"A Secret Offense, a Secret Revenge" (A Secreto Agravio, Secreta Venganza) is a play by Pedro Calderón de la Barca, written in the 17th century, during the Golden Age of Spain. The work falls within the drama genre. The plot revolves around themes such as honor, revenge, and the moral dilemma that these concepts can generate. The story follows Don Lope, a nobleman, who discovers a betrayal and decides to act outside the social and personal norms of honor of the time, that is, a duel, to not shed light on his dishonor. "A Secreto Agravio, Secreta Venganza" aptly represents the culture and values of the 17th century in Spain and Portugal, where the play's story is set, in addition to its historical contribution to the dramatic genre.

A world-famous neurobiologist, Santiago Ramn y Cajal won the Nobel Prize for his scientific research in 1906. The previous year, he published these stories: five ingenious tales that take a microscopic look at the nature, allure, and danger of scientific curiosity. Ramn y Cajal waited almost twenty years to publish these stories because he feared they would compromise his scientific career. Featuring the cutting-edge science of the mid-1880s (microscopy, bacteriology, and hypnosis), they probe the seductive power that proceeds from scientific knowledge and explore how the pursuit of such knowledge alternately redeems and ensnares humanity. Here revenge is disguised as research and common fraud as moral purification. Critical thought vies with moribund tradition and stifling religion for a hold on the human spirit; rigid divisions of class and wealth dissolve before the indiscriminate assault of microbes. One man's faith in science gives him the tools to outwit superstition and win the true love and happiness for which he has sacrificed. that melds the epiphany of A Christmas Carol with the macabre detail of an Edgar Allan Poe story.Now available for the first time in English, Ramn y Cajal's stories reveal a great deal about human nature and the collusion of ambition and greed that prey on the hapless and thoughtless, whether in the name of science, religion, or the state. Laura Otis, whose dual background in literature and science echoes that of the author, has crafted a sparkling translation that captures the wit and imagination of the original.

An all-new graphic novel inspired by ABC's popular television series "Revenge," cowritten by series writer Ted Sullivan! Emily Thorne is a wealthy and good-natured philanthropist who recently befriended the powerful Grayson family. But Emily's real name is Amanda Clarke. Twenty years ago, the Graysons' elite social circle framed Amanda's father for a horrific crime...and Amanda plans to destroy the lives of those who stole her childhood and betrayed her father. Now, experience Amanda's first mission of revenge! After training in Japan, the untested heroine finds herself infiltrating high society in Geneva. There, she uncovers secrets about her past...but her future will be short-lived unless Amanda can defeat a surprising enemy with ties to the people who destroyed her life! Prepare for a thrilling ride into the previously unexplored past of television's most dynamic - and dangerous - girl next door!

Imagine shopping for a living, going undercover in the lingerie department, homing in on size-zero haute couture . . . and shopping the shop girls who think service is a dirty word. Welcome to the world of the Secret Shopper. New mum Emily wants revenge on the stick-thin assistants who laugh at her post-baby tummy and post-baby budget. But frumpiness has its advantages when you're wielding a secret camera - and sending the damning footage straight to head office. Store manager Sandie has a lifelong love of the world of retail - the glitz, the glamour, the stockroom. Then she's fitted up by an ambitious assistant and secret shopping is the only way to keep her one passion alive. Glamorous widow Grazia can't leave behind the high life, despite her chronically low bank balance. The more she's buying - and spying - the less time she has to mourn her husband or her fair-weather friends who've dumped her. They're Charlie's Shopping Angels, controlled by a mysterious figure who sends them assignments. But when they're sent to stitch up a doomed shop owned by Will, the angels begin to feel divided loyalties . . .

The Spanish wife-murder comedias constitute an important category of seventeenth-century peninsular plays. Fatal Union considers thirty-one comedias by fifteen authors to show that they present anything but a unified perspective.

First Stories: 'Twas The Night Before Christmas is the perfect introduction for young children to Clement Clarke Moore's popular poem. Push, pull and slide the pages to see reindeer magically flying through the sky, sugarplum fairies dancing and stockings filling up with presents. This well-loved poem is beautifully imagined for a new generation by illustrator Miriam Bos. Collect more books in the First Stories series: Aladdin, Alice in Wonderland, Beauty and the Beast, A Christmas Carol, Cinderella, Doctor Dolittle, Goldilocks and the Three Bears, Hansel and Gretel, Jack and the Beanstalk, The Jungle Book, The Little Mermaid, Little Red Riding Hood, The Nutcracker, Peter Pan, Pinocchio, Puss in Boots, Rapunzel, Sleeping Beauty, Snow White, The Three Little Pigs, The Snow Queen, Mulan and The Ugly Duckling.

An Elizabethan espionage thriller in which playwright Christopher Marlowe spies on Mary, Queen of Scots while navigating the perils of politics, theater, romance—and murder. England, 1585. In Kit Marlowe's last year at Cambridge, he is approached by Queen Elizabeth's spymaster offering an unorthodox career opportunity: going undercover to intercept a Catholic plot to put Mary, Queen of Scots on Elizabeth's throne. Spying on Queen Mary turns out to be more than Kit bargained for, but his salary allows him to mount his first play, and over the following years he becomes the toast of London's raucous theater scene. But when Kit finds himself reluctantly drawn back into the world of espionage and treason, he realizes everything he's worked so hard to attain—including the trust of the man he loves—could vanish in an instant. Pairing modern language with period detail, Allison Epstein brings Elizabeth's lavish court, Marlowe's colorful theater troupe, and the squalor of sixteenth-century London to vivid, teeming life. At the center of the action is Kit himself—an irrepressible, irreverent force of nature.

Defying the traditional boundary between science and the humanities, she concludes by proposing a notion of identity based on relations and connections.

When Fyodor Dostoevsky proclaims that he is a "realist in a higher sense," it is because the facts are irrelevant to his truth. And it is in this spirit that Apollonio approaches Dostoevsky’s work, reading through the facts--the text--of his canonical novels for the deeper truth that they distort, mask, and, ultimately, disclose. This sort of reading against the grain is, Apollonio suggests, precisely what these works, with their emphasis on the hidden and the private and their narrative reliance on secrecy and slander, demand. In each work Apollonio focuses on one character or theme caught in the compromising, self-serving, or distorting narrative lens. Who, she asks, really exploits whom in Poor Folk? Does "White Nights" ever escape the dream state? What is actually lost--and what is won--in The Gambler? Is Svidrigailov, of such ill repute in Crime and Punishment, in fact an exemplar of generosity and truth? Who, in Demons, is truly demonic? Here we see how Dostoevsky has crafted his novels to help us see these distorting filters and develop the critical skills to resist their anaesthetic effect. Apollonio's readings show how Dostoevsky's paradoxes counter and usurp our comfortable assumptions about the way the world is and offer access to a deeper, immanent essence. His works gain power when we read beyond the primitive logic of external appearances and recognize the deeper life of the text.