar: That is the condition which causes her to swing like a pendulum between the opposing poles of the fashion world in New York and the real world with her Doctor Boyfriend in Los Angeles. She hardly knows which shoe fits her anymore: the Louboutin stiletto or the Croc. As Lola tries to launch Julian Tennant's new dress line, it looks like they're about to get their next big break: his wedding dresses have been chosen to feature in the top film at the Cannes Film Festival. And suddenly Lola is staging a full-blown couture show on a yacht – in the middle of the Med. Think those super models had trouble walking down the catwalks at Fashion Week? With an unexpected finale twist, this time it's Lola who's tumbling off the runway. Having recently endured a disastrous break-up with Lola's brother Christopher, Kate Woods, Lola's BFF and CAA's rising star agent, is newly single, and focused 24-7 on her clients. The only thing worse than thinking it was a good idea for Kate to date Lola's brother, is thinking it was a good idea for Kate to put one of her most loose-cannon clients, Nic Knight, in Lola's father's movie. Among Kate's other mega star clients is Saffron Sykes whose appearance on the cover of Vain magazine in Julian Tennant could be the difference between Julian Tennant, Inc. weathering the economy or going bust. As Lola fights to survive the Cannes Film Festival, will she get swept into the French Riviera's riptide of glamour and superficiality? Are real love and couture mutually exclusive? Or can Lola have it all – the good doctor and her Louboutins. With her father and brother vying for the same prize, her mother starring in her new reality show, and one heartbroken girlfriend about to declare motherhood, it's all on Lola to come up with the answers. And it's going to take more than one of her mother's prosperity chants to save the day.

Nine actresses, from Madame Sul-Te-Wan in Birth of a Nation (1915) to Ethel Waters in Member of the Wedding (1952), are profiled in African American Actresses. Charlene Regester poses questions about prevailing racial politics, on-screen and off-screen identities, and black stardom and white stardom. She reveals how these women fought for their roles as well as what they compromised (or didn't compromise). Regester repositions these actresses to highlight their contributions to cinema in the first half of the 20th century, taking an informed theoretical, historical, and critical approach.

If you're looking for a hardboiled detective in the mold of Philip Marlowe or Sam Spade, Dick DeWitt is not your hero. He's not very bright, oozes insensitivity, lacks class, and epitomizes what we now recognize as political incorrectness. A Tinseltown starlet wannabe needs help: she has become involved with two sleazes, a fast-talking lecherous movie agent and a mean, corrupt cop. She's kept two little black books that could ruin the men, and that's why she needs an intelligent, tough-as-nails guy to protect her. She doesn't find one, but settles for DeWitt. His loyalties walk both sides of the proverbial street, But Dick is dogged in his determination to get the job done. With the help of some friends and some luck - make that a lot of luck - he just might succeed.

Charlotte is a natural horseperson, and now she has the chance to try out for the Junior Olympic Equestrian Squad! But the academy head already disapproves of her, and Charlotte's roommates aren't above playing dirty tricks to get ahead. Then Charlotte meets the horse she'll be riding in the try-outs . . . Leila is a movie star horse with a diva...

It isn’t long after Treva Gallo moves into her new Philadelphia, Pennsylvania, neighborhood that she starts to see ghosts. As Treva researches the neighborhood’s past, she unearths more than she expected. It seems the spirits want something from Treva. But what can a living person do for the dead?