A splendidly written portrait of Mozambique in the colonial and post-colonial eras, by the premier historian of the country.

This book summarizes five hundred years of the history of the societies that exist within the area that became Mozambique in 1891. It also takes the story up to the present, including the War of Liberation and Mozambique after independence. It is work of major scholarship that will appeal to experts and students alike.

The precipitous rise and controversial fall of a formidable African leader. Samora Machel (1933–1986), the son of small-town farmers, led his people through a war against their Portuguese colonists and became the first president of the People’s Republic of Mozambique. Machel’s military successes against a colonial regime backed by South Africa, Rhodesia, the United States, and its NATO allies enhanced his reputation as a revolutionary hero to the oppressed people of Southern Africa. In 1986, during the country’s civil war, Machel died in a plane crash under circumstances that remain uncertain. Allen and Barbara Isaacman lived through many of these changes in Mozambique and bring personal recollections together with archival research and interviews with others who knew Machel or participated in events of the revolutionary or post-revolutionary years.

Being a first of its kind, this volume comprises a multi-disciplinary exploration of Mozambique’s contemporary and historical dynamics, bringing together scholars from across the globe. Focusing on the country’s vibrant cultural, political, economic and social world – including the transition from the colonial to the postcolonial era – the book argues that Mozambique is a country still emergent, still unfolding, still on the move. Drawing on the disciplines of history, literature studies, anthropology, political science, economy and art history, the book serves not only as a generous introduction to Mozambique but also as a case study of a southern African country. Contributors are: Signe Arnfred, Bjørn Enge Bertelsen, José Luís Cabaço, Ana Bénard da Costa, Anna Maria Gentili, Ana Margarida Fonseca, Randi Kaarhus, Sheila Pereira Khan, Maria Paula Meneses, Lia Quartapelle, Amy Schwartzott, Leonor Simas-Almeida, Anne Sletsjøe, Sandra Sousa, Linda van de Kamp.

The book focuses on an area called Maúa, not because I believe Maúa represents the whole of Mozambique as such, but because highlighting a specific area and people helps to understand the Mozambican history more deeply and comprehensively. In any case, it would be impossible to study the experience of all Mozambicans. I am not attempting to write a history textbook of Mozambique, or a glorious history of the liberation struggle, but rather trying to fill a gap in the descriptions of contemporary Mozambican history by delving into matters that have not been written about before.

On the Mueda plateau in northern Mozambique, sorcerers are said to feed on their victims, sometimes "making" lions or transforming into lions to literally devour their flesh. When the ruling FRELIMO party subscribed to socialism, it condemned sorcery beliefs and counter-sorcery practices as false consciousness, but since undertaking neoliberal reform, the party—still in power after three electoral cycles—has "tolerated tradition," leaving villagers to interpret and engage with events in the idiom of sorcery. Now, when the lions prowl plateau villages ,suspected sorcerers are often lynched. In this historical ethnography of sorcery, Harry G. West draws on a decade of fieldwork and combines the perspectives of anthropology and political science to reveal how Muedans expect responsible authorities to monitor the invisible realm of sorcery and to overturn or, as Muedans call it, "kupilikula" sorcerers' destructive attacks by practicing a constructive form of counter-sorcery themselves. Kupilikula argues that, where neoliberal policies have fostered social division rather than security and prosperity, Muedans have, in fact, used sorcery discourse to assess and sometimes overturn reforms, advancing alternative visions of a world transformed.

The Zambezi is the fourth-longest river in Africa, and one of the continent’s principal arteries of movement, migration, conquest and commerce. In this book, historian Malyn Newitt quotes rarely used Portuguese sources that throw vivid light on the culture of the river peoples and their relations with the Portuguese creole society of the prazos. Hitherto unused manuscript material illustrates Portuguese and British colonial rule over the people of the long-lived Lunda kingdoms, and the Lozi of the Barotse Floodplain. The Zambezi became a war zone during the ‘Scramble for Africa’, the struggle for independence and the civil wars that followed the departure of colonial powers. Recent history has also seen the river’s wild nature tamed by the introduction of steamers and the building of bridges and dams. These developments have changed the character of the waterway, and impacted–often drastically–the ecological systems of the valley and those settled along its course. The Zambezi traces the history of the communities that have lived along this great river; their relationship with the states formed on the high veldt; and the ways they have adapted to the vagaries of the Zambezi itself, with its annual floods, turbulent rapids and dramatic gorges.

Diverging from the studies of southern African migrant labor that focus on particular workplaces and points of origin, Bound for Work looks at the multitude of forms and locales of migrant labor that individuals—under more or less coercive circumstances—engaged in over the course of their lives. Tracing Mozambican workers as they moved between different types of labor across Mozambique, Rhodesia, and South Africa, Zachary Kagan Guthrie places the multiple venues of labor in a single historical frame, expanding the regional historiography beyond the long shadow cast by the apartheid state while simultaneously exploring the continuities and fractures between South Africa, southern Africa, and sub-Saharan Africa. Kagan Guthrie’s holistic approach to migrant labor yields several important conclusions. First, he highlights the importance of workers’ choices, explaining not just why people moved but why they moved in the ways they did: how they calculated the benefits of one destination over another, and how they decided when circumstances made it necessary to move again. Second, his attention to mobility gives a much clearer view of the mechanisms of power available to colonial authorities, as well as the limits to their effectiveness. Finally, Kagan Guthrie suggests a new explanation for the divergent trajectories of southern and sub-Saharan Africa in the aftermath of World War II.

The Blind Fisherman is a compilation of Mia Couto's early short stories - as first presented to the English-speaking world in his two collections Voices Made Night (1990) and Every Man is a Race (1994). Originally written in Portuguese, it was in these collections that Mia Couto first announced himself as a writer of international importance, constructing stories that blended the unique history of Mozambique with a magic realism that was both inspired by and transcendent of the legacy of Portuguese colonialism and the subsequent civil war.