A collection of folk stories talk about human, animal, and spirit characters who act out important lessons about living in the natural world of the Florida Everglades.

Discusses the life of Native American Betty Mae Jumper, highlighting her various occupations, her storytelling abilities, and her family's turbulent Seminole history.

Late at night around the campfires, Seminole children safely tucked into mosquito nets used to listen to the elders retelling the old stories and legends. The priceless tales of mischievous Rabbit, the Corn Lady, the Deer Girl, and the creatures of the Everglades are all written down and collected here for readers of all ages. This is a portrait of the beliefs and lifeways of the Seminoles of Florida as well as a delightful read for anyone interested in the first peoples of Florida.

The Seminole people often told stories that taught the listener lessons on human behavior. In this trickster myth, we learn that rabbit helped humans get fire. The Seminole trickster myth is retold in this brilliantly illustrated Native American Myth. Aligned to Common Core Standards and correlated to state standards. Short Tales is an imprint of Magic Wagon, a division of ABDO.

In 1840 Night Bird, whose clan of Seminole Indians is fighting to preserve its traditional way of life in Florida, must decide whether to seek land and an unknown future in distant Oklahoma.

Traces the life and achievements of one of modern America's first female elected tribal leaders, describing her half-Seminole heritage, her determination to acquire an education and her contributions as a community activist.

Guy LaBree’s connection to the Seminole Tribe of Florida began when he was an elementary school student in the 1940s living near the Dania (now Hollywood) reservation in Florida. However, it wasn't until the 1970s that this relationship grew into a creative partnership. LaBree was encouraged by the Seminoles to produce paintings depicting important teachings about their culture, customs, history, and legend as a way of passing on traditional knowledge to younger generations. To do this, he was given unprecedented access to privileged information never before shared with outsiders.

Howard Zinn, author of A People's History of the United States, predicted that the bottom class perspective of history would eventually gain ground, enveloping the old way of narrating history as told by the powerful. Since then, numerous historical events have been redefined through the outlook of common people that were involved from the bottom-up, forever altering how we understand history. No more romantic diatribes glittered in patriotic myths. No more traditional heroes, standardized viewpoints, unquestionable "facts," or generalized falsehoods. Just plain raw truth that is not afraid to stampede powerful governments with the herd of popular outrage. A People's History of Florida follows the People's History tradition, documenting the active involvement of African-Americans, indigenous people, women, and poor whites in shaping the Sunshine State's history.

Owner and Science Director of R & D for Florida Research & Development Laboratory. Has been in business for thirty five years. His business works within the Aquaculture Industry to develop medications and water conditioners for both the marine and freshwater fish hobby as well as the Aquaculture of farmed food fish. The companies expertise thrives on the cutting edge technology and is a strong contributor to the Fish Industry.

“A wild, rollicking ride into the heart of horse country—these essays get at what it means to love horses, in all that love's complexity.” —Anton DiSclafani, author of The Yonahlossee Riding Camp for Girls A compelling and provocative essay collection that smashes stereotypes and redefines the meaning of the term “horse girl,” broadening it for women of all cultural backgrounds. As a child, horses consumed Halimah Marcus’ imagination. When she wasn’t around horses she was pretending to be one, cantering on two legs, hands poised to hold invisible reins. To her classmates, girls like Halimah were known as “horse girls,” weird and overzealous, absent from the social worlds of their peers. Decades later, when memes about “horse girl energy,” began appearing across social media—Halimah reluctantly recognized herself. The jokes imagine girls as blinkered as carriage ponies, oblivious to the mockery behind their backs. The stereotypical horse girl is also white, thin, rich, and straight, a daughter of privilege. Yet so many riders don’t fit this narrow, damaging ideal, and relate to horses in profound ways that include ambivalence and regret, as well as unbridled passion and devotion. Featuring some of the most striking voices in contemporary literature—including Carmen Maria Machado, Pulitzer-prize winner Jane Smiley, T Kira Madden, Maggie Shipstead, and Courtney Maum—Horse Girls reframes the iconic bond between girls and horses with the complexity and nuance it deserves. And it showcases powerful emerging voices like Braudie Blais-Billie, on the connection between her Seminole and Quebecois heritage; Sarah Enelow-Snyder, on growing up as a Black barrel racer in central Texas; and Nur Nasreen Ibrahim, on the colonialist influence on horse culture in Pakistan. By turns thought-provoking and personal, Horse Girls reclaims its titular stereotype to ask bold questions about autonomy and desire, privilege and ambition, identity and freedom, and the competing forces of domestication and wildness.