Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

A detailed study of Tudor textiles, highlighting their extravagant beauty and their impact on the royal court, fashion, and taste At the Tudor Court, textiles were ubiquitous in decor and ceremony. Tapestries, embroideries, carpets, and hangings were more highly esteemed than paintings and other forms of decorative art. Indeed, in 16th-century Europe, fine textiles were so costly that they were out of reach for average citizens, and even for many nobles. This spectacularly illustrated book tells the story of textiles during the long Tudor century, from the ascendance of Henry VII in 1485 to the death of his granddaughter Elizabeth I in 1603. It places elaborate tapestries, imported carpets, lavish embroidery, and more within the context of religious and political upheavals of the Tudor court, as well as the expanding world of global trade, including previously unstudied encounters between the New World and the Elizabethan court. Special attention is paid to the Field of the Cloth of Gold, a magnificent two-week festival—and unsurpassed display of golden textiles—held in 1520. Even half a millennium later, such extraordinary works remain Tudor society’s strongest projection of wealth, taste, and ultimately power.

The increased use of quality designs in 19th-century manufactured goods created a steady demand during that period for collections of decorative patterns. This volume reproduces one such collection ― an extremely rare and valuable portfolio of 376 motifs assembled more than a century ago by two French Jesuit scholars. Relying on historical wall and floor tiles, textile patterns, tapestries, wall hangings, and other designs originating in the Middle Ages, the Renaissance, and later European and Islamic cultures, Charles Cahier (1807–1882) and Arthur Martin (1802–1856) produced a work of true artistic distinction. Included are a wealth of splendid floral, animal, bird, and geometric patterns, carefully researched and meticulously redrawn for use in a myriad of graphic and artistic projects. Many of the motifs are accompanied by complementary border designs, an often essential accessory. This edition faithfully reproduces the edition published in 1868, titled Suite aux mélanges d'archéologie. It represents an invaluable copyright-free resource embodying the finest designs from historic sources, ready for use by artists, illustrators, craftspeople, and designers working with textiles, wallpapers, interior decoration, and other projects.

Generously illustrated, Boys in Khaki, Girls in Print is a scholarly yet accessible illumination of a hitherto untapped resource of women's writing and makes an important new contribution to the study of the literature of the Great War."--BOOK JACKET.