American readers will rarely see these two thrillers from the 30s by Britain's Roland Daniel. THE SIGNAL (1933) begins with a rich man receiving in the mail five beans (!) just before he's dispatched with a pistol by an unknown hand. Sounds like something Harry Stephen Keeler might have opined. And Fu Manchu has nothing on the inscrutable and titular Wu Fang, whose sordid machinations threaten a young American woman, her Secret Service beau, his cockney sidekick and Superintendent Bill Saville of the Yard. The wily celestial, introduced in 1934, has picked up some new tortures by 1937, and can't wait to try them on the whole crowd.

Vols. for 1898-1968 include a directory of publishers.

What if you were to discover that you were only one half of a whole—that you had a divine double? In the second and third centuries CE, Charles Stang shows, this idea gripped the religious imagination of the Eastern Mediterranean, offering a distinctive understanding of the self that has survived in various forms down to the present.